Tag Archives: Drama

Secret Window Review

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I’m on a roll so lets go with another terrible film that I saw a little while ago. I’m actually shocked that this one is PG-13. The tone and everything felt like it was not, but I’ll give the film some slight props for that I suppose. Unfortunately, it all goes downhill from there. This film falls into some deep traps that thrillers/horrors are prone to stepping in and the film’s glum outlook doesn’t help matters either. It’s simply not a fun experience from start to finish.

Mort is an author who hasn’t been doing well lately. His papers won’t write themselves and he certainly doesn’t want to do any writing either. Things get worse when a guy by the name of John Shooter shows up and claims that Mort stole his paper. Mort knows that this isn’t true because he wrote it before John claims that he did, but he needs proof. Until Mort can get proof, John decides that he will destroy everyone close to Mort and will scare him into submission. Can Mort get this guy off his back or is it time to panic and retreat? Lets just say that neither one is an option.

All right, this film’s terrible. We can start with the animal violence. Mort has a dog, but naturally he is destroyed. The film was pretty obvious about the fact that the dog was going to die and this prevents you from ever getting into the film. What’s the point when you know that something so criminal and tragic is about to happen. I didn’t like it…I didn’t like it one bit. It was a distasteful move right from the get go.

There’s also another big problem with the film and it concerns the ending. It’s something that doesn’t happen very often, but certainly gets quite bad when it does show up. There will be spoilers in this paragraph as well as the next one so skip these if you don’t want to know about it. You have been warned so lets go back to spoilers in 3….2……1….Go. It turns out that Mort is insane. John Shooter is a figment of his imagination. What this means is that Mort is the one who destroyed his dog. Mort is also the one who burned his house down and murdered a few other people. The ending of the film also sees Mort murder his wife and her new rebound guy. It then ends with him burying them and living a peaceful life in his house. The police know that it was him, but there is nothing that they can do about it without any proof. I call plot hax on that and it is a very depressing way to end.

There are few things worse than having the villain win in the end. Mort’s a mass murderer and the film ends with the knowledge that no charges can be put on him. Moreover, he still comes to town to intimidate people and everyone knows that he could easily do the same thing again. It’s a very depressing end to an already terrible film. Imagine if Sucker Punch had end….bad example. Imagine if Air had en…..another bad example. Lets go to Poltergeist 3. If the film had ended with Maryanne being stuck in astral world and everyone else just getting murdered and replaced with ghosts, it would have been pretty lousy. You question what the point of the whole film was. It’s possible to handle the situation well and still have the villains win in the end. For example, the Avengers film could have had Thanos show up and destroy the planet and I don’t think it would have affected the score negatively. If anything, it would have been a pretty fun ending. It’s all about execution, but you simply can’t have a psychotic mass murderer end the film off on a high note while all of the other characters get massacred. It just doesn’t work.

None of the characters are particularly likable here. Mort’s annoying and terrible. There’s no real way to like Amy since she is cheating on Mort the whole time. She wants a divorce, but she hasn’t actually gotten it yet so that destroys her as a character. Ted’s no better since he’s the rebound guy for Amy. To make sure that you don’t forget this, the film plays the flashback about 10 times or more where Mort finds this out the hard way. The only character who can be seen as semi good is the private investigator, but he’s not very good. He’s very relaxed about the whole thing and lets his guard down the whole time. He comes across as a guy who is all talk and no action. Needless to say, John Shooter is a pretty terrible villain as well.

The film feels very old despite being a 2000 and later film. Maybe it’s a technique that it used on purpose to achieve a retro affect. Whatever the case, the film looked and felt like a 1990’s R rated Indie horror film. While I can try to respect the fact that the film got this sinister tone, it doesn’t really help the film all that much at all. It doesn’t save it from the perfect 0 and doesn’t win it back any points. How could it? The plot twist at the end just ends up hurting your own trust in the film and it was already going to be a 2 or a 3 max. Add in the actual ending and then the 0 is an absolute certainty.

There isn’t a whole lot more to say about the film. If we ignore the plot twist, then there would have been a lot of plot hax and stretches of disbelief. With the twist, then everything adds up pretty well. I don’t like not being able to trust what I’m seeing though, it feels like a big cop out. I suppose that it’s the only way the film could go with this plot though. The writing wouldn’t have been able to handle it otherwise.

Overall, Secret Garden is a terrible film. It has one of the worst endings in film history, (And that’s saying something) a crippling plot twist, unlikable characters, and animal violence. I don’t think any film could survive such an onslaught of negatives. There is simply too much to overcome and the only mildly interesting scene in the whole film was a very brief fight, which doesn’t even matter thanks to the twist. It’s a shame…a true shame. If you want a film with some semblance of quality, then check out I Know What You Did Last Summer. If you want a film with actual quality, then go watch Space Jam. Trust me, there is a big difference between actually being a good film and having a very short glimpse of potential. Space Jam is the former and the Summer film is the latter. Secret Window can’t even make it to either category.

Overall 0/10

The Innocents Review

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It’s time for another sad film. This one ranks up there with After.Life and that’s not a good thing. It’s a fairly strange film that doesn’t know if it wants to be a supernatural horror or just a plain ole snoozefest. It tries to find a balance between the two genres, but doesn’t do a particularly good job at either one. Ah well, at least the title can be true now. We were innocent to the fact that a horror film could be utterly boring while still trying for jump scares before this film. (Well…..that may not be entirely true) Let us dive into this review!

Giddens is offered a job as a caretaker. She will look after a rich guy’s two kids since he wants nothing to do with them. He likes being a single bachelor and doesn’t want kids cramping his style. He tried hiring someone else a while back, but she died so he needs a replacement. Giddens is appropriately reluctant to take on this task, but does so against her better judgment. Once she arrives at the estate, she finds that it is not an ordinary house. Ghosts seem to lurk about and many secrets are kept. The worst part is the fact that the two kids are possessed by ghosts at random points during the day. These ghosts belong to the bad influence who died and the other caretaker..who also died. Can Giddens cure these kids or will she have to head back home?

The premise doesn’t leave much room for optimism does it? It doesn’t even sound like a good film on paper and that’s before the execution drives you up the wall. Giddens isn’t a good protagonist and that should be the first warning bell. She always beats around the bush and lets the kids have their way with her. One of them tries to choke her and she only half heartedly resists. Luckily the land lady happened to show up. Giddens only has one good idea in the whole film and that is when she decides to leave. Unfortunately, she makes the mistake of turning back to fight the ghost one last time and it convinces her not to leave. Ah well, I guess listening to evil ghosts is a thing now. Her final plan of staying alone with the main antagonist to talk things over is also just as silly.

Miles is the host for the main villain. (Peter) He returns home under tricky circumstances as he was expelled from his school. The school didn’t say why they expelled him and Miles won’t say either. It’s implied that Peter influenced Miles to act in a rather course manner which forced the school to make a move. Miles isn’t concerned or upset about this though because now he can mess with Giddens. Whether he is possessed or not, the film makes it a point to say that he is not a good kid. He hides letters, plays pranks, and seems to enjoy making Giddens have a tough time of things.

Flora is the other kid and she’s supposed to be the nice member of the group. That may be true, but she has a tendency to disappear from time to time. She goes to a small place in the middle of nowhere to just stand around. Heavy rain showers won’t stop her either and she likes to pretend that she doesn’t hear the horror tropes calling after her. One of the ghosts yells several times to get her attention, but only the viewers notice. I can’t say that she was likable as she simply acted too oblivious the whole time.

