Tag Archives: Romance

Sleepless in Seattle Review

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While better than the last two romance films that I’ve reviewed, Sleepless in Seattle falls into some of the typical romance film traps. While very different than the horror movie tropes, Romance ones can be about as harmful. Here are some of the landmines that this film steps into. Rebound guy/girls ✔ Love at first sight ✔ The bad advice friend ✔ It doesn’t step into other landmines like characters immediately forgetting social etiquette and jumping into bed so I’ll give the film some credit there. As I said, it’s a fairly decent romance film, it’s just that romance is typically not going to get a very high score because the genre ends up limiting itself.

Sam is not in the best of moods because his wife passed away. He’s decided to respect her memory and not move on with his life. Unfortunately, Jonah wants to have a Mom again so he calls a radio station and gets them to give Sam a live interview. Sam tries to decline this, but it’s too late now and he ends up spilling his life story to the rest of the world. One of the people listening was Annie and while she had a steady relationship with Walter to the point where they were very serious, she decides that she wants Sam. The problem is that she needs an excuse to get to New York City to meet him on top of a large building like in her favorite film. Meanwhile, Jonah needs to get Sam up there since he already found a new girlfriend himself. Those radio stations do work quickly don’t they? Can Jonah get the main two characters together or will he respect Sam’s feelings and not put him in another awkward situation?

From the start you can tell that the ending of the film may not be all that satisfactory. I’m an active backer of the friend zone and believe that if a character doesn’t want to move on, Hollywood shouldn’t make him. Sam’s wife died so maybe it isn’t good for him to get a new girlfriend and marry again. Personally, moving on like that just isn’t a very good move if you ask me. Movies try to make it seem normal and make it sound like a good thing that you’re moving on, but it just makes me question the character’s devotion in the first place. If the chosen love of your life dies, I don’t think you should try to find a replacement.

It gets worse when you consider that Jonah pushed him into this by calling that company. The fact that Sam got so many letters is a little alarming since it shows how many desperate people there are out there. The plot gets a little suspect when you realize that one of these letters if from Annie. I mean, I don’t blame Sam for not wanting to go all the way to NYC to meet someone based purely on a letter. That would have been pretty desperate of him as well.

I’ve always been against love at first sight, but is this even more shallow than that? From Annie’s perspective, she has no idea who Sam is or what he looks like. All she has is a radio broadcast to go by and she’s willing to axe her relationship over that and takes a huge gamble with her life. It may be a classic Hollywood ending as everything works out for the best, but you really have to question the whole thing from all sides. I wonder how Annie feels about being the third choice as well. After all, Sam had been dating someone else before he was forced to go to NYC. I guess he’s going to have to awkwardly tell her that he dumped her for someone else that he literally just met. Gee……that’s probably going to be a fun day for her.

Lets not forget about the other guy who was dropped like a sack of potatoes…good ole Walter. He’s a nice guy who just wanted to have a good time. He bought Annie whatever she wanted and his only character flaw was that he is allergic to a lot of things. Beyond that, the film never gives you a reason to root against him. Walter even realizes that Annie is treating him like the rebound guy so he decides to let her go and start his life fresh. It’s great that he was understanding about the whole thing, but it must be rough to suddenly get dumped for a random stranger after being with someone for months. That’s life I guess and when you enter the arena of romance you never know what’s going to happen.

The main cast is relatively small since it’s really about the drama. Sam’s not a great main character since I disconnected with him after he listened to a radio show and immediately got a girl friend. It all happened so fast that you have to wonder how serious any of them were about it. I don’t have much more hopes for this next romance either. Annie is possibly worse since her position was really unreasonable the entire time. I don’t care how charismatic someone sounds over the radio, you don’t make a life altering choice over something like that to just dump someone and get together. Listening to strangers making promises over the internet and asking to meet somewhere is just going to get you in trouble in the real world. Jonah is as annoying as your average kid. He keeps trying to mess with Sam and forcing the guy’s hand by heading over to NYC on his own was very selfish and dangerous. It was the only unrealistic part of the film and Jonah never met any consequences for this. On the contrary, he’s probably pleased with himself for playing the role of matchmaker so efficiently. If I was Sam, I’d probably be a little upset.

All right, this review’s had a pretty negative tone so far so lets talk about the positives. The film has a pretty good soundtrack. The songs are fairly emotional and add some impact to the film. It feels pretty high budget and all of the landscapes really stand out. The writing is pretty solid during the film so you don’t have to worry about the characters getting too crazy. We see some aspects of the film that could have been pretty interesting like Sam’s job, but they don’t get too much screen time to give more of that to the romance. So, the film is fairly reasonable and I’d say that it’s one of the better romance films that I’ve seen.

Overall, Sleepless in Seattle is a film where the premise will throw you for a loop. It’s all about moving on and getting to the next battle, but I’ve always disagreed with that moral. It’s the complete opposite of Madoka Magica Rebellion. Homura never moved on from Madoka’s memory and decided to do something about it. Now, Sam can’t just run into Heaven (If his wife was a Christian) and snatch his wife back like Homura did, but I do think he could have just stayed single and lived a content life until they were reunited. This way he could be ready to have a nice reunion with the wife instead of a very awkward one when he shows up with his new wife and the brief girlfriend comes by to say hello. So, I think the film was barking up the wrong tree here. There was also no time for chemistry or development with the romance since the characters didn’t get to actually meet until the final 3 minutes of the film. (Unless you count a brief hello where they see each other across the street) It’s hard to call that a real romance. It’s very Hollywood and akin to something out of the olden days, but doesn’t work too well in practice. That being said, the film does manage to avoid any real objectionable content since it’s only PG and it’s a relatively mild romance film. If you like romance, then you will enjoy this one. For myself, I couldn’t give it the thumbs up approval in the end because I disagree with the film’s message too strongly. If you want to see a counter argument to this film, then check out Madoka Rebellion to point out why you shouldn’t always move on.

