Tag Archives: Mobsters

Donnie Brasco

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This review is of the TV-14 edited version of the film. All thoughts below should be addressed as such as a review of the unedited version would be more negative

It’s time for a film based on a true story. These always tend to get pretty intense and I wasn’t familiar with this person so it was all new to me. It’s a pretty interesting story and while it is long, it keeps your attention the whole way. The main character does look pretty bad the whole time though so I hope he was maybe just being humble or over correcting a bit when telling the story.

The story starts with a very well known gangster known as Lefty walking into a coffee shop and seeing a guy named Donnie. Donnie is super good at spotting fake jewels and so Lefty brings him into the fold. Donnie may have shown up out of nowhere but he is good at what he does and so Lefty decides to trust him. The two of them become good friends and Lefty teaches him the ins and outs of the business. What he doesn’t realize is that Donnie works for the government as a double agent and is here to put an end to the mafia for good. Will Lefty realize what is going on in time?

Being a double agent has to be one of the toughest jobs in the world. You’re really living a double life the whole time and you’re in critical danger for the whole mission. One single slip up and you’re read. There is a ton of pressure here and of course you’re making friends with the guys who will ultimately be put in jail or murdered so you have that on your conscience as well. It’s definitely a job that only some people could ever hope to pull off and Donnie is good. He’s a really good agent so he does a good job in the mission.

So I have no qualms with how he handles his duties on the job. He got a ton of intel and really got his way into the ranks. I would say the only big misstep was in agreeing to vouch for another government agent who was clearly not as good. Where he falls apart is in the family business. He keeps his family completely in the dark and does start to have a really hard time breaking free of his gangster role. He just doesn’t talk or act the same as he used to and does get pretty cold with his wife. The instant he hits her is when you know he’s too far gone and that things weren’t really going to be the same. It was unfortunate to see him crumble so hard there. Particularly since his boss Lefty was shown to be a good family man even if he was a ruthless gangster.

All of the mobsters at the top have to have a super ruthless exterior. You can’t show any kind of weakness there. That being said, you do have to be able to turn the switch on and off. I ended up liking Lefty a lot more for this reason. Yeah he is a crook and it’s important not to lose sight of that for even a moment. Even when the guy is acting nice and doing the right things, it’s not like he has suddenly become a saint. He still does rob people for a living and does whatever the mafia tells him to.

It’s just easier to root for a mob who at least has some principles over someone who has none. It’s really as simple as all that. For example you have Sunny as another big villain and you can easily tell that he would cross a lot more lines than Lefty ever would. Sunny is the kind of guy who really lets power get to his head and the further he rises up, the more unstable he gets. The members can all see it, but really can’t do much about it. The mafia is run as a very tight ship and if you step out of line then you get whacked.

It’s for this reason that some of the really high up bosses get a little complacent and overconfident though. They forgot to watch their backs or even realize that eventually someone would make a move. One of the big sources of fear with the Mafia is that you often know ahead of time when you are about to get bumped off. Most of the characters go off silently to be executed but Sunny is a little more proactive than that. I do think he had the right idea there because why would you just allow yourself to be murdered without putting up a fight? That would make absolutely no sense to me.

I would say that the government looks rather undisciplined and scattered in comparison. They aren’t always in communication and when they do show up, they start barking orders without looking at the situation. They were basically ready to blow up Donnie’s operation at the drop of a hat for another one. After all the time he already put in there, that’s definitely insulting to put it mildly. They definitely could have been more supportive and helpful. It’s not a writing problem as the film’s writing is quite good the whole time. That’s just their role here.

The movie’s writing really shines with how it introduces a lot of characters and gives them all personalities very quickly. Some stories really have a tough time getting you to understand the characters but that wasn’t an issue here. Additionally the pacing was on point and there weren’t any real strong negatives to hold it too far back. I would probably say we could cut out all scenes of Donnie’s home life but I understand that if the events were mentioned in the original story then it would be difficult to cut them out.