The only reasonable character is the house maid. Unfortunately, she wasn’t much help either at times as she would take the side of the kids and didn’t like to talk about what had happened earlier. To an extent, it’s hard to blame her though as the kids were always nice and proper around her. She is one of the only characters to survive the whole ordeal. Sometimes, standing on the sidelines and not creating attention is the only way to live in these films, but I can’t say it’s the most heroic way to do things either. Still, leaving was probably the best decision that she could make.

All right, the film sounds boring, but is it really worthy of a 0? Absolutely!! First off, the fact that the villain inhabits Miles is an excuse to have him make advances on Giddens, which is quite disturbing. Keep in mind that he is a little boy and that he does succeed once and then again at the end. It makes for some really cringe inducing scenes that destroy the film. Even if the film had actually been semi decent, this would have thrown it back to the gutter. We don’t need those kinds of plots in our movies, lets keep them in oblivion.

The film’s backstory also makes no sense. The caretaker was apparently a nice and respectable person, but then she randomly falls into a twisted relationship with Peter. Apparently she liked the fact that he was a bad person and wanted to be treated badly. The film wanted to make everyone crazy in some way or form, but the change in personality was way too sudden. It continues when Giddens also starts to go crazy to the point where you’re supposed to wonder if the whole thing wasn’t just her being delusional. To clarify, the film happened, but the spirits may have just been things that she imagined. Most of the stuff that they did didn’t affect the real world in any way. The main point of suspicion would be how Miles acts at times, but it could all just be stuff that he learned from Peter.

I don’t think the ghost of Peter ever actually breaks any windows or opens doors either. Usually Giddens would just see him and fly into a panic. If it was just a delusion, then this would make sense. I personally prefer the supernatural elements to be real though so that doesn’t do the film any favors either. The ending is dark as well to remind you just what kind of film this is. Even kids aren’t safe apparently. The only bright spot here is the fact that the film isn’t very long so you don’t have to be looking at your watch too often. The best advice I can give you is simply not to watch the film. Lets face it, there are better flicks out there.

Overall, The Innocents is a stinker I’m afraid. You should forget about it and move on. This movie simply couldn’t do anything right and while it may have been trying to be clever with the title, it just reminds you that the film should have tried harder. If you want a good horror films where two kids have to fight off spirits..you’ll be waiting a while. That’s not exactly a proven formula for success. Instead, you should go watch some comic book films which will at least have good action scenes and plots to engage you in. It will ultimately provide you with the superior experience.

Overall 0/10

Air Review

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It’s time to look at an anime that’s a little different from the average title that I review. For starters, this is not an action anime. This is a tragedy mystery story where a guy must try to repair the lives of 3 girls and their respective families in the process. It’ll be tricky and the show will take you on quite the roller coaster. It’s definitely a solid title and a show like this can be a nice change of pace, but unfortunately it is hurt by the terrible ending. I had to slash away a full 2 stars on account of that and was tempted to take more away, but the rest of the show had been consistently good and the ending, while dark, could have been darker.

Yukito, a homeless guy with no possessions or money, finds himself in a small town after walking for a very long time. His mission is to find a girl with wings that his mother told him about. He doesn’t stop to question if this was literal so he continues to search. The main problem is that having no money really limits his options so Yukito tries to put on little shows with his telekenetically controlled puppet for the kids so they can pay him. As you may expect, this isn’t his greatest plan and he never makes any money off of it. Luckily, a nice girl by the name of Misuzu shows up and offers him a home and 3 square meals in exchange for being her friend for the summer. Yukito grudgingly agrees and so begins his adventures in this crazy town.

The show really has 3 main arcs, one for each dilemma so let’s take a look at each one individually. First up is Kano’s plot. Yukito was given a job by her mother (or if not mother, a close relative) Hijiri. His job is to do odd jobs around the house and to entertain Kano at times. Unfortunately, it turns out that Kano has been cursed by a feather and has a split personality. This new personality shows up once in a while and tries to destroy herself. If she is not cured soon, Kano will end up being gone for good. As you would expect from Air, there are quite a few fakeouts and even a scene where you’re led to think that Kano’s other side may have succeeded. It’s definitely tricky to stop Kano when she’s always vanishing and her alter ego has super strength as well. One grab was nearly lights out for Yukito…permanently. The arc went over smoothly though and the resolution was good. It definitely had its share of sad moments, but had a happy ending in the end.

Next up was Minagi’s plot. Her mother suffers from forgetfulness and has been unwilling to accept that one of her daughters died at birth. As a result, she believes that Minagi is actually her dead sister. As a result, Minagi’s been forced to assume this identity for years, resulting in a very awkward dynamic in the house. Things get worse when the mother finally realizes that the sister is dead, but then goes to the other extreme as she forgets that she ever had any daughters. Distraught, Minagi is forced to move out and live at an abandoned train station. Now she’s finally in Yukito’s home turf so he decides to help out a bit. He gives her the option of leaving the town with him or finally confronting her mother about who she is. There is also a plot twist about Minagi’s friend Michiru who happens to have the same name as the dead sister. Makes for an interesting dynamic although it leads into the arc’s sad ending. It’s sad, but at least it’s not tragic and all of the characters still had a good time in the end. Minagi is also given a nice epilogue as she leaves this mysterious town and gets to go to a happier place and meet up with some relatives. It was another solid ending to the arc.

Next was the big final arc and unfortunately, it was the one that didn’t go over so well. Misuzu has a unique condition, derived from a curse and a fate of an infinite time loop of very limited possibilities. She can never get a friend as she suffers from painful spells and seizures whenever someone gets too close. The curse also gets partially transferred so if someone wants to be friends with her anyway, then they will both die. There is no way to break the curse and Misuzu is even given the extra discomfort of knowing when she will die. As the show repeatedly states on this tale being the 1000th summer and how this show is essentially about having the best summer ever, it is also her deadline. Misuzu will not outlast the summer, try as she might. She will also have to continue to die every summer, forever and ever. Meanwhile, her aunt Haruko has decided to never get too close to Misuzu. She inherited Misuzu when the girl’s mother died and her father decided to run off. The problem is that the Dad could reclaim her at any time so Haruko didn’t want to get attached. As a result, they’re on good terms, but you couldn’t really call them great friends. They each lead their own lives.
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As a result, Misuzu’s been all alone right from the start. Nobody even wants to be her friend no matter how much she asks. Well, Yukito’s helped out a few people already so this shouldn’t be a problem right? Well, unfortunately this is not the case. In fact, he just adds to her troubles by helping her emotions seesaw all over the place as he leaves and returns multiple times. In the end he realizes that this was a mistake and wishes for a do-over, but things don’t go as planned. Now, it should be made clear that Misuzu did get to have some fun in the end and you’re supposed to be content with the fact that she finally got to walk and go to the beach. If there was never any hope given for her to avert this fate of death then that probably would have been okay. It would have been a little more somber throughout, but so long as the core anime was not really changed, it may not have affected the score all that much. Unfortunately, the show keeps on giving you hope that the powers of friendship will be able to free Misuzu. There are dozens and dozens of fake outs that keep occurring and the viewer is left to think that we have finally made it past the darkness and into the light. Over and over again until you finally realize that the anime has just been toying with you from the start. Yes, I’m still irritated at the ending and just thinking about it makes me annoyed.

