Neuro Supernatural Detective Review

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It feels like a long time ago, but I actually read this series as recently as the end of May. (May 31st is when I had the original post up) I haven’t read many mystery series in the past so it’s great to finally meet a long one and it naturally has the Shonen twist to spice things up. All that aside, could it end up being as good as Assassination Classroom and join the big leagues? (Not saying that Classroom is in the big leagues yet, but it’s a solid series thus far) Time to find out!

The main character of this series is a girl named Yako and she was leading a normal life until her father is murdered. This naturally distresses her and she’s unsure of what to do next. Luckily, a demon by the name of Neuro appears and he agrees to solve her mystery, but now she will have to be his assistant…forever. That seems like a small price to pay so Yako accepts. There are many mysteries that make up about half of the series (Feels like it anyway) until the real plot begins. An organization of terrorists appear and they want to spread chaos and panic throughout the world. Their actual goals beyond that are pretty vague, but they want to conquer the world. They’re all human and Neuro’s a city busting demon so this should be easy…right? Well, Neuro gets weaker for every day that he is in the human world, so that helps to even the scales a little bit.

The artwork is pretty great and it’s very easy to follow the action along. This isn’t the Sword Art Online manga that we’re dealing with! It can certainly hold its own against just about any other series on the artwork and while it may not stand out as terrific, I would call it very good. The character designs are all fairly unique, which helps you to remember them pretty well. (Names are another matter altogether. I can’t say that I remembered the names of just about anyone after I finished and let my thoughts stew for 4-5 months.)

The humor in the series wasn’t for me and it certainly played a part in the series inevitable drop in the ratings. One of the running gags in the series is that Neuro is constantly making Yako’s life as miserable as he can. He puts demons in her food so that she can’t eat and he never lets her sleep by placing many traps around the apartment. If she tries to go to sleep, she runs the risk of being impaled, electrocuted, or basically destroyed. Keep in mind that this is all in a comic relief/slap stick so to some it may not seem as bad as it sounds, but the humor is still too morbid for me. The stuff that Neuro really crosses the line into being a villain no matter how Yako may try to sympathize with him. It’s just not enjoyable to watch.

As a main character, Yako is pretty good. I still think that she shouldn’t put up with Neuro so much, but she really does want to help solve mysteries relating to crime and she’s always ready for a good meal. I’m not sure who to compare her too in terms of main characters, but she’s likable. Naturally, she won’t be very similar to someone like Luffy or Ichigo since she never gets to fight, but she helps for the brain vs brawn argument. Of course, this does lead to some plot hax during her big action scenes. I have to say that the ending of the series is pretty sad for her.

Neuro is the other main character and I don’t care for him. He has some good parts of course. I like that he’s one of those fighters who never backs down from a villain and he could care less about what the villains are threatening to do. He’s very skilled and he enjoys a good challenge. This is just outweighed by his bad aspects. He loves inflicting pain and misery to people and his whole gimmick is that he eats mysteries so he loves when things happen to create them. No matter what the act is. The only reason why he is against murder is because it eliminates future mysteries that could have appeared. He’s simply too over the top. Also, he may be insanely strong, but it’s simply not enough at times. He grows weaker with every chapter and eating mysteries doesn’t give him back enough strength to counter what he has lost. So, he gets less impressive as the series goes on and it gets to the point where a human (Amped of course) is giving him some trouble. It was still pretty interesting though and Neuro is one of the few main characters in media who uses fear as his weapon. (Nura is the only other one that I know of who uses this attribute)
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X is one of the biggest villains and he/she is decently cool at first. X is a human who can shapeshift and “he” doesn’t even know if he is a guy or a girl. I’m just going to refer to X as a him for this paragraph since the first form that we see him in is that of a guy. He’s pretty quick and since his DNA has been messed with, he’s far superior to an average human. I found myself looking forward to his fights with Neuro. That being said, he was ultimately doomed since he went after a dog. That was the moment of no return for him. His method of destroying people is also rather sinister as he literally turns them into a box. It’s pretty dicey to say the least. I gotta admit that it is a great name for a villain though!

Godai is a former thug who is forced by Neuro to work as the Detective Agency’s bouncer. He does the dirty work for the heroes like filing for an eternity and Neuro messes with him just as much as Yako. Unlike Yako, he doesn’t really get to participate in the mysteries very often though so it’s a pretty rough situation for him. At least he has started to work legitimately so we can thank Neuro for that. I still didn’t care for Godai no matter how much the series tried to make him likable. He just didn’t really add anything to the series.

