Well, it’s time for another retro film. Believe it or not, this one also came out before the original Godzilla film. (Also? Check out some of my earlier reviews to see what I mean!) The title may quickly remind you of Family Game Night or the Sorry! board game. I’ll admit that the final line made me think of it as well, but this one is a little more suspenseful as there is crime afoot. It’s certainly not Hitchcock level, but the film had potential. It just needed to have less showing and more doing.

The plot revolves around a lady named Leona. She’s stuck in bed as she’s pretty ill. Her nurse is off for the day and all of the neighbors seem to be out in the town or away for a while. Her husband was supposed to come home that night, but he seems to have vanished as well. This all doesn’t bother her at first, but then she picks up the phone and overhears a plot to murder someone. She must try to alert the police or anyone for that matter. What if someone gets hurt?….what if she gets hurt!? It’s a race against time as it will all be over once the train crosses the station.

Upon first glance, this probably sounds like the Hitchcock film where the guy is stuck in a wheelchair and witnesses a murder right? It’s actually pretty similar in that respect since the main character can’t walk either, but that’s where the films start to deviate. This one wants to tell us a pretty complex plot through the use of flashbacks. I think I prefer to see the story in real time. I guess this way makes the mystery longer though. (It would be a bit of a short film not counting the flashbacks) We even get flashbacks inside of flashbacks as the film goes on and many startling revelations are brought upon us.

Leona is the main character, but she’s not a great lead. She may seem pretty innocent when the film starts, but we quickly learn that she’s more sinister than she looks. She stole the main character just to doom him and while her feelings may have changed over time, it wasn’t a genuine start. She’s also pretty unreasonable as she wants Henry to be indebted to her and to never really have a life of his own. He tries to find some work for himself and to move away, but she stops him each time. If he insists, then she’ll just have a heart attack, which will end the discussion. She’s pretty confident when she’s on the phone, but one could argue that she’s overconfident and she didn’t do a great job of explaining the situation on the phone. She was probably doomed without any evidence anyway, but she should have quickly gotten someone to come over.

Henry is the other main lead. He’s gone when the film starts, but we begin to learn a lot about his life through the flashbacks. He isn’t satisfied working for Leona’s father and he thinks his life is pretty dull. He’s on a pretty short leash so there’s not really much that he can do. Well, thanks to the nature of this mystery film, I can’t really say much more than that. I can say that while you’ll be sympathizing with him over Leona for a while, this eventually switches and you have to root against both of them. Henry has to make a few tough calls and unfortunately, they were the wrong ones. They put him on a path to destruction and it results in a dicey end for him. Then again, I should have suspected that something was up with him when he ditched the main heroine (The one who could have been the main heroine anyway) to go with the rich girl as he drove off. It was rather shady and not a very heroic thing to do either.

Waldo is pretty intense since he’s one of the most sinister characters at the start of the film. Once we learn about his history, he quickly loses his mystique. He was pretty likable at first, but he lacked the will to resist a tempting offer. He probably also accepted it because he feared for his safety if he refused, but it doesn’t change the fact that the money was one of the big incentives. If he had just stuck to doing his duties and not trying to fulfill his dream of having a big field with horses, things may have gone better for him.

Sally is a figure from Henry’s past who steps into the fray at one point and she was probably the second best character around. I was actually pretty worried that she was going to be an expendable figure at the beginning though since she doesn’t seem to be the type of character who will make it through this. Maybe she didn’t! Still, she gives Leona a lot of helpful advice during the film and while it may not have ultimately changed anything, it makes connecting the dots a lot easier for the viewer. Her husband is a bit of a red herring since he looks incredibly shady at first, but it all makes sense by the end. Her plot is also a nice change of pace since the kid isn’t annoying as you would expect one to be. He’s not too smart for his own good like in The Box and he’s not there to get in the way. He’s just a kid who is there to make us wonder what is going to happen next.

You could say that one of the film’s underlying messages is that everyone can be pretty corrupt at times. Leona’s father is forcing Henry to stay at his job, Leona is forcing Henry to give up his freedom, Henry is forcing Waldo to stray off his path, Waldo is forcing the company to lose money, etc. Most of the characters end up being corrupt or shady in some way or another and there are only a handful of characters that you could actually call good. The cops, Sally’s family, and some other characters down the line. It’s all rather sinister and it fits the film’s bleak tone. There doesn’t seem to be a light at the end of the tunnel and you’re not expecting a happy ending.

Needless to say, the ending is not very happy. I would compare it to another genre in terms of endings, but that would probably give it away. Let’s just say that you won’t be humming as you walk away from this title. “Sorry!” is one of the final words that is spoken and the voice will definitely bring back memories from the board game. The ending is definitely pretty memorable and you probably won’t be forgetting it after hearing those words.

While watching the film, I actually liked Leona’s father a lot. He started to show his true colors towards the end of the film, but he was still doing it all to help Leona. After she left, then he started partying, but she’s the one who created distance between them. It’s just too bad that he cracked so easily about the marriage. We actually find out one reason why he gave up so quickly, which helps, but he could have been a little tougher about it. There’s not really a soundtrack here so we can bypass that.

There is some romance, but ironically, Leona is the one who mostly helps to avoid that. There’s no animal violence, which is a plus as well. So, you can see that the film didn’t commit any big errors. That would have hurt the score even more. As it stands, I couldn’t justify giving it a positive rating even in light of this. It just wasn’t good enough to get any higher. A fight scene or two could have changed things and we almost got one with the gangsters, but it was averted.

Overall, Sorry, Wrong Number is a decent mystery film, but there isn’t a lot of meat within it. There is a ton of exposition and we slowly breach through the foggy mist that surrounds the plot, but knowing about it isn’t going to be enough to change anything. The plot is decently interesting as you are watching it, but the execution could have been better. I guess you may just feel that there wasn’t much of a point to the film. What was gained from it? There weren’t many noticeable weaknesses in the film, but it didn’t have many strengths either. I’d only recommend it if you really want to see an old mystery film, but even then there are better options available anyway so you may as well just see one of those. Check out The Big Sleep! (I know, I mention that one a lot, but it’s probably the best mystery film that I’ve seen aside from Sherlock Holmes…or maybe it is better. It’s a tough decision)

Overall 4/10