It doesn’t help that this infinite loop of 1000 summers will never end. If you decide to believe that the kids at the end are the final reincarnations of the two main leads, then it’s possible that this was the final death Misuzu had to endure and now she’s free. It’s a bit of a stretch if you ask me though and either way this version of Misuzu will keep on dying. If Yukito had found Misuzu’s winged form after being given a random speech in the final minutes of the show, then that would have helped to clear things up quite a lot. Instead, it turned into another fruitless search for the guy.

Still, as a lead, Yukito is a good protagonist. I found him to be a lot more enjoyable than the guy from Kanon as he was nicer and more understanding. He did his best to help all of the characters out and did so without having to flirt with everyone. He helped the other characters out as a good friend and he got a pretty sad fate in return. Ah well, he was never looking for a reward in the first place. He’s not too smart though as trying to earn a living by entertaining little kid in exchange for their pocket money will never work. Not to mention that his show was rather lackluster since he could only make his puppet walk back and forth in a straight line. In his second reanimated form, he lost all of his personality so he couldn’t really add much to this.

Misuzu’s a solid heroine as well. I found her to be more likable than any of the other girls. As we get to see her events twice, once from an outsider’s point of view and one from within, she does a good job of keeping up a brave face even when she’s feeling down. She’s had a rather miserable life after all, but always does her best to make the most of it. She turns sad ending into a happy one for herself. The only time I found Misuzu to be annoying was when she lost her memories as she suddenly became a mean person. I don’t think memory loss should change your core personality and subscribe to the Medaka Box theory instead. I feel like Misuzu would still be super polite even if she had no idea what was happening. Regardless, her likable personality is why I was hoping she would have a happier ending.

Kano’s not bad either as she would love to fly, but real world physics don’t allow it. Her dog, Potato, is pretty cool and Kano’s nice as well. She just never got a whole lot of personality besides being a nice person. I guess the split personality counts, but luckily she grew out of that. Her mother, Hijiri was good as well even if she never actually got to even try and help out Misuzu. She’s a doctor so it would have been nice to have seen her make an attempt even if Misuzu claimed that it would be of no use.

If there’s a character that’s a little weak in this series, it would be Minagi. That’s more due to the fact that I don’t really care for soft spoken characters though. There’s really nothing concrete to dislike about her and she has a lot of things to deal with as well. She’s always glad to help out someone in need with free coupons and a place to stay. Air doesn’t just give characters annoying gimmicks to make them different. The show did a really good job of making everyone very nice and sincere even if they end up being pretty similar at times as a result. Michiru was more entertaining as she was very over the top. She constantly beat up Yukito and the two of them were always getting into fights until Michiru became super serious towards the end. She certainly had a lot of energy and I was glad that she channeled it into productive things like blowing bubbles as opposed to constantly accusing Yukito of stuff that he wasn’t guilty of. That would have gotten old very quickly if she hadn’t stopped.
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Haruko is Misuzu’s aunt and she gets a very large role in the last 2-3 episodes. She started out as a supporting character and quickly replaced Yukito as the main character once he died and reincarnated the first time. The new scenes gave her a lot of extra character development and ultimately turned her into the best character in the show. She drinks a lot and certainly isn’t the most responsible parent. It took her a while to realize that she should be more helpful, but was better late than never. The ending is particularly rough on her since she will always have some regrets as a result, but at least she’ll have a few fond memories from the last days. As for Misuzu’s dad, the show tries to make him seem like a reasonable character, but it’s hard to buy it. He completely ditched her for 10 years and shows up out of the blue to take her back. If she hadn’t gotten amnesia at the time, his offer would have completely been rejected. He never even has any defense to explain why he left. I’m glad that he didn’t appear as a super evil character or anything like that, but there’s no way that you can root for him by this point.

There was also a random flashback mini arc that happened after Yukito died. It involved three new characters which included the original winged girl, Kanna, her friend, Uraha, and her bodyguard Ryuya. They decide to flee the land so they can have some happy adventures, but they’re caught and Kanna is destroyed. The other two decide to have a kid so that he can keep on being reincarnated to protect her future versions. It’s a very flawed plan at best. This episode gives you some extra context I suppose, but honestly I’d call it total filler. These guys will never show up again after all and they weren’t useful in the fights. Kanna and her Mom could level mountains with a single slash and yet they die to a casual arrow? That was probably the worst showing that I’ve seen from such a powerful being in some time. Not to mention that the Mom could have mentioned that she was cursed before Kanna made contact with her. It would have been more effective than simply saying “Don’t touch me” for no real reason.

The show did do a good job with the following episode though as it played out like a bit of a mystery. Why are we reliving the first episode? Has Yukito been given a chance to change everything? At first it seemed like that, but instead he gets a double take in addition to his original version so there are now two of him living in the same place and time as each other. It’s a pretty novel concept and as mentioned earlier, it’s interesting to see everything again from a new angle. If only the ending hadn’t spoiled its efforts.

The animation looks good. It’s not particularly awe inspiring, but it does look a little retro. (In a good way of course) We do get a quick action scene that is good and the character designs are all solid. I enjoyed the soundtrack to an extent as well. The themes in the actual episodes are all forgettable, but the opening is good. It’s an emotional theme that fits very well with the episodes. As a result, it’s not something that you are likely to listen to for fun at any given time, but if you just saw an emotional movie, then it’s a fitting theme to look up on Youtube.

As for negatives, there really isn’t much here. There is a little fanservice as characters dramatically shed their clothes to embrace the sky as they fly around. The aunt is also very casually dressed so she isn’t wearing much most of the time. Luckily, this show isn’t a shonen so the camera angles never really focus on it. I am still of the opinion that a risque costume does not necessarily have to be fanservice as long as the camera handles it appropriately. Air is a good example of this. There’s certainly no problems with language or violence here. This is something that you could easily show a kid although he/she would likely get bored due to the limited action scenes.

In the end, how does this compare to Kanon? Well, Kanon takes the definitive win here, but it’s not a lopsided contest by any means. Air has the better characters including the lead and has a better resolution to most of the plots. Kanon counters this by having the far superior ending and much better animation. Kanon was a lot sadder than Air despite the ending, but I’m not sure if I’d really call that a good thing per say. The soundtracks were more or less equal. I think “Ugu” beats “Gao” as a character gimmick as well. Really, the only thing separating these two series is the ending. Without it, Air actually takes the solid win here. After all, with better characters and better arcs, how could it lose? Kanon does have less filler though so that’s something to consider. Both deal with amnesia plots, but Kanon’s was more enjoyable.
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Overall, Air is a solid title, but the ending really saps the joy out of it. As they say, an ending can make or break a title. It breaks this one, but it still makes for a good ride to I’ll recommend it to you all. If anything, just watch the final episode until the initial commercial break and you should be okay more or less. It’ll have ended on a much better note for you or even just ending on the second last episode although I forgot exactly what the cliffhanger there was. The town’s certainly very deserted so it makes you wonder how living there would be. I doubt the wifi signal would be all that good so you could forget about online gaming for the most part. With this title down, it’s back to action titles. Still, we’ll see if the next tragic title can beat this one. It’ll likely all ride on the ending rather than the journey, but you never know.