Overall 4/10

When Harry Met Sally Review

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This review is of the edited TV-14 version of the film. All thoughts below should be addressed as such as a review of the unedited version would likely be far more negative.

It’s time to look at a romance film from not so long ago that has two characters over complicate the topic of whether a man and a woman can be friends. The answer is as obvious as it is simple, yes. Still, it gets to be a little harder when you’re the two main characters of a mainstream Hollywood type film and both constantly run through relationship after relationship. Maybe it is then inevitable that the friend zone will start to crack.

The film starts off with Sally and Harry going on a road trip over to New York City. It was convenient for them to share the car and I’m assuming that they both paid half of the gas cost. That’s when Harry brings up the topic that they could never be friends while Sally disagrees. Eventually, she realizes that she won’t be able to convince him otherwise and they part ways upon reaching NY. 5 years later they run into each other at an airport and then continue to see each other briefly after 5 years. Finally, they both run into each other again and decide to hang out. As they are both in relationships, Harry declares that maybe they can be friends again, but only time can tell if he is right.

As the film is all about trying to answer this question seriously, it’s time to bring my insight to the table. It’s actually sad that the film spends so long trying to answer this question only to bring back the incorrect response. Spoiler alert, Sally and Harry get together. Men and Women can absolutely be friends. Unlike what Harry would have you believe, you don’t immediately look at someone and wonder how you can be more than friends. That’s just Hollywood. For myself, I’ve had more female friends than male ones. Now, we can discuss the differences between friends, acquaintances, and co-workers, but getting into all of that will just take a while. Needless to say, the difference isn’t extremely large. Friends are people you’d spend time with outside of work whereas the other two categories have meetings that are exclusive to the location you’re at.

I like to think that I get along with just about everyone. Outside, I tend to attract either the elitist “PC Master Race” crowd from guys or the more business stuffy ones who have no hobbies. I still find topics to talk about though and everyone has a hobby if you dig deep enough. However, I end up talking more with girls because they are the ones who actually end up being big anime or video game fans. With guys I talk about politics and life a lot which is fine, but I certainly prefer to talk about my hobbies. Also, I just don’t have as many opportunities to talk to guys because in my classes it’s usually 80% girls to 20% guys and at work at one point, all of my floor’s co-workers were girls. We finally got some more guys, but for a very long time there were none. I don’t think there’s anything complicated about the whole thing, you can be friends with anyone and that’s why this film’s premise is pretty laughable, but I tried not to hold it against the film too much…

Unlike Hannah and Her Sisters, I can at least say that this film was pretty amusing. It had a far more upbeat nature and didn’t dwell on any really dark plots. It’s not meant to be the kind of film that gets you thinking or wanting to subtly get out of the theater. It’s supposed to give you a few laughs as you go through the adventure. It’s entertaining enough to mask its flaws during the watch. This isn’t a good movie in the end, but as far as romance comedies go, it certainly could have been worse.

Unfortunately, I did not like Harry or Sally. Harry is your standard Captain Kirk esque character who moves on from one person to another very quickly. He is constantly in an affair, but they usually don’t last a week. He actually made it all the way to marriage once, but then he was still dumped. After all of these rebounds didn’t work, Harry finally remembers good ole Sally. Meanwhile, Sally has also gone through a bunch of different guys and has a hard time getting over her multiple ex’s. I don’t get why the two of them have such an issue with that though, you’d think that they wouldn’t really care much after they were broken up. Certainly not enough to have a panic attack in the middle of the night right? Well, I guess they just weren’t ready for the romance game.

As mentioned earlier, I didn’t care much for the ending since it was basically trying to prove that Harry was right all along. That’s the last thing that I wanted to be proven since Sally certainly had the right idea all along. They could and should have been friends rather than just having a one off affair for no reason. Based on who they are, it’s hard to imagine the ending sticking either and she’ll have to look at everything that he says carefully since he was a very iffy person from the get go.

Harry and Sally each have a best friend who they use to communicate with each other behind the other person’s back or just for life advice in general. Naturally, those two get together since nobody can not get together by the end of a film. It was just another sad coincidence for the main characters, but either way I’ve always found blind dates to be rather dubious. It just seems rather desperate if you ask me and if you’re meeting for the first time as a date, then it’s hard for that to be a proper relationship since it seems like both parties don’t care much to learn about each other. They’re just launching right into the date.

Overall, When Harry Met Sally is a very cynical kind of film where you learn to doubt what everyone says at face value and always look for hidden agendas. It’s not a very fun way to live and if you followed Harry’s advice, your life would be pretty miserable. Even if you don’t automatically believe what people say, there’s not much reason to think on it. Just move on from one conversation to the next and it won’t matter too much whether it was true or not. The film isn’t quite as deep and wise as it leads you to believe, but it can be fun to see the heroes over complicate every single issue and act as self proclaimed experts. At the very least, you should have an enjoyable enough time watching the film if you sidestep some of the dicey conversations and just focus on the comedy. If you’re looking for a film with valuable life lessons, check out Magi Madoka Rebellion. It’ll help you debate with yourself whether it is right to save someone without their consent at the expense of other people or to strive for the greater good, but lose your best friend. These are the tough questions that require a long explanation as opposed to this film’s premise which you can answer correctly with one word.