Overall, Donnie Brasco is an interesting film. It can be fun to see the mobster world for a while there. You’re definitely rooting for them to get taken down the whole time. You need the cops to show up and put a stop to all of this. I know a lot of it comes down to not having a ton of proof or wanting to draw out the big guns but you’d think a solid raid from after they robbed the nearby traffic machines would be good enough. At one point in the film, just about all of them are rounded up but then they are released right away. I get the feeling that the burden of evidence is really high in these cases and the mob must have some strong people on the payroll. Either way if you are up for a solid mob story then it’s hard to imagine a flick doing much better than this one. It really ticked off all the boxes

On the Waterfront Review

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I haven’t seen too many films about unions and the mob getting mixed up in some dirty dealings so this made for a fun watch. The union is definitely a powerful thing that you always want to encourage and help grow. Without them employees are easily bullied and exploited all over the place. It’s why I always say it’s better to take a lower paying job that has a union, aka job security over a high paying one where you can be fired at will. It’s just a world of difference in how much you will stress out about things on a day to day basis and in a way life just becomes easier. Of course it’s not a blanket rule and there are many people who enjoy great jobs out of the union. As with almost everything, it will be a case by case basis but on the whole I do support unions. Clearly they do need oversight though or you get an incident like the Waterfront happening behind your back.

The movie starts off by introducing us to Terry who tricks a guy into walking through a fatal ambush. Basically this guy was going to speak with some detectives about the corruption on Waterfront and the mafia wasn’t having that. Terry regrets what he did though because he didn’t realize that the mob was going to murder this guy. He figured they would just rough him up but now he’s in too deep to get out. Basically this segment of the union is run by Johnny who and for all intents and purposes it is the mafia. He chooses who gets to earn money and live an easy life while the others scramble for pennies and go home hungry. Terry and his brother Charley have fairly high positions within the mafia and so they are taken care of but Terry feels guilty all the same.

Edie, the sister of the man who was destroyed resolves to do something about this and she gets Father Barry to help her out with this. Together they aim to take a stand and get someone to cooperate with the police in outing the mobsters. This does put them in the crosshairs of the villains though so Terry is going to have to make a choice and soon. If he stands by and lets them get murdered then it is as if he did the deed himself and if he helps them out then he may die. Time is no longer on his side.

I think Terry was a bit naïve in believing that the mob would spare the first guy in the opening scene though. From the mob’s perspective he’s a squealer and no matter what kind of gang you go to, that is obviously frowned upon. They were always going to use him as an example and I suppose in this case Terry just didn’t have enough street smarts to recognize that. He wisens up a bit as the film goes on but even by the end he didn’t always seem to be very quick on the uptake. Near the end of the film his brother Charley tries to convince him to confirm that he won’t talk to the detectives and Terry keeps saying that he is unsure. He doesn’t realize that this is a final plea to him because Terry is slated to be destroyed and it has to be spelled out for him.

Throughout the film Terry seems to underestimate the level of trouble that he’s in and it just strikes me as a bit odd. He doesn’t seem like someone who would be that sheltered from the mob and the cruel realities of life. I guess in a way his brother Charley did a good job of shielding him from the worst elements. Ultimately Charley is a villain here particularly as he knew exactly what he was doing the whole time. Still, I can appreciate that he looked out for his brother all the way to the end and was willing to sacrifice himself to buy more time.

Meanwhile Johnny made for a solid villain. He’s the kind of guy who rules through fear and never forgets how he rose to the top. He’s stayed in shape and is still quite strong. He’s not going to be taking down a professional boxer or anything like that but against the average joe you have to believe that he would do pretty well. He’s good at baiting Terry (You also just blame Terry for being a bit too reactive at times) and it’s easy to see why he managed to climb to the top. Johnny may not be a good guy but he knows his way around the streets.

Barry ends up doing a good job here as well since he puts himself in a lot of danger as well and doesn’t waver. He’s willing to go the distance on this one and so even when some people die, you know that he’s not going to give up. In those days as a member of the church he would have been in 0 danger if he had just stayed within the church. So it was courageous of him to go out there and really risk his life like that. I’d say he was the best character here.