Sasazuka is one of the best characters in the series. He’s a Policeman with a mysterious past and he has no problems with talking back to Neuro. He’s one of the few humans who is actually very helpful against the villains and he has a pretty emotional wrap up to his plot. His past is rather tragic as you would expect from someone in this series. Upon further thought, I would say that Sasazuka is the best character in the franchise. It’s just hard to top him and he’s basically perfect. It would have been great if he had been the main character.

Sicks is the main villain and he’s certainly unlikable. He’s meant to represent evil in its purest form. Everything that he does is evil and his goals are for the sake of evil. The author makes it clear that you will be rooting against him and we are reminded of this pretty regularly as he attacks people and decimates many buildings as the casualties continue to rise. He’s pretty tough for a human, but it was still pretty hard to buy the fact that he held his own against Neuro. No matter how many power ups he gets, Sicks is still a human so it shouldn’t have been much of a fight. He does have an intimidating presence about him so he was certainly a good match to fight Neuro.

Ishigaki is Sazazuka’s sidekick and he’s typically humiliated throughout the series. Someone is always breaking his toys and all of the villains are able to defeat him rather easily. It’s a running gag in the series on just how weak he is and the worst part is that one of the big tragedies in the series is arguably his fault. It’s because he typically messes up that we assume that he did in one scene, which ends up hurting the heroes. He’s technically pretty likable, but he can become way too full of himself at times.

Usui is one of the higher ups in the police and he’s pretty good. He sets a lot of traps and while Sasazuka may be more of a direct combatant, Usui likes to set traps from the shadows. They both find some success in their methods, but I still prefer Sasazuka. Usui does manage to come through when it counts though, which should not be overlooked. He’s a pretty solid character and it’s easy to root for him.

Higuchi is a top notch hacker who joins the ranks of the heroes about halfway through the series or maybe a little earlier. He’s all right, but he never got a whole lot of character. He’s just what you would expect from a hacker and he’s not quite as tough as Daisy. (The hacker of course) He looks pretty bad as the series goes on since he’s not exactly immune to mind control and that’s what Hal does best.
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Speaking of Hal…he’s a pretty cool villain. After he is built, Hal naturally evolves and decides that he will rule the world on his own. His powers inside of the Cyber World are absolute and he is actually able to give Neuro a good fight. Neuro may be the strongest fighter in the human world, but the net is a different story. It was also a fun way to show off some more of Neuro’s powers since there were no bystanders to worry about. It was a fun mini arc and Hal may be the best villain in the series.

Aya is one of the first villains to be defeated by Yako and she gets a decently large role in the series. Her crime wasn’t as bad as some of the others as she only destroyed two people. Her music has the power to control people’s minds and she’s quite good at it. She is rehabilitated after her first crime and she gives Yako advice from time to time. It would have been cool to see her fight, but I guess her powers probably wouldn’t have much of an effect on the villains. She’s certainly better than some of the other villains.

Ai is X’s assistant and it feels like she just got a bad draw. She’s a lot like Konan from Naruto. She is not inherently evil, but she was an assassin for a while and then she began to work for X. She developed a pretty close bond to the villain and decided to work with him until he discovered his true self. She will do just about anything to help him and she is also one of the only people not to fear him. She keeps him in line and watches over him when it comes to conventional things like reminding him that he needs to eat. You end up feeling bad for her since she seems to be a very nice person at heart.

Hisanori and Yukinori are brothers who get their own mini arc and then help out in the final arc. They’re pretty minor villains at first and they seem to be on their way to being more on the side of justice by the end. Yukinori tries to attack Neuro, which is admirable, but both of these guys are seriously outmatched compared to the real villains. One of them has a fishhook and the other one can’t even fight. I wasn’t really a fan of either character.

Genuine was one of the worst villains from the big 5. She can’t really fight, but she is able to lure men to her and mesmerize them so that they can distract the heroes. We all know that this technique won’t work on Neuro so she was really doomed from the start. Her character is just pretty bad and she is just letting herself get used by the villains. Her story was not going to have a very happy ending.