Overall 5/10

In a Lonely Place Review

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It’s time for another sad “classic” that doesn’t end up aging well at all. The film definitely leaves you in a lonely place and you have to wonder if the film’s solid reputation is only fleeting at best. The characters once again aren’t all that likable and the film ends up dragging on for quite a while. Well, I suppose that the title is fitting, but that’s the only compliment that I can ultimately give the film. It fails at everything else.

Dixon is a guy who has a very bad reputation of losing his temper and starting trouble. His movie scripts have also not done very well in a while since he tends to have writer’s block and refuses to make any more remakes. One day, a girl he invited home to read a manuscript is murdered on the way home. He is placed under suspicion due to how uncaring he is and the suspicious circumstances surrounding her murder. Meanwhile, Dixon’s neighbor, Laurel is brought in and the two very suddenly get attracted to each other. Unfortunately, Laurel may have picked the wrong man as Dixon seems to get further and further gone with each passing day.

Let’s start off with the fact that none of the characters here are likable. Dixon is obsessed with murder to the point where he doesn’t mind cracking a few jokes upon learning that the girl was murdered. He doesn’t really care even though it’s indirectly his fault for inviting her to his home. I say indirectly because you can’t totally blame him there and she seemed to be in a relationship with a pretty crooked fellow. This result may have happened either way. You’re supposed to sympathize with Dixon, but he’s too far gone. He makes no real attempt to control his anger and nearly murders a guy for simply shooting off an insult. The fact is, he would have murdered the guy had Laurel not stopped him. He injures his manager as well and then tries to strangle Laurel until the phone stops him. That’s two murders that he would have committed had he not been stopped.

As I said, Dixon is way too far gone to be even remotely likable. There’s no way a positive relationship could have ever occurred if he doesn’t respect Laurel enough not to force her into things. Even the marriage proposal is only accepted because of the very implied threat had Laurel not accepted. Laurel isn’t great either. Refusing in the beginning would have been the safest choice, but why did she get involved in the first place? She went from being a rather cold individual who claimed not to rush into things only to get serious about the relationship the very next day. It was a very fast turnaround and the romance really made no sense from the get go.

Now, we’ve also got the cop who seems to be a friend of Dixon’s although just barely. He invites Dixon over for the guy to help explain the murder. Dixon is fascinated with murders and writes about them a lot so he’s sure to be an expert. Sure enough, Dixon figures it out and has the cop use the murder method on his wife as part of a demonstration. All right, there’s nothing bad about that as it’s all pretend right? Wrong, the cop gets so much into it that he starts to seriously squeeze until his wife lets him know that it’s hurting. Even then it takes the cop a few moments to notice before he stopped. Once again, we’ve entered crazy town. You’re not seriously tell me to consider the fact that the murder is so interesting that you would start to seriously use the method on your wife for even an instance right? I mean, the wall between fake and real is quite large and anyone with a speck of common sense would not apply the squeeze at all past safety limits. The cop was doomed from there.

Dixon’s manager wasn’t bad even if he probably shouldn’t have put up with this abuse for so long. He’s just being a good friend so I don’t hold that against him. He’s probably the best character by default although he really shouldn’t encourage Laurel so much since it’s all right to put yourself in a dangerous position, but never anyone else. That’s where you’ve got to draw the line.

As a result, the film is just not enjoyable in the slightest. That’s what happens when a film has a bad plot or commits any of the big 3 errors. (excessive violence, fanservice, animal violence) There are two kinds of bad films by the way. Ones that are simply hard to watch like this one and those that you can enjoy watching in the moment while recognizing their flaws and placing it as a bad movie. I’ll give you all an example of this.

Pixels also got a 1 like this movie. The big difference is that the film was still a lot of fun. I had to stifle a laugh many times, there were great action scenes, and the characters could be likable. Why was it terrible? Well, there were a lot of inappropriate jokes and terrible writing. That may not sound like enough to give the film a 1, but trust me…it was. When the writing is overloaded with those kind of jokes you can bet that I’ll give the film a terrible review. It’s a shame because the film could have been good with so many solid moments, but that’s how it goes. Regardless, I’ll take that kind of film any day over one like this. Pitch Perfect, Bring It On, Tower Heist (to a lesser extent), etc are examples of films like this. I don’t like them and I certainly don’t plan on watching them again, but if I had to choose between them or films like this one, (Sucker Punch, In A Lonely Place, Haunting in Connecticut, Amityville Horror, etc) I would definitely go with the former.

That’s because films are made for you to have fun. I still say that is the purpose of all forms of media. If you’re not even having any fun in the movie and it’s just dragging on and on with content that is not enjoyable, then it has failed. For films that are not enjoyable intentionally, then it is a failed film right from the start. Criterion seems to like approving films like this, which is definitely regrettable. They’ve had some good films in the past, but it seems to be rare.

Overall, I definitely do not recommend In A Lonely Place. It’s not a fun film and it’s probably the first Bogart title that I really did not like. It’s a shame since he typically plays likable characters. This may have come out before Godzilla, but the writing is surprisingly not engaging mainly due to the plot. Instead of checking this film out, look up some classic Hitchcock titles that will engross you in their plots or look for Superman and the Mole Men. A true classic that can appeal to all film fans with its good humor and solid climax.

Overall 1/10

Casablanca Review

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Does the poster spoil the ending? Let’s hope not, although this is a classic so you’ve probably seen it already. If not, then I’d recommend checking it out. It’s not an elite all star film like you may have heard, but it’s a good story. The romance is rather lackluster though and downright bad by the end. Press 1 if you feel bad for the Rebound Guy who shall never know his own fate. This film’s definitely been remembered for many generations and will always stay as a classic so let’s see what the film theoretically did right and what it may have done wrong.

The film takes place during the time where Germany had occupied France. Rick has a little bar that’s going smoothly, but that’s when some Germans arrive looking for a resistance member. Rick has attained a pair of passports that can let the resistance member safely escape the country, but he doesn’t want to give them up because he now has the opportunity to destroy the woman who gave him the slip many years ago and crushed whatever romance they may have had back in the day. Rick never forgets a grudge, but will he ultimately decide to put his feelings to the side so that he can help stop the Nazi’s?

Rick really had a good thing going for him, but Laszlo and Ilsa’s appearance throws a curveball into his life. We rarely know when we are about to make a choice that will alter our life forever, but have to do the best that we can. Of course, it’s hard to just help an old enemy so easily and Rick is naturally upset. Worse, the Nazi’s now know that he has a history of helping the resistance stop the oppressors so he has come under great scrutiny. He’s on friendly terms with the chief of France’s police, but that might not help him all that much if the Germans really do start to go after him.

Rick’s a classic retro hero who’s very confident and can casually respond to the enemy banter. He’s not a bad main character and is far more likable than the leads of the last few films that I watched. He does make things very dangerous for the other characters for most of the film, but ultimately makes the right choices….for the most part. He helps some people flee the country and does help the resistance. The one wrong choice that he made was having a one night affair with Ilsa even though he knew that she was married.

I’m referring to near the end as he didn’t know that she was married the first time. That one was on her, but he certainly could have simply denied her the last time, but chose to accept her offering before sending her on her way. It was not a good move and Rick proved that he was not as heroic as he could have been. The wise thing to do there would have been to have just given them the passports if he had been planning to do so or to have gone along the plan without that move. It also makes things sad for Laszlo.