Overall 3/10

Hannah and Her Sisters Review

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It’s time for a film about betrayal and deception along with some drugs to add to the intensity. Hannah and her Sisters is one of those films that is held back quite a bit by the unlikable cast and it seems like everyone loses out in the end. All of the characters are just a little too warped to find interesting and the ending is certainly not satisfying in the slightest.

There are three main plots here. First, there is Hannah and Elliot. Hannah always tries to be a very reliable person who has a plan for everything. She never does drugs, lies, or cheats on her husband. This makes Elliot upset since she is seemingly so perfect and decides to cheat on her with her sister. You can probably imagine what a terrible plot this is and lets jump right to the ending here. One of the main reasons why it is so bad is that Hannah never actually finds out. Elliot is forced to give up his other affair because he was dumped and then heads back to Hannah. She’ll never know that she was just the rebound character or that her husband is actually not a loyal person.

The second plot involves Lee and Frederick. Essentially, Lee starts to regret living with a super old guy who has disillusioned himself with reality. That’s why she decides that cheating is her best way out and from there she finds a third guy and the situation continues to get more and more messed up. It’s another pretty terrible plot that will make you shake your head or even face palm if you have the energy for it.

Finally, we have the plot with the ex drug addict Holly and Mickey. Holly has finally gotten off the drugs, but now she can’t decide on what she wants to do next and switches her career choice every other day. She likes to blame everything on Hannah as well just for kicks. She meets up with Mickey who has just quit his job and plans to live his life just running around as he searches for answers. These two hit it off immediately and this plot is also rather annoying, but I will say that it is better than the first two plots.

You can already tell that this film is just pretty bad though. The characters are all given so many flaws that you can’t even tell what they’re supposed to be good at anymore. Hannah is the only character who is even reasonably good. It’s pretty obvious why Lee is no good and likewise with Elliot. That whole plot was in pretty bad taste. Holly wasn’t likable since she was always blaming Hannah for everything and never even apologized for it. I don’t see her novel idea working since the only persoin to really like it is a guy who’s slowly turning crazy and then she’ll have another confidence breakdown. Frederick’s no good either as he turns away all potential buyers even though he’s low on money. The man has way too much pride.

Mickey may add the most levity to the film, but he still gets to be too much at times. For starters, quitting his job after finally being given a clean bill of health was onie of the worst moves you can make. He also moves on very quickly as he gets dumped by someone and rebounds to the sister. That seems to be a trend in this film and it’s certainly not a good one. With how desperately the sisters are looking for a guy in this film, you can’t help but feel that all of the romance is fake. If you’ll settle for anyone that’ll have you, then something is absolutely wrong in that scenario and it’s time to reflect a little.

It’s not as if I typically enjoy romance films anyway so the deck is stacked against the movie at the start. To battle against this, a romance film needs good writing, solid characters, and a good overall plot. This film had none of that and managed to sink even lower into the genre. As a whole, it certainly doesn’t help to improve my view of it. Moreover, I’ll take a rom-comedy over a rom-drama any day even though some drama is always added in by the end anyway. At least the former doesn’t take itself so seriously and typically won’t have all of these really tragic circumstances.

Elliot really should have gotten some kind of consequences though along with Lee. Both of them had very happy endings at the end despite being the worst characters in the film. It didn’t really feel fair to the others. If everyone has the same ending despite some characters being good and others being bad, then it’s pretty iffy.

Overall, Hannah and Her Sisters is a film that I’d recommend avoiding. Between the drugs character, the cheater, the liar, the crazy guy, the old man, and everyone else, you have a lot of reasons to stay away from this film. Even Hannah’s parents are messed up as the Mom flirts with everyone despite being over 60 so the parents end up fighting a lot. Mickey’s plot may add some levity to the film and it started out pretty decent, but gradually got watered down and extreme. I think his plot shouldn’t have merged with the others and it would have been much better. Regardless, if you’re looking for a good romance film, I’d advise you to keep on looking. This is definitely not the movie that will fit the bill for you. You’re better off watching re runs of Blues Clues as that show at least offered a compelling mystery during each episode.

Overall 1/10

Library Wars Love & War

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The premise for this series is certainly very unique. Who ever thought that we’d see a series about an army of librarians who have to defend their books with guns? It’s off to a good start so far and I’m 4 volumes in. If it can keep it up, then this will probably end up being one of the best Shojo titles. I’ll have a review for the series up when I finish it.

Overall 7/10

Miss Peregrine’s Home for Peculiar Children Review

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It’s time for an interesting film that uses a the concept behind X-Men, but with its own spin. Considering how sad the last few X-Men films have been, it’s not hard to construct a universe that’s more interesting. (At least when it comes to films) Unfortunately, this film jumps off the cliff by the end as the logic just doesn’t make sense at times while also having some of the worst writing that I’ve seen in a film in a very long time. (“Some” being the key word here since Pixels exists) It takes you out of the experience, but at least it is interesting and never really drags on.

Jake was just an average boy who tries to live a normal life. His Grandfather would tell him stories of people with fantastic powers and other such tales, but Jake paid him no mind. One day, the grandfather is attacked and murdered by a large creature. Everyone tells Jake that he is crazy, but the kid discovers a recent letter from the head of the school for Peculiar Children. Jake convinces his Dad to tag along as they head to the island and Jake discovers that he is the chosen one. He must save the school from the giant monsters before it is too late, but will he gain some intelligence in the meantime or are all of his friends doomed?