Then you have Edie who was also proactive in doing her best to get to the bottom of this and really try to avenge her brother. She attends the meetings and really gets the ball rolling. Without her kicking things off it is extremely likely that nothing would have been done. She has to take a whole lot of credit in getting things set up here.

One weak area of the film is the romance though. You just can’t convince me that someone would fall for the man who assisted in murdering her brother. Yes we know it was an accident but even so I just don’t see how you move past that. Maybe after a lot of years or something but short term it’s just not going to happen. That’s such a personal thing that you can’t simply get over it. Nah the film should have cut the romance angle out since it’s not like this was really going to enhance the story in any way.

My one issue narratively is in the climax how nobody helps Terry. The whole group in the union feel extremely soft here. You’re telling me that after the boss has finally been pretty much dethroned and you’re at the end of the race, nobody is going to help out? Surely there would be either enough resentment or comradery to get one of them to jump in and land some serious damage. Terry was beating Johnny one on one and only lost because it became a 4 against 1. There were dozens and dozens of other workers watching from a very close distance. They should have jumped in to help. It was such a bad scene here because it instantly makes the ending lose a lot of punch since they didn’t help out. When the chips were down Terry was alone and that goes against the whole ending where everyone is in solidarity. It would have meant so much more if they helped him take down the attackers and then walked in with him.

Throughout the film it felt like they were starting to gain some confidence too. That they all had enough and were willing to fight back but I guess that wasn’t to be. In the end the fear Johnny engrained in them ran far too deep and that’s unfortunate. Would have been nice if the detectives showed up or something to lead him away in handcuffs too since he lost the court case. There are a lot of charges you could throw at him at that point and compound them into the previous verdict but the detectives basically vanished early on.

Now there was one scene that did hurt the film near the end and it comes out of nowhere. There is this random subplot where Terry likes raising a bunch of pigeons as a side gig and naturally it ends with all of them being murdered by some psychotic kids. They should definitely be in jail and got off way too easy here. It’s pretty rough because they murdered a whole flock of birds here and suffer absolutely no penalty. It’s another way of showing how Terry burned all of his bridges by going against the mob but you didn’t have to include this plot at all. It’s definitely the most tragic moment in the film and the sheer body count is also astounding.

Overall, On The Waterfront is a very engaging movie even if it did lose a lot of momentum in the end. You’ve got a solid script here and a good atmosphere in the background. The scene where the villains call Terry out was really good because you knew that he could die if he went down there and yet he had to because his brother was being used as bait. You can also see how stressful it is to be within a gang because you can be in their good graces one moment and then they turn on you in the blink of an eye. The best way to survive is to simply avoid them from the start. Part of the dilemma here was that some people really had no other opportunities which is why Johnny lasted for so long. There was no real witness protection with how everyone was getting bumped off so it made for a very negative cycle. It’s definitely good that Edie and Barry were here to close out the situation once and for all.

Overall 5/10

The Narrow Margin Review

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narrow
It’s time to take a look at an old train film. Just about the whole film takes place on the train with the detective matching wits against the mobsters. It’s a very short film though, only being a little over an hour so it certainly never drags and the pacing stays rather quick the whole time. It’s a fun little detective film. It may not have the same amount of depth as some other retro thrillers, but this is a good film to add to your collection.

Walter Brown is a good detective/police agent who has been tasked with the job of safely getting the wife of a gangster to a jury so she can release a list of names of other wanted associates. The gangsters don’t want this to happen so they’ve sent some men to eliminate her. The advantage that Walter has is that the villains do not know how the wife looks. Unfortunately, Walter’s partner was an amateur at the protecting business and when escorting the lady out of her apartment, he walked down the dark stairs with his eyes closed and enjoying his smoke. He did not notice anything until an innocent bystander happened to show up and the partner quickly died. With him out of the way, Walter must now keep the wife safe on his own. Can he handle this? At least 2 gangsters are already on board the train and there may be more of them afoot.