Of course, at least Genuine got character. You can’t really say the same for DR, Tierra, and Vijaya. Vijaya has poison abilities and he barely gets to appear. He puts up a decent fight with the heroes, but he is the only one who doesn’t even get to fight against Neuro. That shows how he is simply not at the same level. His abilities are dangerous since getting near the poison will destroy you, but it’s simply not enough. DR and Tierra have been modified so that they have animal DNA like claws and sharp fins. They’re decently tough metahumans, but they’re basically throwaway fighters for Neuro to take down.

Kasai has fire abilities and he easily gets the biggest role from the villains. He’s decent for the most part, but there is a scene with an old lady that doesn’t help his case and he’s ultimately just not that likable. He’s probably the only villain to talk back to Sicks, but he’s still extremely afraid of the man so it’s not much of a consolation. It’s sad too since his fire abilities guarantee that he is the strongest human from the bunch. He is not amped up so he may lose to some of the other villains, but there is no defense against a good fire blast.

There are many more villains that I didn’t even name from the mini arcs since each mystery brings a new cast along with it. There is also a new policewoman who joins the force towards the end, but her character arc never really went anywhere. She got her own sub plot and mini arc of course, but it just didn’t have a lot of meat to it. She’s super serious so she is naturally paired with the comic relief guy, which leads to sadness for the both of them.

One of the issues that I had with the series is how gruesome the villains and situations can be. Aside from the main arc there are many small mysteries that take up 3-5 chapters. They usually involve something sinister, but I wouldn’t say that it’s anything too drastic. The plot is where things start to go a little overboard. There are really a few types of violence and I categorize them in various ways. In this case, the one that stands out is fighter violence vs bystander violence. See, it’s one thing to see someone like Ichigo or Goku take a beating and another altogether to see a random cop or expendable fighter get crushed. The first typically isn’t as bad, but not beyond reason of course. Here, many of the characters suffer fates worse than death, which is when things get too dark for me. If the character’s never going to reach the light at the end of the tunnel…just let the character die already! (From an author’s standpoint, not the hero’s)

The atmospheric writing is very similar to Attack on Titan’s. You know how Titan loves to show a scene every other chapter where the heroes remind us that we have to lose our humanity while some expendables talk about how they don’t want to die? It’s supposed to add realism, but you just start to tune out the whining from the expendables after a wile. Neuro loves to do that with the characters as well. They deeply think about life and how pointless it is while others are just sad by how frightened they are. One scene that stands out is when a villain is so scared of the main villain that he obeys an order to destroy himself in a rather painful way. The logical choice would be to attack, run away, or quickly destroy yourself before they can stop you. Just obeying like that out of fear is a little much, but we get tons of speeches to try and rationalize it. There comes a point where all of the self doubt and realism just makes it too “realistic” to the point where it isn’t like the real world anymore. That’s an example of one of the “worse than death” moments, but there are several others throughout the series. Torture, or any other fate that you can think of, which fits that criteria is not acceptable in any medium under any circumstances. It always helps me drop the score from something and that’s where Neuro lost the majority of its points. It probably took it all the way down from a 7 to a 5 because that was really the big negative in the series.

There aren’t many fight scenes to be found until the plot really begins, but the ones that we do get are pretty fun. The author takes the easy way out though since Neuro continues to invent new powers throughout the series. He seems like he can do just about anything that one can think of if he wants too. He has a bad habit of playing around with his opponents until he’s so weakened that it’s a close fight though, which is pretty dangerous. It usually turns out okay though I suppose.
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Overall, Neuro was really teetering between a 4 and a 5 for a while. On one hand, I was pretty hooked once the plot began and it was hard to tear myself away from what was happening. On the other hand, that’s simply an effect of the well written universe that the characters were interacting in. It still had too many unnecessary scenes and themes for me to rank it as a 5. The villains are simply too disturbed and the casualties could have been lessened or made less intense. I also think that Neuro should have been more likable or heroic since it would have made the ending more believable and emotional. This is a pretty good series if you want a mystery and you want something that is pretty dark tones. Otherwise, you may want to check out Spiral for a good mystery title. That one was pretty great and it even has a prequel to check out once you’re done with the main series. After reading this review, you should hopefully recognize him in the PS3 fighting game with Goku and friends!