Unlike some of the other guys, Laszlo may realize that he is the rebound guy, but it’s definitely not a whole lot better for him. Knowing that you are the rebound guy must be incredibly hard to bear and honestly it can make you doubt everything. It’s one of the reasons why you should be incredibly careful when choosing your partner. It’s so that you can actually trust her when you have to be gone for a few months. In the beginning, Ilsa thought that Laszlo was dead of course so it’s not as bad. Of course, what you could say is bad is the fact that she got over it so quickly and moved on to another man. Why are the characters all so easy? It would probably be even worse if this was a modern film. At least the romance is handled tastefully for the most part….the last romance scene notwithstanding.

It’s a fairly pleasant film and one of those well written films that you don’t really see nowadays. The characters all come across as intelligent and even when they’re threatening each other it’s always very civil. Naturally it can be a little long for some as not everyone will enjoy the long conversations, but given the positive reviews around the board, I think it’s safe to say that most people enjoyed the interactions. They’re definitely solid and the film never dragged on for me because it was all very interesting. It would have been great to have had a quick epilogue where some Americans came in to take down all of the Nazi’s, but maybe that would have taken too long.

The film did a good job of throwing in some context and backdrop for the characters. Even though the film had to get into the plot right away, you got a good sense of the town and the people there. They may have been beaten, but they weren’t broken and they were still fighting hard to stay upbeat. The scene where they play their anthem over the German one was definitely a good one and watching everyone talk about how they wanted to leave was a nice subtle way of showing the condition over in Paris. We never actually saw that the conditions were poor, but still knew it through this, which is a solid way of expanding the universe. Subtlety can definitely be a great tactic.

Overall, Casablanca is a good film that lives up to its reputation as a solid romance. It’s not world shattering, but I’m not a big romance fan so it equals out. Aside from the needless romance scene between Ilsa and Rick (A romance that I definitely don’t think is award worthy) the film really didn’t have any flaws and made for an enjoyable experience. It’s a fairly calm film with very few action scenes, but it’s meant to be more about the choice that Rick has to make. Will he make the right one or won’t he? I’m glad to say that he did make the right choice and turned out to be a decent person. There was even some room for a sequel where we could see Rick in the resistance. That would be neat although it could be sad if handled wrong. If you’re looking for a pleasant romance then this is a good film to check out.

Overall 7/10

Sunset Boulevard Review

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It’s time to review a very retro film. It’s one of those films that may have a lot of good reviews, but when you really take a look at it…it doesn’t hold up very well. The characters are all very unlikable and the romance is one of the worst that you’ll have seen in years. It almost makes Twilight’s look good, but that’s just about impossible anyway. The sun did set on this film, but I don’t think that was the film’s intention!

Joe’s a film writer who’s been through some tough times. None of his scripts are any good anymore and he gets serious writer’s block at times. He’s also on the run from the proper (car) authorities since he couldn’t pay the bill on his car. Things are really heating up and he even considers moving across the state, but that’s when he runs into the retired actress, Norma Desmond. She has a lot of money and is willing to help him become rich if he can help her finish her script so that it becomes a real movie. Joe can never pass up quick check, but is this really the right move?

No, I can say that it isn’t the right move, but Joe’s not a good character so I wasn’t expecting him to make the right one anyway. It wouldn’t have been in character now would it? The romance is poorly done here on all levels, but first let’s start with the subplot that comes out of nowhere. The person (Betty) who read Joe’s scripts decides that he has a lot of talent and wants him to help her write a script. He declines, but eventually decides to do it. The problem with this plot is that Betty is engaged, but she immediately falls for Joe anyway, nearly getting together with him in the bathroom of a party after only seeing the guy for about 2 minutes. Keep in mind that she’s already engaged. Once her fiance heads over to another state for some kind of project, she quickly tries to make her move and Joe is naturally happy about this. The problem is that he’s playing the field with two people at once.

So, Joe decides to break it off with both. Before we say how, let’s go to the main plot. Norma Desmond is a lot older than Joe of course, but that doesn’t stop her from flirting with him and since Joe knows that she’s the source of his weekly pay check, he obliges her. He continues to let this relationship happen and even allows her to believe the deception that she may make a comeback as an actress. That’s why we invented the concept of tough love as these passive lies will definitely hurt a person in the long run. Naturally, this isn’t a very healthy relationship and Norma has divorced 3 husbands in the past so that should have been a good hint to Joe.

Anyway, his decision to break off his relationships to both Norma and Betty involves calling Betty over to see his mansion and then dumping her…after having her come over all the way from her house in the dead of night. Couldn’t have broken it off over the phone right? He also did it in a passive aggressive way so as to not formally break it off, but just antagonize her until she got the message. Then, after giving Norma hope that she was the only one for him, he quickly told her that he was leaving as well and after making sure that she had a gun at the ready, he walked away. Naturally he got shot in the back and quickly sprinted over to the pool so that he could have a flashy death, but it was a predictable end to the film.

After all, the movie made the interesting choice of showing him dead in the very first scene as he tells us a flashback. It’s not explicitly stated that it was him of course, but it’s rather obvious since there were no other characters who looked like him in the film. It was a very small cast after all so there was never a doubt as to how the film would end. The only question would be “Why was he shot?” Well, now we know the answer. The guy wasn’t exactly an upstanding citizen and you can only antagonize people for so long before one of them turns out to be a killer. At least the finance guys finally got their car back from him.

The cops show up at the end to wrap everyone up, but they’re not as tough as the cops from nowadays. They allow Norma to slowly walk down the steps and act as if she is still in a movie instead of quickly throwing her in the cop car and getting on with it. The reporters are always glad to have an extended scene like this of course, but they certainly have her a lot of leeway. Considering that she just killed a man, you’d expect a little more intensity from the cops right?

There’s not much to really like about the film. As I’ve already shown, Joe’s a terrible main character. He has no heroic qualities about him. The only part of his personality that is decent is the fact that he gets a lot of burns and insults the entire time as he pokes fun at everyone, but it’s always just talk. He talks about how he should leave Norma and yet he doesn’t make a move until the very end. He’s not actually brave enough or confident enough to make a move and the only times that he does try something are when they’re actions that he shouldn’t take. One such action is naturally trying to steal the girl of his best friend. That’s not a whole lot of loyalty on his part.

If he would focus more on his writing and less on all of the fluff that’s around him, he could have been a real character. As it stands, he’s not someone that you’ll want to be around and I can see why his scripts were no good. He doesn’t take them seriously enough. It’s a shame since the beginning of the film did show some promise and the overall picture could have been quite good. If the story was played seriously and Norma did not fall for Joe we could be talking about a completely different movie. Who knows, maybe this could have actually been a solid 7 instead of the finished product that we got in the end instead. Alas, there are no what ifs when it comes to film right?

Overall, There’s no shining sliver of hope to grab here as the film’s just one big mess that gets more and more entangled in its own plots. Now we’ll also know that the best friend was just the rebound guy even though he’ll never suspect it as his engaged partner will likely never mention these facts. It’s one of the tricky turns of romance and a lot of films actually don’t mind making the guy just the “rebound guy” anymore. Even the next film that I’m about the review used the same technique and it does make you wonder for the eventual husbands who have to put up with this role. You just have to wonder what they would think if they knew. They probably should have realized that if anyone is easy enough to fall for you at first sight, that they may have already done the same for others. Just think on that as you pass by this film at your local DVD store and instead stop at Yugioh 3D Bonds Beyond Time. No drama there, just hard hitting action!