It’s hard to know where to start here. I think I want to go with Jake since I have a lot to say about him although none of it is good. He is easily one of the most incompetent main characters that I have ever seen and also one of the most unintelligent and unlikable. Lets go chronologically here. I guess I can give him a slight pass for not believing the grand father since it would be a tough tale to buy, but after he sees the creature and how the grand father is murdered…he should accept it as true right? He believes it enough to go to the school, but then he is startled by the kids that the grand father has talked to him about for many years. Jake should not be startles, but he is and then he trips and knocks himself out.

Jake continues to embarrass himself further for the rest of the movie. One girl is embarrassed to eat in front of him because of her ability, but Jake says that its fine since he’s a tough kid and can handle it. Needless to say, he gives her a sad, scared, worried kind of look afterwards and shifts in his seat. Later on, everyone warns Jake that the school bully is going to try and scare him by showing Jake the kid who was murdered. Jake knows this, but wants to meet the kid anyway. I won’t say exactly how the interaction goes, but Jake runs out of the room screaming…which tells you enough.

Part of the plot revolves around how Miss Peregrine keeps the kids in a 24 hour time loop which saves them from the bombing in WW II, but also keeps them eternally young. As a result, they live the same day over and over again and have been doing well without Jake. Knowing this, the main heroine brings Jake out to the country side to see how Miss Peregrine destroys the monster every day. Jake suddenly forgets common sense when he sees the monsters and yells out a warning to Peregrine even though she clearly did not need one and Jake could have ruined everything there. Need I go on? Yes! I could write a whole essay on Jake and his unending fails.

Another sad moment is when Jake decides to take down the main villain. He has the element of surprise on his side and a point blank target. Jake misses anyway and then proceeds to miss the next half a dozen shots. Some of them were at very close range and the main villain doesn’t even try to dodge since he tends to forget that Jake exists. Jake messed up every single time. There’s another moment where one of the monsters is choking one of his classmates. Jake grabs the arrow launcher so he can take the monster out, but then he freezes. With his terrible aim, I suppose I can’t totally blame him, but aim at the monster’s legs at least. It was lifting the classmate very high off the ground so it was another clear shot. Jake was very slow on the uptake the whole time and you also have to love how he breaks his promises instantly. He told Peregrine that he would protect everyone, but once she is gone he decides to bolt. He has a completely safe and protected Grandpa to check on after all!

This was also one of the big plot holes in the novel if you ask me. The logic used here is that if you alter the past then you’ll change the future. It’s simple enough if you go with that theory, but it doesn’t work since time acts linearly in this film. When the main character spends a day in 1943, a day still passes in the present. As such, the grandfather shouldn’t come back to life if a certain past event never happened. If time did shift like that, then the Peculiar Kids should all be in very different situations as well since the loop would have never been necessary. The film just tripped itself up here.

Back to Jake, I also couldn’t back him up on the romance. I have to give half of the blame to Emma here as well. So, let’s put this into context. Emma is at least 80 years old, but her age is likely far greater than that since we don’t know how long the time loop had started in the first place. She fell in love with Jake’s grandfather, but he ditched them so he could murder villains and age like a normal person. So, she decided to go for the rebound guy, aka Jake. Jake looks completely identical to his grandfather so that works for her and Jake falls in love with her within seconds so he’s fine with this. I’m not even going to mention the fact that Emma should double think this since Jake was so easy to obtain, but it shows that this romance is pretty fake. Not to mention the fact that Jake barely even thought twice about ditching her in the end only to visit her again by the end to make everything seem okay.

Jake’s also anything but heroic. At one point, he says that the only way he will stay to help the kids is if Emma becomes his girlfriend. That isn’t the exact line, but it is essentially what he meant. He was talking about how people needed him back home and he won’t only stay as their guardian if Emma- but then she cut him off and told him to go away. Jake basically just came across as a poorly written jerk the whole time and the amount of times that he should have died in this film is quite high. He just had the writing to protect him. Lets also not forget that fact that Jake completely led the villains right to the Home’s doorstep. Just something to think about…

There’s one more big plot hole here. Emma’s whole gimmick is that she can manipulate the air which allows her to make all of the water exit a room and such. That’s great…but she still needs iron boots in order to stay on the planet. Are you really telling me that she can’t make a gust of wind to bring herself back down? That makes no sense and it’s such a core element to her powers that I can’t believe the film didn’t address this. Perhaps the book did, but such a thing needed to have been in the film as well. I feel like the writer was in over his/her head on this one and as such, all of these plot holes began to show up. Not to mention that most of the characters are unlikable, underused, or just don’t do much and you’re left wondering what just happened.

All right, lets talk about the positives real quick. For starters, there are more action and intensity than I was expecting so that’s definitely a good thing. It died down a little after the start, but a strong beginning is always important. The visuals were fairly good as well even if the film never let the kids use their powers all that much. The time loop was cool to watch and Peregrine’s outfit is certainly unique. It had a very regal esque look to it. The design for the monsters was also solid.

The best character in the film was definitely Jake’s Dad. He’ll certainly be a polarizing figure, but he worked quite well for me. He clearly doesn’t really know how to be a Dad and makes a lot of mistakes, but he does seem to care. Certainly more than the other supporting characters from Jake’s past. (Especially with a certain plot twist from his one of his advisers) He was just a lot of fun to watch even if he was portrayed rather extremely. Some characters just can’t resist Miller Time after all. You have to look at the Dad as a fun comedy character. Naturally, he isn’t meant to be taken seriously.