Overall 4/10

Sorry, Wrong Number Review

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Well, it’s time for another retro film. Believe it or not, this one also came out before the original Godzilla film. (Also? Check out some of my earlier reviews to see what I mean!) The title may quickly remind you of Family Game Night or the Sorry! board game. I’ll admit that the final line made me think of it as well, but this one is a little more suspenseful as there is crime afoot. It’s certainly not Hitchcock level, but the film had potential. It just needed to have less showing and more doing.

The plot revolves around a lady named Leona. She’s stuck in bed as she’s pretty ill. Her nurse is off for the day and all of the neighbors seem to be out in the town or away for a while. Her husband was supposed to come home that night, but he seems to have vanished as well. This all doesn’t bother her at first, but then she picks up the phone and overhears a plot to murder someone. She must try to alert the police or anyone for that matter. What if someone gets hurt?….what if she gets hurt!? It’s a race against time as it will all be over once the train crosses the station.

Upon first glance, this probably sounds like the Hitchcock film where the guy is stuck in a wheelchair and witnesses a murder right? It’s actually pretty similar in that respect since the main character can’t walk either, but that’s where the films start to deviate. This one wants to tell us a pretty complex plot through the use of flashbacks. I think I prefer to see the story in real time. I guess this way makes the mystery longer though. (It would be a bit of a short film not counting the flashbacks) We even get flashbacks inside of flashbacks as the film goes on and many startling revelations are brought upon us.

Leona is the main character, but she’s not a great lead. She may seem pretty innocent when the film starts, but we quickly learn that she’s more sinister than she looks. She stole the main character just to doom him and while her feelings may have changed over time, it wasn’t a genuine start. She’s also pretty unreasonable as she wants Henry to be indebted to her and to never really have a life of his own. He tries to find some work for himself and to move away, but she stops him each time. If he insists, then she’ll just have a heart attack, which will end the discussion. She’s pretty confident when she’s on the phone, but one could argue that she’s overconfident and she didn’t do a great job of explaining the situation on the phone. She was probably doomed without any evidence anyway, but she should have quickly gotten someone to come over.

Henry is the other main lead. He’s gone when the film starts, but we begin to learn a lot about his life through the flashbacks. He isn’t satisfied working for Leona’s father and he thinks his life is pretty dull. He’s on a pretty short leash so there’s not really much that he can do. Well, thanks to the nature of this mystery film, I can’t really say much more than that. I can say that while you’ll be sympathizing with him over Leona for a while, this eventually switches and you have to root against both of them. Henry has to make a few tough calls and unfortunately, they were the wrong ones. They put him on a path to destruction and it results in a dicey end for him. Then again, I should have suspected that something was up with him when he ditched the main heroine (The one who could have been the main heroine anyway) to go with the rich girl as he drove off. It was rather shady and not a very heroic thing to do either.

Waldo is pretty intense since he’s one of the most sinister characters at the start of the film. Once we learn about his history, he quickly loses his mystique. He was pretty likable at first, but he lacked the will to resist a tempting offer. He probably also accepted it because he feared for his safety if he refused, but it doesn’t change the fact that the money was one of the big incentives. If he had just stuck to doing his duties and not trying to fulfill his dream of having a big field with horses, things may have gone better for him.

Sally is a figure from Henry’s past who steps into the fray at one point and she was probably the second best character around. I was actually pretty worried that she was going to be an expendable figure at the beginning though since she doesn’t seem to be the type of character who will make it through this. Maybe she didn’t! Still, she gives Leona a lot of helpful advice during the film and while it may not have ultimately changed anything, it makes connecting the dots a lot easier for the viewer. Her husband is a bit of a red herring since he looks incredibly shady at first, but it all makes sense by the end. Her plot is also a nice change of pace since the kid isn’t annoying as you would expect one to be. He’s not too smart for his own good like in The Box and he’s not there to get in the way. He’s just a kid who is there to make us wonder what is going to happen next.

You could say that one of the film’s underlying messages is that everyone can be pretty corrupt at times. Leona’s father is forcing Henry to stay at his job, Leona is forcing Henry to give up his freedom, Henry is forcing Waldo to stray off his path, Waldo is forcing the company to lose money, etc. Most of the characters end up being corrupt or shady in some way or another and there are only a handful of characters that you could actually call good. The cops, Sally’s family, and some other characters down the line. It’s all rather sinister and it fits the film’s bleak tone. There doesn’t seem to be a light at the end of the tunnel and you’re not expecting a happy ending.