Overall 1/10

Sense and Sensibility Review

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It’s time for a romance drama. As you may have expected, this was a fairly terrible movie. It tries very hard to be the next Cinderella, but somewhere along the road it lost sight of what was happening and devolved into a train wreck much like the Street Fighter V release. If only this film could have been as emotional as ET!

The characters and their names do not really matter in this film so let’s get right to the plot. There are these two sisters and their mother who used to have a fairly nice life. One day, their benefactor died and his full inheritance went to someone who was unrelated to them. The dying man told this guy to make sure that the ladies were well provided for, but his wife quickly convinced him to renege on his word. The guy agreed since deep down he does love money and the girls were quickly thrown into a life of hardship and passive aggressive dealings. If they had been tough enough to actually stand up for themselves in this civilized time, then maybe things could have been a little different.

Either way, this was the only part of the film where you could feel bad for the main heroines. It’s a plot that I never like to see, but at least the plight was very real. It’s sad to go from owning your own house to essentially being the maidservants there. The film lost me when the heroines left to live with a nice old couple though. Suddenly, their situation wasn’t half bad and the place was actually pleasant. They no longer needed to worry about their situation financially and the upbeat atmosphere of the mansion would do wonders for the cast…or would it? Unfortunately, not everyone is very grateful.

The heroines act as if the old couple are a nuisance (Aside from the youngest sister) and they apparently prefer the quietness of being servants than the loud rumblings of the current dinner situation. That’s where I lost my sympathy, how could they ever miss the old days when the situation is so good over here. Sure, the old couple gossips a lot and they’re always talking, but it certainly beats the alternatives. The problem is that the main characters are not likable. None of the characters are really likable although the old couple would be the best characters by default I suppose. It’s still not saying a whole lot.

This whole film revolves around the question, “Do you care if you’re simply the rebound guy?” None of the characters do and they’re personally satisfied with it, but would you be? Just think about it for a moment, the person that you like has repeatedly turned you down and been very rude to you your whole life since you’re just an annoyance to the person. An obstacle that should be gone. One day, the friend’s love interest reveals that he’s just been using her for the thrills and runs off so she says that she’ll go with you now. The main guy in the film basically says “Great, I’ll grab my stuff!” as they’re married the very next day. (Something like that) It felt rather odd, but also sad because it’s actually realistic.

People are so easy nowadays that they’re desperate for love. This scenario is actually not all that uncommon and just makes the characters look even worse. Essentially, the same thing happens with another pair, only they broke up like 3 times first and again, the girl was the second choice. The guy had made a promise to someone else that he would marry her about a decade earlier so when he remembered the promise, it was game over for the main character. The lady called it off though so the guy quickly went back to the main charcater, but he had already dumped her twice and ignored her several times at a party, pretending not to know her. He even sent her a letter saying that he had never loved her. Erm….is this what true romance is?

One of the characters admitted that classics like Romeo and Juliet had “pathetic endings” which I did have to agree with. I don’t use such strong words, but you have to admit that those romances are rather terrible and know nothing about true love. If you have fallen in love at first sight, then you know that it is fake love. The problem is that most people will never realize this so we’ll get films like this one.

No worries guys, this film’s still not getting a 0 or anything like that. I’m not even giving it a 1 since it’s not horrendous. It’s terrible and boring, but doesn’t cross the line into Sucker Punch territory. My main complaint with the film aside from the characters is the fact that it is very boring. The film drags on and on and the plot doesn’t make a lot of sense. As I explained, the characters should have been happy with the old couple, but for the sake of drama, they quickly revolted. That’s not cool. The romance was handled very poorly as well, but you probably saw that coming didn’t you? I have been bashing it for quite a few paragraphs at this point….

Who knows, maybe zombies would have spiced things up a bit. I can definitely say that the MVPs of this film were definitely the dogs that had been running around the place. They were neat and it makes me wish that they could have been around a little more to mock the main characters and their unwise choices. I also have to say that tripping in a grassy plain is quite lazy and does make it seem as if you’re a very weak character. We wouldn’t want people to get the right impression now would we?

Overall, This is a very boring film and one that you should not bother to watch. It doesn’t help that this is set in the olden times where everything looked dreary and dull. How I miss my modernized glass buildings and video games at every twist and turn. There’s no real language, which is one of the good things about having an old film, but with a large array of terrible characters at every turn, it doesn’t make a whole lot of difference. If you want to watch an emotional movie, check out Peanuts instead. At least that one has Snoopy and it’s said that he can hold an entire film all on his own. Now that’s what I call talent!

Overall 2/10

Baby & Me Review

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Now this is a series that I started a long time ago, way back in 2011. It’s been almost 6 years, but I finally got around to finishing the series. Needless to say, I’m afraid that it is on Vampire Knight’s level. The negatives are completely different and there are no fight scenes here. You may like the series more if you like babies a lot and find their actions adorable, but for someone who’s not particularly fond of them and prefers a nice action scene…it could be a looooong ride!

Takuya’s mom passed away a long time ago so he now takes care of his little brother Minoru. Their Dad’s also around to help of course, but he’s typically at work, which is why it ends up being Takuya’s responsibility. Takuya constantly gets upset at Minoru and they fight all the time, but in the end he learns that their bond is strong and shall never fade despite their mishaps. In theory, it’s a very touching experience. In theory anyway….. A plot never really develops since it stays as a slice of life for its duration so prepare for all of the characters to get into various situations, but none of them ultimately have the depth and charisma that you would see from the characters in Sword Art Online Lost Song.

The cast of characters is actually really small considering that there are 18 volumes. There are maybe 10 big characters or even less, although there are naturally more minor supporting characters as well. It’s a slice of life series so the whole thing resides on the fact that you need to like the characters. Unfortunately, I didn’t care for any of them, which does hurt the experience.

First up is Takuya. He’s supposed to be the nice guy as mentioned by quite a few characters, but you never see that. He essentially spends the whole series being upset at Minoru and this is what ultimately ends up causing the car crash scenario. Takuya is not a character to look up too nor is he someone that you will end up admiring. In the end, the pressures of raising a kid are far too intense for him, but rather than admit it, Takuya tries to power on and this is not a winning strategy. It would like be watching a Scooby Doo episode where Shaggy and Scooby never get along.

Minoru isn’t any better though and he’s a pretty terrible character. This is where the series really dies. You’re supposed to find Minoru humorous or entertaining, but instead he’s a very grating character. He can’t actually talk yet so you just have to watch him waddle around everywhere and that wasn’t fun the first time he appeared. I haven’t met a good baby character (Who wasn’t actually an adult in disguise) that I’ve actually liked in any form of media and that doesn’t appear to be changing anytime soon. Minoru just holds the series down and since he’s one of the main characters, that’s a pretty big anchor to weigh the series down.

Takuya’s dad is all right, but like Takuya he is always getting upset at every little thing. He gets a flashback of how he met Takuya’s mother, which was all right I suppose, but it didn’t make his character any better and he could have done a better job of making sure that Minoru had a baby sitter to help Takuya out. Gon is one of Takuya’s friends and I wouldn’t consider him a good character either. At this point, maybe I shouldn’t even bother saying if the character is good or not since you know my answer. The only credit I’ll give Gon is the fact that he doesn’t betray Takuya at the end and realizes that the newcomer is trying to drive them apart. Besides that, Gon doesn’t add anything to the series.