As for the rest of the cast, you already know my views on Jake. I can’t say that I liked Emma either as she was far too dramatic and all over the place with Jake. She should have just placed the friend zone card right from the get go. The little girl with super strength and the twins with their masks were all right, but they didn’t get much character here. Victor is another character who hasn’t gotten to do anything and I suppose that will be developed in a sequel. Enoch is the bully who is definitely not likable. He’s basically just around to make things tough for Jake and naturally this means that he has a very easy job. Olive is all right and her fire powers are some of the most useful in a fight, but she is completely invalidated when the ice villain is able to defeat her. The whole point of having fire powers it that you shouldn’t be frozen so easily. It was a rather embarrassing fight for her and the rushed romance between the two was rather forced. After 100 years of working together you finally develop your feelings after a quick fight? Hmmmmm.

Most of the other kids are just around to remind you that they have powers and aren’t afraid to use them. Miss Peregrine is the final big hero. (Unless you count the other Time Wizard, but she looks rather terrible the whole time. Getting kidnapped is one thing, but getting one shotted in the next scene? That’s even worse! She’s a character who just seemed rather odd. The film hypes her up as a very strong character who can put up a fight, but it turns out that she is rather powerless and can’t even beat a single opponent. Theoretically, the film acts as if one monster can take down the whole school and that’s…just embarrassing. I feel like all of Peregrine’s hype was destroyed when the main villain walked into the room and that hurt her character a lot. She’s charismatic, but it appears that she is all talk for the moment. Not to mention the fact that she seems a little corrupt as she will murder people quite easily and does keep the children confined in a time loop for eternity while treating them like kids. It doesn’t seem quite right, but that isn’t really delved into.

I have to quickly jump onto a few more plot holes while I’m at it. This one’s not really a plot hole so much as it is a power inconsistency. The headmistress of another time loop claimed that she couldn’t save any of her students because there were too many monsters. Later, it is shown that a single monster can destroy them all since the monsters are invisible. Maybe the Time Loop character was trying to sound impressive, but it seems like the writer didn’t really think it through. Furthermore, a moment in the climax is another plot hole. The whole climax doesn’t make sense since the villain could destroy all of the kids several times, but chooses not too. Based on how he was acting prior to those moments, it just makes no sense. He has waited for this moment for many years, he would definitely be taking it at least a little seriously. Still, a monster grabs him and the main villain forgets that he has powers. I seriously could not believe what I was watching. It made absolutely no sense and ranks up there along with the sad scene of watching skeletons take down the monsters. It makes absolutely no sense!! Speaking of not making any sense, I hope that a sequel deals with how bringing people back to life and forcing them to fight against their will is rather shady and morally suspect as well as how Peregrine left the rest of the schools to fight for themselves by not warning them that the villains were coming. She is directly responsible for the villain mass murdering a group of kids since she could have warned them, but chose not too. Again….everyone in this film is either shady, has no character, or is just weak.

You seriously just need to throw logic out the window when you watch this film. It’ll let you enjoy it a whole lot more since the writing is just disgraceful. Beyond the plot hax, the main villain isn’t bad I suppose. At least he has a personality and is fairly charismatic. I just can’t take him seriously and the whole eyeballs thing prevents him from being all that good. As you can tell, I mainly had a big problem with the characters in this film and the writing. Still, that isn’t quite enough to give the film a negative rating. It still could have probably gotten a 5 and maybe narrowly a 6. Unfortunately, the film hit two big snags.

One of these was animal violence. Yes, the film resorted to having a herd of cows die for no real reason. It had nothing to do with anything and the scene should have been cut out. The other part is the fact that the villains have to eat eyes to power up. That’s just super dark and the concept should not have existed. It’s just there to be gritty and dark and this does not mesh well with the rest of the film. Seeing the villains consume eyeballs for lengthy periods of time is just disturbing and disgusting. The scenes aren’t horribly graphic as they’re made to look gross, but fake. Still, it’s not something that should have been in the film either and these two negatives ensured a negative score for the film. There’s not much of a soundtrack to be noticed here so that couldn’t help to earn any points either. I’m sure that the tunes were decent, but as I don’t remember any of them, they couldn’t have been all that good.

Overall, This is one of those films that is easy to talk about. I probably didn’t even address everything here as there is just so much to say. On a conceptual level, this film is just very interesting as I like the premise and the world that was built up. Unfortunately, it was simply mishandled and that’s a shame. The Dad was a fun character and I definitely missed him once Jake jumped back into the fantasy world. Jake panicked once again and forgot that he was in a time loop, but I’d expect nothing less from him by that point. I would recommend you check this film out, but you should probably take a pass on it. Watch the film if you want a logic-less action film that must have taken writing cues from Now You See Me, but you should probably just watch Man of Steel again. Now that film was a deep action film with a lot of epic moments. If this film gets a sequel, I’m going to expect it to explain away some of these plot holes so it can try to save the franchise.

Overall 4/10

Air Review

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It’s time to look at an anime that’s a little different from the average title that I review. For starters, this is not an action anime. This is a tragedy mystery story where a guy must try to repair the lives of 3 girls and their respective families in the process. It’ll be tricky and the show will take you on quite the roller coaster. It’s definitely a solid title and a show like this can be a nice change of pace, but unfortunately it is hurt by the terrible ending. I had to slash away a full 2 stars on account of that and was tempted to take more away, but the rest of the show had been consistently good and the ending, while dark, could have been darker.