Needless to say, the ending is not very happy. I would compare it to another genre in terms of endings, but that would probably give it away. Let’s just say that you won’t be humming as you walk away from this title. “Sorry!” is one of the final words that is spoken and the voice will definitely bring back memories from the board game. The ending is definitely pretty memorable and you probably won’t be forgetting it after hearing those words.

While watching the film, I actually liked Leona’s father a lot. He started to show his true colors towards the end of the film, but he was still doing it all to help Leona. After she left, then he started partying, but she’s the one who created distance between them. It’s just too bad that he cracked so easily about the marriage. We actually find out one reason why he gave up so quickly, which helps, but he could have been a little tougher about it. There’s not really a soundtrack here so we can bypass that.

There is some romance, but ironically, Leona is the one who mostly helps to avoid that. There’s no animal violence, which is a plus as well. So, you can see that the film didn’t commit any big errors. That would have hurt the score even more. As it stands, I couldn’t justify giving it a positive rating even in light of this. It just wasn’t good enough to get any higher. A fight scene or two could have changed things and we almost got one with the gangsters, but it was averted.

Overall, Sorry, Wrong Number is a decent mystery film, but there isn’t a lot of meat within it. There is a ton of exposition and we slowly breach through the foggy mist that surrounds the plot, but knowing about it isn’t going to be enough to change anything. The plot is decently interesting as you are watching it, but the execution could have been better. I guess you may just feel that there wasn’t much of a point to the film. What was gained from it? There weren’t many noticeable weaknesses in the film, but it didn’t have many strengths either. I’d only recommend it if you really want to see an old mystery film, but even then there are better options available anyway so you may as well just see one of those. Check out The Big Sleep! (I know, I mention that one a lot, but it’s probably the best mystery film that I’ve seen aside from Sherlock Holmes…or maybe it is better. It’s a tough decision)

Overall 4/10

Dark Passage Review

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It’s time for the next installment in the Bogart and Bacall series. This film is still a mystery, but it’s not as much of a focus as it was in the last film. The plot involves the mystery of course, but it’s also a thriller as the hero has to stay low to make sure that the cops don’t find him. It’s another solid film from the 40’s and it holds up pretty well. There is one aspect of it that I can’t say that I’m crazy about and it involves the camera angles. Beyond that, it looks like we’ve picked another winner!

The plot involves Vincent, an escaped convict. He has been charged with murdering his wife and he was going to be locked up for a very long time..unless he goes to the gas chamber. None of those options appeal to Vincent so he somehow manages to break out of jail and jump onto a prison transport while riding in a barrel. He rolls his way into a lake and knocks out a driver who was passing by. Things are still pretty dangerous for him when a mysterious lady tells him to get into her car as she takes him home. How many hidden agendas does this lady have and is Vincent really safe here? Things are going to get tough for Vincent and we aren’t even sure if we should root for him. After all…what if the charges are true!?

Vincent is not quite as interesting as the last two leads that we had for the 40’s films. He’s not quite as bold or confident. He’s not timid, but he’s not quick to insult everyone and make a lot of witty comebacks. He does go into rage mode once his friend is taken out of the picture (He denies this of course) and he’s a decent fighter. Still, Vincent could have handled the situation better if he didn’t keep making unnecessary errors. “Why did you want the Sports section Vince” “I wanted to see how the Miami horses were doing” “Those finished months ago….GET HIM!” is basically how one scene goes down. At least choose something like Baseball where you can be sure that it’s still active. He claims to have played it so he should know if it’s in the off season or not. Something easy like Baseball would have really helped him when he was in a tough spot.

Irene is a character that did trick me so I will give props there. I was waiting for her to betray Vincent or to unleash her master plan. I kept waiting and waiting until the credits started rolling. She’s all right I suppose, but her strategy is definitely more than a little risky. There was still the chance that Vincent was a murderer. (Although Irene did have some decent evidence that suggested otherwise) She’s not a fighter and she doesn’t have a gun so she doesn’t get to help that much in the climax, but she certainly helps Vincent a lot when he’s in a pinch.

Madge is the lady next door who is worried about Vincent’s possible arrival into the state. She believes that Vincent will come after her and it’s a very delicate situation. They certainly don’t get along, but it seems like nobody really gets along with her. There’s not much to say about Madge here since she’s deeply entangled into the plot, but I can’t say that she’s a great character.