Akihiro and his family are main supporting characters in the series. There are 3-5 kids in the household of varying ages so they like to run around and cause a lot of tough situations. Even a birthday party gets dicey since the parents have to work and everyone forgets about it. They’re not bad though and I feel like this household would have made for a far more interesting series than what we got. Akihiro is probably the best character in Baby & Me by far. He see through all of the fake romance plots and just tells it like it is.

The final main supporting characters are another household which has a baby. I don’t remember the names of the two living there, I think one of them may have been Seiji. It’s not of any real importance in the long run though. One of them loves games and gambles a lot. He’s also a very laid back guy so he doesn’t mind just walking into the main character’s house whenever he feels like it. The lady is also pretty carefree and leaves her kid with the main characters to go watch a movie with “Seiji” once in a while.

As mentioned earlier, the main reason why this series tanked is due to the overall plot. With a plot so bad, it’s hard for anything to save it and the rest of the series didn’t try all that hard to correct this. One thing about Baby & Me is that it’s not actually a super happy/light series. It tries to be rather deep as you can tell with the final volume where Minoru is hit by a car. Can you think of any series where a toddler is gravely injured like that? It’s surprisingly not as kiddish as you would expect and that also comes back to bite it. The series bites off more than it can chew and I’d rather not even have the car crash scenario at the end since it’s a bit much. I’ve always considered little kids and senior citizens to basically be off limits as far as dangerous accidents are concerned.

There is also one annoying character who is always inappropriately grabbing Takuya as part of a running gag, which is anything but funny. It’s these kinds of things that hold the series back and guarantee it a place at the bottom of the totem pole. We didn’t get any fun plots that would have been a blast like team sport competitions, big races, or some kind of tournament. Now that would have definitely been exciting. There was a brief moment of danger with some gangsters and gambling though so that was neat.

I don’t really have much of a problem with the art. It’s not all that good, but it’s not very bad either. I suppose that I would call it somewhat standard or maybe a little sub-standard. It’s fairly clear, but when you don’t have a lot of action scenes to draw or anything of that sort, then it likely makes the job a little easier. It’s why just about any anime looks great when the characters are just standing around (Unless the character designs are faulty) but fight scenes can really vary in quality. Likewise with making something smaller scale like a sprite fight or a quick fan animation. You can take a while and make a really great still, but once you’re moving the characters around, it can get pretty intense! Of course, that’s what also makes the video since the fight scene is what everyone’s (Meaning me and all those who love fight scenes)

In the end, the series was just never all that fun. I can actually say that I’ve enjoyed Ouran Host Club and Vampire Knight more than I enjoyed Baby & Me. At least Ouran has some charasmatic characters which have started to save the series from the terrible pre arc and Vampire Knight had some good action scenes and (somehow) a better cast than Baby & Me. Baby & Me just never had that edge which could have made it a better series. I can’t say that there was ever a moment where the manga showed signs of getting better, but again, it’s hard to get better when your two main characters are not likable in the slightest. I took a lot of shots at Yuki and Zero in my Vampire Knight review, but they were still far more compelling than Takuya and Minoru.
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Overall, Baby & Me was just a series that wasn’t for me. It was never a very interesting series and was rather dull like Go Go Monster. The characters were not interesting and the series took itself very seriously, which didn’t pan out. If you’re going to try to be a very serious series, then you need to either have a great plot like Dengeki Daisy or a lot of action like Kenshin. (Which still knew how to balance itself) The great plot is the most important part because I’ve read many serious series, which pulled it off. Baby & Me is about a kid who’s raising a baby…why is this a serious series? The plot alone should cause you some pause when you think about the concept. At least it did ensure that we weren’t blasted with crude humor all of the time. There may have been animal violence like the last pic hints, but I forgot, either way it may have just been one hit so it wasn’t terrible, but still terribly unnecessary and there could have been other moments that I forgot. If you want to read a good series about a kid who is actually trained by the baby, check out Hitman Reborn! Now that is a 9 star series, which shall certainly not disappoint you!

Overall 1/10

I Confess Review

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It’s time for a retro film from Alfred Hitchcock. The style is certainly a little different from his other films in the sense that you wouldn’t necessarily know that it was by him. Most of his films are more mystery centered whereas here you do know who the villain is the whole time and the tension is on whether Logan will crack under the pressure or not. It’s a fun film where you have to decide if he’s making the right move or not.

The premise is fairly simple. Logan is a Catholic priest and one day he finds out that the man whom he hired to work at the church murdered a man. Unfortunately, the murderer is the one who told him while in the confessional box. It is strictly forbidden for a priest to use any knowledge learned during this period so Logan must decline to help the police with the investigation when they ask him who the murderer is. Unfortunately, the evidence now makes it look like Logan is the murderer and he can barely provide a defense for himself. Is this the end of the line for him?

Keller is the actual murderer and he evidently doesn’t care if anyone likes him by the end. He’s always trying to make Logan look bad and also doesn’t seem very remorseful for murdering someone. He goes crazy by the end to conveniently help the police realize the truth, but the character isn’t ultimately all that important in the story. Logan can shut him down at any time. As mentioned earlier, it really comes down to whether or not he will abide by the code.

His faith is strong and he never ends up buckling and telling the police what he knows. He does a good job in his Catholic beliefs. I’m a Christian myself and luckily we have no such custom. I definitely don’t fault Logan for not talking since he did well according to his beliefs, but I felt like he could have handled the situation a little better. Aside from not wanting to talk about anything relating to the murder, he also didn’t want to talk about anything related to Ruth, which caused more issues. This meant that he did not even want to create an alibi for himself and effectively made himself look all the more guilty. Not to mention that he tried to dodge the questions and sidetrack the arguments a lot of the time.

Even if he didn’t outright say that Keller was the killer, Logan could have easily explained that he knew who the killer was, but couldn’t say because of the confessional rules. That would have at least given the police something to go with and I don’t believe that this is against the rules. Of course, it could come down to the fact that Logan may have thought of this as “cheating” the rules. It’s like a “lie of omission.” I still don’t believe in the concept, but many do consider it to be a form of lying and essentially cheating the concept of a lie. You’re telling a lie without actually saying anything. If Logan subscribed to that way of thinking, then maybe he felt that he couldn’t even admit that this had anything to do with a confessional. I personally disagree with his stance.

I do think that ommissions are not the same as lying. Take for example the classic example used for the lying debate. 2 Nazi’s walk into your apartment and you are hiding Christians in your attic so they say “Are you hiding Christians in the house?” You have quite a few options without actually lying and they all involve sort of skirting around the whole lying concept. One option is to respond via a technicality. Maybe your home is an apartment, a villa, or something that’s not technically a house. Then you can easily respond with a No and it’s not a lie. You could use an exclamation like “What” “How dare you accuse me of such a thing!” which is not actually lying, while still insinuating that you are saying no and then depending on what they follow up with, you can say no to the question without saying no to the original one. There are many such loopholes that you can exploit in many scenarios, but it does boil down to the fact of whether or not you consider this to be cheating the rule. By the way, I am of the side that believes lying is the better course of action than telling the truth in that case. You are committing a sin no doubt, but saying yes means that you will be killing the people in your house and taking away their choice of life. If it’s just your life on the line, then by all means it’s best to tell the truth and proudly accept your fate as a Christian. When other people are in danger, then self sacrifice is the concept that I subscribe too (Whether or not you have the courage to back up your tough words is another story though) and you are willingly sinning, but I believe that it is different from simply sinning for personal gain. You will have to answer for each and every sin, but I believe that the lives you saved and your willingness to repent and move on from the situation is counted as well.