Yukito, a homeless guy with no possessions or money, finds himself in a small town after walking for a very long time. His mission is to find a girl with wings that his mother told him about. He doesn’t stop to question if this was literal so he continues to search. The main problem is that having no money really limits his options so Yukito tries to put on little shows with his telekenetically controlled puppet for the kids so they can pay him. As you may expect, this isn’t his greatest plan and he never makes any money off of it. Luckily, a nice girl by the name of Misuzu shows up and offers him a home and 3 square meals in exchange for being her friend for the summer. Yukito grudgingly agrees and so begins his adventures in this crazy town.

The show really has 3 main arcs, one for each dilemma so let’s take a look at each one individually. First up is Kano’s plot. Yukito was given a job by her mother (or if not mother, a close relative) Hijiri. His job is to do odd jobs around the house and to entertain Kano at times. Unfortunately, it turns out that Kano has been cursed by a feather and has a split personality. This new personality shows up once in a while and tries to destroy herself. If she is not cured soon, Kano will end up being gone for good. As you would expect from Air, there are quite a few fakeouts and even a scene where you’re led to think that Kano’s other side may have succeeded. It’s definitely tricky to stop Kano when she’s always vanishing and her alter ego has super strength as well. One grab was nearly lights out for Yukito…permanently. The arc went over smoothly though and the resolution was good. It definitely had its share of sad moments, but had a happy ending in the end.

Next up was Minagi’s plot. Her mother suffers from forgetfulness and has been unwilling to accept that one of her daughters died at birth. As a result, she believes that Minagi is actually her dead sister. As a result, Minagi’s been forced to assume this identity for years, resulting in a very awkward dynamic in the house. Things get worse when the mother finally realizes that the sister is dead, but then goes to the other extreme as she forgets that she ever had any daughters. Distraught, Minagi is forced to move out and live at an abandoned train station. Now she’s finally in Yukito’s home turf so he decides to help out a bit. He gives her the option of leaving the town with him or finally confronting her mother about who she is. There is also a plot twist about Minagi’s friend Michiru who happens to have the same name as the dead sister. Makes for an interesting dynamic although it leads into the arc’s sad ending. It’s sad, but at least it’s not tragic and all of the characters still had a good time in the end. Minagi is also given a nice epilogue as she leaves this mysterious town and gets to go to a happier place and meet up with some relatives. It was another solid ending to the arc.

Next was the big final arc and unfortunately, it was the one that didn’t go over so well. Misuzu has a unique condition, derived from a curse and a fate of an infinite time loop of very limited possibilities. She can never get a friend as she suffers from painful spells and seizures whenever someone gets too close. The curse also gets partially transferred so if someone wants to be friends with her anyway, then they will both die. There is no way to break the curse and Misuzu is even given the extra discomfort of knowing when she will die. As the show repeatedly states on this tale being the 1000th summer and how this show is essentially about having the best summer ever, it is also her deadline. Misuzu will not outlast the summer, try as she might. She will also have to continue to die every summer, forever and ever. Meanwhile, her aunt Haruko has decided to never get too close to Misuzu. She inherited Misuzu when the girl’s mother died and her father decided to run off. The problem is that the Dad could reclaim her at any time so Haruko didn’t want to get attached. As a result, they’re on good terms, but you couldn’t really call them great friends. They each lead their own lives.
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As a result, Misuzu’s been all alone right from the start. Nobody even wants to be her friend no matter how much she asks. Well, Yukito’s helped out a few people already so this shouldn’t be a problem right? Well, unfortunately this is not the case. In fact, he just adds to her troubles by helping her emotions seesaw all over the place as he leaves and returns multiple times. In the end he realizes that this was a mistake and wishes for a do-over, but things don’t go as planned. Now, it should be made clear that Misuzu did get to have some fun in the end and you’re supposed to be content with the fact that she finally got to walk and go to the beach. If there was never any hope given for her to avert this fate of death then that probably would have been okay. It would have been a little more somber throughout, but so long as the core anime was not really changed, it may not have affected the score all that much. Unfortunately, the show keeps on giving you hope that the powers of friendship will be able to free Misuzu. There are dozens and dozens of fake outs that keep occurring and the viewer is left to think that we have finally made it past the darkness and into the light. Over and over again until you finally realize that the anime has just been toying with you from the start. Yes, I’m still irritated at the ending and just thinking about it makes me annoyed.

It doesn’t help that this infinite loop of 1000 summers will never end. If you decide to believe that the kids at the end are the final reincarnations of the two main leads, then it’s possible that this was the final death Misuzu had to endure and now she’s free. It’s a bit of a stretch if you ask me though and either way this version of Misuzu will keep on dying. If Yukito had found Misuzu’s winged form after being given a random speech in the final minutes of the show, then that would have helped to clear things up quite a lot. Instead, it turned into another fruitless search for the guy.

Still, as a lead, Yukito is a good protagonist. I found him to be a lot more enjoyable than the guy from Kanon as he was nicer and more understanding. He did his best to help all of the characters out and did so without having to flirt with everyone. He helped the other characters out as a good friend and he got a pretty sad fate in return. Ah well, he was never looking for a reward in the first place. He’s not too smart though as trying to earn a living by entertaining little kid in exchange for their pocket money will never work. Not to mention that his show was rather lackluster since he could only make his puppet walk back and forth in a straight line. In his second reanimated form, he lost all of his personality so he couldn’t really add much to this.