Sam is pretty good since he sees through Vincent’s facade without any effort. This is definitely a guy who could be a detective and the veiled threats start to get pretty intense until you realize that he has a master plan in all of this. I’d definitely say that he’s one of the better characters in the film. He doesn’t get a whole lot of screentime, but he was certainly memorable.

We had some side characters as well, but they didn’t do a whole lot. The plastic surgeon is there to help. He makes a joke about how he could wreck Vincent’s life, but at least he was just joking. Another character by the name of Bob didn’t realize the dangers of romance until it was too late. It’s a common story for many people. Vincent also had a friend who was pretty nervous the whole time, but he still pulled it together when he had too. If only he was a bit of a better fighter.

One of the dicier parts of the film is the first person camera strategy that is used for the first half of the film. I’ve never been a fan of the found footage genre and it only works for certain parts. It’s kind of interesting to see everything through the main character’s eyes, but I think it would work best if only used sometimes. It would definitely be tough to implement, but I’m sure that they can pull it off. The thing with first person is…it works best for interactive rides or (very small) segments of a video game or movie/episode. It can be used for drama and suspense. That is where the first person look works best.

There is naturally some plot hax to be found here since most escape films need them. How did Vincent get out of prison to go in the barrel? Why did the guard do such a terrible job of checking Irene’s car? How come the villains are all geniuses? These are questions that you may ask yourself as you watch the film. They aren’t huge, but you’ll still wonder about these scenes. Especially the first two since the film should have easily have been able to think of a more believable scenario.

No matter how you look at it, the second half of the film is a lot more exciting than the first parts. We get to see the lead get into a gun fight and put all of the pieces together. It feels more like the other two films since Vincent gets to use his experience to try and win the day. The film is still missing something though and it’s hard to place your finger on it. It’s still missing most of the soundtrack, but the writing is solid. The only thing that I can come up with is that the plot isn’t quite as engaging as one would expect. That…or the stakes are just too low. It’s a little hard to figure, but that does end up hurting the film a little bit.

Overall, Dark Passage was a pretty good film. The characters were definitely weaker than their counterparts in the other Bogart/Bacall films, but they were good enough. They would still be much better than your average protagonist of the modern day films. The camera work didn’t click with me though and it means that we didn’t really get to see the main character for a while. The film’s main problem is that it’s just less interesting than the last two. Of course, it is still a pretty good film overall and you should enjoy it if you like a casual escape story/mystery. I would sooner recommend another Bogart and Bacall team up, but I’m sure that any moviegoer will want to see the full set. So prepare yourself!

Overall 6/10

The Forgotten Review

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The Forgotten is a film that I had not heard of before, but the poster is pretty cool. This was in 2004 so it was ever so slightly before the time where I got into films. Because of that, I tend to be unaware of films that came out before 2010 except for big classics. (Ghostbusters, Mario Film, Jaws, Alien, etc) This is a pretty solid film and while there are some twists where I would have chosen a different path as the director…it was better than I had expected.

The plot involves a woman named Telly. She is still in mourning over the passing of her son Sam, who died in a plane crash. Dr. Munce is trying to help her move on from Sam, but he goes too far when he tells her that she should forget about him. Telly won’t have any of that and she heads home. Unfortunately, she discovers that her husband (Jim) has erased her video tapes of Sam and also used photoshop to alter their pictures so that Sam is now Jim or he’s not in the picture at all. Telly questions others about Sam’s existence and none of them remember. It’s as if Sam has been wiped from existence. Telly must now find out what has happened to her son and who could have enough connections to bribe everyone into pretending that he doesn’t exist! (The alternative is that she’s crazy or this is all just a big dream so we can’t take that out of consideration)

Telly is a good lead for the most part and it’s nice to see some determination from her. We rarely get that in our movie protagonists as they conform to the higher ups or just do what they want. Telly is doing everything that she can to find Sam, but it’s a tough battle. The problems that I have with Telly involve an unnecessary scene that I’ll mention later and the fact that she practically starts flirting with Ash at one point even though she is a married woman. It’s not as if it has been years since she was just at home with Jim and there’s no reason for this. Aside from this, she is a decent character and while she never got to grab a gun or a sword to defend herself; she still talks tough until the end. (Letting her guard down as they was playing tag towards the climax was pretty bad though)

Ash is one of the main characters in the film and he showed some moments of brilliance, but many of his scenes were still pretty sad. He definitely doesn’t have as much willpower as Telly and he forgot that he even had a child. That’s pretty…disappointing to say the least. He has a tendency to drink a lot, which likely didn’t help. It’s good that he finally decided to stop drinking later on, but it took him a little too long to make that decision considering how high the stakes were. He had a good fight with two members of National Security and he put his hockey skills to good use. That was definitely his best scene in the film and he did a lot of the physical work for the heroes. Ash definitely got better as the film went on although he never became as cool as Ash Ketchum and I can’t say that I like him as a character.