The situation grows more complicated as the gangsters start to suspect that another lady on board the train is actually the wife thanks to Walter stopping to talk to this lady quite a few times. Can Walter complete his mission and also ensure that no innocents are harmed either? Looks like it is time for a fight! As Walter says at the beginning of the movie, this mission wasn’t very well thought out on the cops side. Surely there is a more secure way of protecting this witness than putting her on board a crowded train with other gangsters right? Maybe a drive with a police escort or something like that. It would take longer, but it would also be safer.

As this is an old film with a good writing staff, the script is very good. The characters engage in quite a few mind games and throw out subtle insults whenever necessary. It doesn’t mean that all of the characters are likable though as that aspect is really 50/50, but the film is engaging all the way from start to finish. This is a solid thriller even if there are not a lot of twists and ruffles. It’s simple, but direct.

As hinted at earlier, I thought that Walter’s partner was pretty terrible at his job and supremely overconfident. The way that he went down was pretty embarrassing. Walter would be a good main character, but he ends up panicking and yelling a lot throughout the film. A detective’s always got to keep his cool under duress while this guy seems to take everything personally. Everything tends to work out all right for him, but that doesn’t necessarily mean that he is great at his job. On the contrary, he leaves his post many times and actually gets his charge killed at one point. Maybe if he spent less time tailing everyone around the train and stopping to chat with the other passengers, he would have had better luck here. Tying up the convict that he did defeat would have surely been a good move as well.

The witness that Walter is protecting loves to talk so get ready for her to keep on insulting everyone. There is a plot twist about her that makes the whole situation a lot worse as well. She refused to play along with Walter’s plan to stay silent so she would turn the music on rather loudly which attracts a lot of attention since officially she can’t let anyone know that she’s on the train. There’s also the fact that she casually opens the door rather easily after hearing a muffled response. Given the plot twist, she should have had her gun at the ready and definitely should have not opened the door. She’s as bad as Walter in that respect.

The villains are fairly generic. They’re around and know how to fight, but in the end they’re simply foot soldiers working for some unseen gangsters. The one who offered Walter a deal surprisingly didn’t get much of a role in the end. One character who actually turned out to be pretty enjoyable was the “Fat Man” I forgot if he got a name by the end, but that’s the term that he kept on using so we may as well roll with it. He’s really invaluable to have on a Train and especially a train with such narrow hallways as this one. Unfortunately, he’s another all talk and no action character so don’t count on him in a fight, but he’s still fun to have and that’s what counts I suppose right?

We also have Ann, who shows up on the train along with her son and his nurse. They’re fine characters I suppose, but they’re really just here to flesh out the cast more than anything else. The secret that Walter tells the kid never even comes into play anyway. They provide a lot of distractions and issues for Walter from his job since the kid seems to think that he’s a robber and Ann keeps reminding Walter to watch out for his nerves. Walter can’t let himself get too attached though because then the person he is guarding could be in danger. Unfortunately, he does forget his priorities a lot although he is faced with a lot of tricky situations. He really needed some backup for this case and it is a little surprising that he wasn’t given any. At least someone right before the train departed right? I can say with confidence that having one more person would have been extremely helpful.

Back to how the case was handled though, the police could have come up with a better plan. Send in two more guys and just make it official that they’re transporting someone. Good luck trying to get past these guys when it’s public knowledge. Also, they should have had security cars following the train once it was confirmed that crooks were following the main guy. The problem is that there was no communication so he was never able to talk to any of the cops. I’d call that a pretty big oversight in whatever the plan was.

Overall, The Narrow Margin was a solid thriller, I definitely recommend checking it out. The plan may have not been the best, but Walter worked with what he got and showed the Police Force that he doesn’t take bribes. He also wins the big fist fight of the film so he proved that when the chips were down he did not need a gun. I have to question the intelligence of the whole cast though in light of the fact that just about everyone left their doors unlocked for the majority of the film. To break the locks, you need to use a gun and that calls attention so the main characters should have definitely kept the rooms locked. Sure, once Walter let the guy in as part of his plan, but how about catching the guy in the act or simply keeping him out. The villains would try breaking in at some point, but Walter would have the edge with his gun at the ready. I definitely would have handled things differently than Walter, but I suppose that’s part of the fun of these thrillers; thinking of the potential ways this could have ended differently.

Overall 7/10