It’s time for another super old horror film. Compared to the last films that I’ve reviewed, this one looks great, but as a film overall it is not that good. It’s a lot more fun and charismatic, but if you’re looking at this like a horror film, then it’s going to disappoint you quite a lot. There is nothing scary about this film at all and for the most part it plays out like a comedy. The main character really reminds me of Bill Murray though, to the point where the main character here looks almost identical to him. Hmmm…maybe I just haven’t seen enough Murray movies though.

Larry moves to a little village to meet up with his father after a relative’s untimely demise. They haven’t talked much before this so the situation is rather tricky for a little while, but they soon get along quite well. The main problem now is getting the other villagers to like him. Larry doesn’t worry about that for very long though as he looks through his window and happens to see a lady. He quickly believes this to be love at first sight and hounds her until she agrees to a meet up along with one of her friends to get their fortune told. One thing leads to another and Larry/Gwen decide to ditch the friend for a few minutes. Larry sees her get murdered by a Werewolf and destroys it, but now he is being framed for murder and turning into one himself. Will his will power hold out?

The whole romance plot here is quite bad though. First off, Larry is persistent to the point of being a nuisance the whole time and then we find out that Gwen already has a fiancee. (I think it was a fiancee, could have just been a normal boyfriend) Yet, she continues to hang out with him which is basically giving him hope even if he’s the one who is constantly following her. She’s sort of playing the field which is always sad to see. Larry’s a pretty bad character though so it’s hard to feel all that bad for him.

At least Larry can be amusing though. He gets a few good one liners in and his voice was made for comedy. That being said, his will power is incredibly weak and if he was going to run, he should have done it right away. He waited way too long for his plans and that’s why they didn’t end up working out very well. As a Werewolf, he wasn’t all that impressive either. He has slight super strength and a little extra speed, but apparently it is not enough to deal with a human who is holding a blunt object. Both Werewolves don’t look so good once the fight is on.

Larry’s Dad was probably the best character in the film. He kept on reminding everyone that there were no such things as Werewolves and even decided to tie up Larry so that he could watch this and be freed from his paranoia. His main mistake was deciding to leave Larry alone after that. The ending would typically be super tragic, but it’s not handled too heavily. It’s given appropriate emotional value, but it isn’t beaten to death like a modern film would probably do. Extended crying scenes and all of that, the Wolf Man skips all of that.

For once, there actually was a bit of a soundtrack here. Mainly because this film has a big contrast between happy and evil scenes. It’s something that newer films don’t really do, but the older ones were well known for this. For example, whenever the main heroine would appear, the music would quickly go up and the tone would be lighter. When the Werewolf appeared, the music would suddenly slow and get very tense. It’s a nice contrast and I’m also just happy to finally have a soundtrack to talk about as well. It feels like it has been quite a while.

While I am still an advocate for all movies being as long as possible, the short length works pretty well. After all, if a film’s writers don’t know how they could stretch a film out without watering it down, then it’s not worth it. For a film like Batman V Superman or Avengers, I could easily see it being 4 hours and not really being any worse. Those scenes would be useful character development, but what would the Wolf Man do with an extra hour? No, the short length is for the best and as it is, we get a nice array of different scenes. Seeing the doctors and cops subtly question Larry while also insinuating that he is the culprit was a well done scene. Again, I’ve got to give Larry’s Dad some props here for also talking a good game. He reminds Larry that nobody can remove him from the premises, not even the cops. Apparently the rich family name has even more clout than I could have dared imagine.

The weak romance is really what hurts this film. It makes Larry look unreasonable and turns him into an unlikable character while it also makes Gwen look bad for even going around with him in the first place. It didn’t really need to be in this film and if that time was used for more dialogue with Larry’s Dad or something like that instead, the film could have definitely sneaked in a 7. As it is, I think that aspect weakens the film enough to justify taking the star away. If the Werewolves didn’t have such weak will power, it could actually be useful to have the ability of transformation.

Overall, The Wolf Man is certainly one of the better classic movie monster films from Universal. It’s definitely aged a lot better than Dracula, Frankenstein, and the Mummy. This film has quite a few sequels and crossovers so who knows, I may end up being on the Wolf Man’s side for just about all of them. That being said, he is easily one of the weakest so I’m not sure if he’ll really have much of a future in those fights. He’ll definitely have to use a lot of tactical strategies. By the end of the film, you should hopefully know the Werewolf legend word for word since it is repeated over and over again by many different characters. If you want to get the most enjoyment from this film, go in expecting a comedy. Trust me, it’ll feel like one as you watch it.

Overall 6/10