Jim is Telly’s husband and he was decently likable for a while. He can’t really take a joke and telling the cops that Telly was crazy seemed a little sad. Perhaps she was or perhaps not, but he seemed pretty exasperated at the time. His role is pretty small and he still seems like a decently good guy, but it’s a good thing that Telly managed to escape. He would have impeded her investigation.

Dr. Munce is the psychiatrist who is helping Telly and at first I was surprised that he was actually serious. Typically psychiatrists are always evil or inept in films and Munce seemed to avoid this. Seemed is the key word here. Once the first twist occurs I quickly became suspicious of his motives and hopefully everyone else had that thought. Then he began to get a little pushy in his search to find Telly and I knew that things were about to get dicey. I don’t like him as a character because he lacks the will to stand up against injustice. Lacking bravery is never a great thing and you need to stand up to fight for what’s right when the chips are down.

There is one Detective who appears to be on the heroes’ side. She doesn’t like the National Security members and she believes that Telly may be on the right track. She has a gun, but that may not be not be enough to save the day. After all, is Sam a real person anyway? There is also a strange person that is following the main characters. There is something off putting about him….hopefully the heroes stay out of his way!

The big Unnecessary scene that I really disliked involved…you guessed it..Fanservice! I’m not sure if people use that term for live action, but we may as well since it’s the same thing. At one point, Telly and Ash are at a motel and she decides to strip down so that she could go to sleep. The stakes are already super high and Ash is basically still a stranger at this point. Is now the best time to be worried about how many layers you’re wearing while asleep? It’s not exactly hot out since everyone has jackets so she could have just gone to sleep with all of her clothes on. Ash has the generic moment where he stares at her for a second before tearing himself away, but that whole situation should not have happened. it was forced and I doubt that it attracted any new viewers since nobody would know about such a short scene. (Unless it’s in the trailer, but I skipped it this time) They also flirt a little in the next hotel as they sleep way too close to each other, which was also terrible. It’s what drags Ash and Telly down as characters. How could I like them as much after that?

Once the big twists come in; then the film loses a little bit of the suspense. I agree with the twist on who is behind Sam’s disappearence. The government, Telly’s mind, or something else! What I didn’t care for is the fact that the heroes really don’t stand a chance. It’s always good to keep the heroes in the mix because there’s no danger if they’re too powerful or too weak. (It’s why I cringed when Kid Buu went up against Krillin!) They should have closed the gap in power, but I can’t say much more without spoilers. That’s just my take on the matter.

Typically, this is around the time where I would mention the soundtrack, but there isn’t really one to speak of. I’m sure that it technically has one, but in a film like this you don’t remember any of them. It probably had some generic dramatic themes or a good one for the hero moments but I can’t recall any of them. That’s never a great sign, but it’s to be expected for a live action movie.

Overall, this was a pretty fun mystery film. It’ll definitely have you hooked as the film goes by and the stakes continue to be raised higher and higher. We actually get a gunfight, but I will admit that it was pretty unimpressive. The best part of the film was the fight with Ash and the two National Security members since it was a fight and it also brought the suspense that the film needed. This proved that something needed to be done and things got a lot more interesting. I definitely enjoy films like these and I’d recommend it to mystery/suspense fans. It’s very suspenseful and intense until the interrogation scene comes to an abrupt end. (Well, the actual interrogation scene wasn’t really good because the heroes have to become the villains and that sort of thing. They didn’t really go too far, but Ash may have crossed the line eventually. I just don’t like interrogation scenes unless it’s done in a peaceful way in a peaceful setting) That’s when things got a little out of hand, but you’ve still got a big chunk to look forward too. (Also, there were more scenes at the end that were cool, but that part took away a potential route that would have been more fun) Also, how can you pass up on the film with such a cool title!

Overall 6/10