Misuzu’s a solid heroine as well. I found her to be more likable than any of the other girls. As we get to see her events twice, once from an outsider’s point of view and one from within, she does a good job of keeping up a brave face even when she’s feeling down. She’s had a rather miserable life after all, but always does her best to make the most of it. She turns sad ending into a happy one for herself. The only time I found Misuzu to be annoying was when she lost her memories as she suddenly became a mean person. I don’t think memory loss should change your core personality and subscribe to the Medaka Box theory instead. I feel like Misuzu would still be super polite even if she had no idea what was happening. Regardless, her likable personality is why I was hoping she would have a happier ending.

Kano’s not bad either as she would love to fly, but real world physics don’t allow it. Her dog, Potato, is pretty cool and Kano’s nice as well. She just never got a whole lot of personality besides being a nice person. I guess the split personality counts, but luckily she grew out of that. Her mother, Hijiri was good as well even if she never actually got to even try and help out Misuzu. She’s a doctor so it would have been nice to have seen her make an attempt even if Misuzu claimed that it would be of no use.

If there’s a character that’s a little weak in this series, it would be Minagi. That’s more due to the fact that I don’t really care for soft spoken characters though. There’s really nothing concrete to dislike about her and she has a lot of things to deal with as well. She’s always glad to help out someone in need with free coupons and a place to stay. Air doesn’t just give characters annoying gimmicks to make them different. The show did a really good job of making everyone very nice and sincere even if they end up being pretty similar at times as a result. Michiru was more entertaining as she was very over the top. She constantly beat up Yukito and the two of them were always getting into fights until Michiru became super serious towards the end. She certainly had a lot of energy and I was glad that she channeled it into productive things like blowing bubbles as opposed to constantly accusing Yukito of stuff that he wasn’t guilty of. That would have gotten old very quickly if she hadn’t stopped.
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Haruko is Misuzu’s aunt and she gets a very large role in the last 2-3 episodes. She started out as a supporting character and quickly replaced Yukito as the main character once he died and reincarnated the first time. The new scenes gave her a lot of extra character development and ultimately turned her into the best character in the show. She drinks a lot and certainly isn’t the most responsible parent. It took her a while to realize that she should be more helpful, but was better late than never. The ending is particularly rough on her since she will always have some regrets as a result, but at least she’ll have a few fond memories from the last days. As for Misuzu’s dad, the show tries to make him seem like a reasonable character, but it’s hard to buy it. He completely ditched her for 10 years and shows up out of the blue to take her back. If she hadn’t gotten amnesia at the time, his offer would have completely been rejected. He never even has any defense to explain why he left. I’m glad that he didn’t appear as a super evil character or anything like that, but there’s no way that you can root for him by this point.

There was also a random flashback mini arc that happened after Yukito died. It involved three new characters which included the original winged girl, Kanna, her friend, Uraha, and her bodyguard Ryuya. They decide to flee the land so they can have some happy adventures, but they’re caught and Kanna is destroyed. The other two decide to have a kid so that he can keep on being reincarnated to protect her future versions. It’s a very flawed plan at best. This episode gives you some extra context I suppose, but honestly I’d call it total filler. These guys will never show up again after all and they weren’t useful in the fights. Kanna and her Mom could level mountains with a single slash and yet they die to a casual arrow? That was probably the worst showing that I’ve seen from such a powerful being in some time. Not to mention that the Mom could have mentioned that she was cursed before Kanna made contact with her. It would have been more effective than simply saying “Don’t touch me” for no real reason.

The show did do a good job with the following episode though as it played out like a bit of a mystery. Why are we reliving the first episode? Has Yukito been given a chance to change everything? At first it seemed like that, but instead he gets a double take in addition to his original version so there are now two of him living in the same place and time as each other. It’s a pretty novel concept and as mentioned earlier, it’s interesting to see everything again from a new angle. If only the ending hadn’t spoiled its efforts.

The animation looks good. It’s not particularly awe inspiring, but it does look a little retro. (In a good way of course) We do get a quick action scene that is good and the character designs are all solid. I enjoyed the soundtrack to an extent as well. The themes in the actual episodes are all forgettable, but the opening is good. It’s an emotional theme that fits very well with the episodes. As a result, it’s not something that you are likely to listen to for fun at any given time, but if you just saw an emotional movie, then it’s a fitting theme to look up on Youtube.

As for negatives, there really isn’t much here. There is a little fanservice as characters dramatically shed their clothes to embrace the sky as they fly around. The aunt is also very casually dressed so she isn’t wearing much most of the time. Luckily, this show isn’t a shonen so the camera angles never really focus on it. I am still of the opinion that a risque costume does not necessarily have to be fanservice as long as the camera handles it appropriately. Air is a good example of this. There’s certainly no problems with language or violence here. This is something that you could easily show a kid although he/she would likely get bored due to the limited action scenes.

In the end, how does this compare to Kanon? Well, Kanon takes the definitive win here, but it’s not a lopsided contest by any means. Air has the better characters including the lead and has a better resolution to most of the plots. Kanon counters this by having the far superior ending and much better animation. Kanon was a lot sadder than Air despite the ending, but I’m not sure if I’d really call that a good thing per say. The soundtracks were more or less equal. I think “Ugu” beats “Gao” as a character gimmick as well. Really, the only thing separating these two series is the ending. Without it, Air actually takes the solid win here. After all, with better characters and better arcs, how could it lose? Kanon does have less filler though so that’s something to consider. Both deal with amnesia plots, but Kanon’s was more enjoyable.
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Overall, Air is a solid title, but the ending really saps the joy out of it. As they say, an ending can make or break a title. It breaks this one, but it still makes for a good ride to I’ll recommend it to you all. If anything, just watch the final episode until the initial commercial break and you should be okay more or less. It’ll have ended on a much better note for you or even just ending on the second last episode although I forgot exactly what the cliffhanger there was. The town’s certainly very deserted so it makes you wonder how living there would be. I doubt the wifi signal would be all that good so you could forget about online gaming for the most part. With this title down, it’s back to action titles. Still, we’ll see if the next tragic title can beat this one. It’ll likely all ride on the ending rather than the journey, but you never know.