Back to the film, if Logan believes that admitting to the confessional being the issue of why he can’t talk to be a loophole of the Catholic rule, then he naturally cannot even say this since it would go against his beliefs. It all depends on his feelings on the subject. Either way, he was definitely put in a tough spot, but Logan was a good character. I got worried when he was stranded with Ruth for a night, but he did a good job and handled the situation appropriately. Logan’s a solid lead character and while his actions were frustrating, he did the best that he could.

Most of the other characters were pretty annoying or unlikable. The only other really good character would be the detective. He did a good job of grabbing the facts and showing the other characters who was really in charge of the situation. You could almost root for the guy if you didn’t know that he was already on the wrong side. He meant well and that definitely counts for something. The Prosecutor was also decent and he knew how to have a good time. He would have won the cup game if not for the phone.

Naturally, Keller’s not a likable villain. He comes across as rather petty. His wife was better even if she acted a little too late considering that Keller never seemed like the most respectable guy out there. The other priests didn’t help Logan out all that much, but they were likely praying for him. They were just in a tough spot since it was hard to help him and they definitely understood his plight by the end of the whole ordeal. I did like the priest who had the bike with him, that was a fun gimmick to have.

Meanwhile, Ruth was surprisingly very antagonistic for most of the film. Her treatment of her husband was very uncalled for and she could never rebound from that. She married him for no real reason since she claims to have never loved him and immediately tried going back to Logan only to find out that he had put up the friend zone already. Sometimes, the friend zone card can be quite effective and it’s always great to see it played during a film. It’s one of the ultimate moves to pull in real life as well.

Overall, I Confess was a solid film. The mystery was already known, which always forces a different approach for a mystery. The courtroom drama was intense as always, although without a real defense, it was more one sided than I would have liked. I certainly recommend this film if you’re looking for a classic tale of whether the world can crush you enough to make you relinquish your beliefs or if you can find a way to persevere. It’s a good adventure with a well thought out plot. I don’t remember all that much plot hax at the moment, but I’m sure that I could think of some if I focused!

Overall 7/10

Cinderella (2015) Review

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Cinderella is a classic film and I actually got a chance to review the original about half a year ago. It’s a pleasant film and you can see why people are so fond of it even if it’s not my cup of tea. That being said, the remake leaves a little to be desired. It tries too hard to be emotional and some characters like Cinderella’s father look pretty bad. I’d also argue that Cinderella herself isn’t a great character here.

I’m sure that you are all aware of the story. Cinderella’s mother died when the girl was still young and then her father decided to marry someone else and then leave home for a few months. He died while overseas and Cinderella went from being a girl of high standing to a slave. She finds magical strength through her fairy god mother and marries the prince so she can regain her social power. The plot limits the film’s potential, but if handled right it could still be good.

First off, I did not like Cinderella’s father at all. He certainly doesn’t come off as being very smart or wise and he is played the entire time. He marries a widow who has two rather mean spirited kids and then leaves Ella to fare for herself. I’ll just stick to calling her Cinderella since it held up I suppose. You just have to wonder how the father did not notice how sinister his new family members were and he was very oblivious. I also felt that he moved on too quickly even considering that there was a time skip. He was a very unlikable character.

Naturally, he was not as bad as the step sisters. They’re bullies who pick on Cinderella the whole time and since the main character doesn’t know how to fight or engage in verbal fisticuffs, she’s easy prey for them. Cinderella’s step mother is also fairly mean to her as she just wants to be rich and doesn’t like Cinderella from the start. Dealing with the three bullies turns out to be too much for the delicate main character.

Even Cinderella ended up being an unlikable character in the end. I like main characters to be nice. It’s a good trait and one that you don’t see as much as I would like. The problem is that Cinderella is a push over and there’s a very fine line there. Keep in mind that the place was still hers, but the step mother asks her to move to the attic and Cinderella allows this. The step mother gives her slave chores to do and slowly takes away all of Cinderella’s possessions. “Did she just walk up slowly and wreck Cinderella’s dress?” Props if you got the meme reference, but Cinderella basically allows herself to be a verbal punching bag for the new recruits.

One scene where you will also be frustrated with the main character is when she allows the cat to almost destroy one of her little mouse friends because the step mother stared her down. Cinderella seriously has no backbone in this film and allowing one of her friends to see his life flash before his eyes was the last straw. You’ll have a tough time finding a weaker willed main character no matter what film you decide to watch. Naturally, the romance was also nothing special and Cinderella was basically just escaping her situation. Falling in love with someone after meeting them for like 4-5 minutes is certainly iffy by any stretch of the imagination.

The prince was decent and I’ll give him kudos for not hunting the animal that he nearly destroyed. Hunting is wrong and now he has learned his lesson for good! His plot had some drama as his father died and there was a traitor in his army, but I actually preferred this plot to the main one. The royal characters were all fairly interesting and it’s always nice to see their social power. The bullies wouldn’t be able to stop these guys so the Prince was able to have his justice at last.

I think you can probably tell that this film is getting under a 5. For the most part, it’s a fairly charming film, but it starts to fall to pieces once the father dies as the bullying starts and drags on for quite a while. Another negative is actually the costume designs. I haven’t actually had to launch a complaint against a live action film for this in quite a while (Since the Charlie’s Angel days) but there is a lot of cleavage and it’s very overdone. The film was simply trying to copy the style from back in the day, but it’s still excessive and just not done in a classy way. The film could have easily used the same style of clothes without making it a different size. It’s a rare negative for live action films, but that just makes this error all the worse. I actually thought this since the trailer for the film first came out and I was sad to see that the film hadn’t changed.

Cinderella’s fairy god mother also didn’t look too good in this film either. For whatever reason (For comedy) she did not know what she was doing and came off as more of a novice than she should have. The original Fairy God Mother is fun because she’s a pro and with enough prep time, she can take down any foe. This one nearly destroyed herself by making a pumpkin too large and her scenes actually managed to drag on quite a bit. This is why changing things from the source material backfires so often. It’s simply not done most of the time and the film needs to recognize and accept this before moving on.

Due to the film taking place back in the olden days, there isn’t a whole lot of colorful scenery to look at. That’s too bad and while it’s not terrible, you could easily pass this film off as a 2005 film rather than 2015 and that’s always a bad thing in my book. Seriously, a 2015 film should look modern and this film already feels dated in some areas.

Overall, Cinderella’s plot simply isn’t for me so a future film will need to really change things up in order to win for me. For starters, Cinderella should be a nice lead, but she shouldn’t just let herself get bullied the whole time. Honestly, writing out the step sisters and all of their cringe worthy dialogue would be a nice step up for the film. They simply aren’t needed and just keeping the step mom around would keep the plot virtually the same. That, or just having one step sister. The film does try to have its comedy moments at times, but they’re pretty uninspired. This film may try to take you for a ride, but sometimes the best thing to do is to simply step off. If you’re looking for a good romance drama, I recommend watching Yugioh Bonds Beyond Time and just remember that a drama without romance can still be a very good film!

Overall 4/10