Overall 5/10

Vampire Knight Memories

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I thought that the original Vampire Knight was rather terrible, but this sequel is off to a better start so far. Of course, there is only so much you can wreck in one chapter so we’ll see if it is able to keep it up or if the flaws of the original will eventually materialize and limit the sequel as well. Only time will tell. I’ll have a review for this series when it is finished!

Overall 5/10

The Wolf Man Review

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It’s time for another super old horror film. Compared to the last films that I’ve reviewed, this one looks great, but as a film overall it is not that good. It’s a lot more fun and charismatic, but if you’re looking at this like a horror film, then it’s going to disappoint you quite a lot. There is nothing scary about this film at all and for the most part it plays out like a comedy. The main character really reminds me of Bill Murray though, to the point where the main character here looks almost identical to him. Hmmm…maybe I just haven’t seen enough Murray movies though.

Larry moves to a little village to meet up with his father after a relative’s untimely demise. They haven’t talked much before this so the situation is rather tricky for a little while, but they soon get along quite well. The main problem now is getting the other villagers to like him. Larry doesn’t worry about that for very long though as he looks through his window and happens to see a lady. He quickly believes this to be love at first sight and hounds her until she agrees to a meet up along with one of her friends to get their fortune told. One thing leads to another and Larry/Gwen decide to ditch the friend for a few minutes. Larry sees her get murdered by a Werewolf and destroys it, but now he is being framed for murder and turning into one himself. Will his will power hold out?

The whole romance plot here is quite bad though. First off, Larry is persistent to the point of being a nuisance the whole time and then we find out that Gwen already has a fiancee. (I think it was a fiancee, could have just been a normal boyfriend) Yet, she continues to hang out with him which is basically giving him hope even if he’s the one who is constantly following her. She’s sort of playing the field which is always sad to see. Larry’s a pretty bad character though so it’s hard to feel all that bad for him.

At least Larry can be amusing though. He gets a few good one liners in and his voice was made for comedy. That being said, his will power is incredibly weak and if he was going to run, he should have done it right away. He waited way too long for his plans and that’s why they didn’t end up working out very well. As a Werewolf, he wasn’t all that impressive either. He has slight super strength and a little extra speed, but apparently it is not enough to deal with a human who is holding a blunt object. Both Werewolves don’t look so good once the fight is on.

Larry’s Dad was probably the best character in the film. He kept on reminding everyone that there were no such things as Werewolves and even decided to tie up Larry so that he could watch this and be freed from his paranoia. His main mistake was deciding to leave Larry alone after that. The ending would typically be super tragic, but it’s not handled too heavily. It’s given appropriate emotional value, but it isn’t beaten to death like a modern film would probably do. Extended crying scenes and all of that, the Wolf Man skips all of that.

For once, there actually was a bit of a soundtrack here. Mainly because this film has a big contrast between happy and evil scenes. It’s something that newer films don’t really do, but the older ones were well known for this. For example, whenever the main heroine would appear, the music would quickly go up and the tone would be lighter. When the Werewolf appeared, the music would suddenly slow and get very tense. It’s a nice contrast and I’m also just happy to finally have a soundtrack to talk about as well. It feels like it has been quite a while.

While I am still an advocate for all movies being as long as possible, the short length works pretty well. After all, if a film’s writers don’t know how they could stretch a film out without watering it down, then it’s not worth it. For a film like Batman V Superman or Avengers, I could easily see it being 4 hours and not really being any worse. Those scenes would be useful character development, but what would the Wolf Man do with an extra hour? No, the short length is for the best and as it is, we get a nice array of different scenes. Seeing the doctors and cops subtly question Larry while also insinuating that he is the culprit was a well done scene. Again, I’ve got to give Larry’s Dad some props here for also talking a good game. He reminds Larry that nobody can remove him from the premises, not even the cops. Apparently the rich family name has even more clout than I could have dared imagine.

The weak romance is really what hurts this film. It makes Larry look unreasonable and turns him into an unlikable character while it also makes Gwen look bad for even going around with him in the first place. It didn’t really need to be in this film and if that time was used for more dialogue with Larry’s Dad or something like that instead, the film could have definitely sneaked in a 7. As it is, I think that aspect weakens the film enough to justify taking the star away. If the Werewolves didn’t have such weak will power, it could actually be useful to have the ability of transformation.

Overall, The Wolf Man is certainly one of the better classic movie monster films from Universal. It’s definitely aged a lot better than Dracula, Frankenstein, and the Mummy. This film has quite a few sequels and crossovers so who knows, I may end up being on the Wolf Man’s side for just about all of them. That being said, he is easily one of the weakest so I’m not sure if he’ll really have much of a future in those fights. He’ll definitely have to use a lot of tactical strategies. By the end of the film, you should hopefully know the Werewolf legend word for word since it is repeated over and over again by many different characters. If you want to get the most enjoyment from this film, go in expecting a comedy. Trust me, it’ll feel like one as you watch it.

Overall 6/10

Only Angels Have Wings Review

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After that last review, I figured I should take a look at an old film that I actually enjoyed. This one’s not great by any means and had its share of flaws, but I would still call it a good film in the end. The airplane scenes were cool and it makes you remember how far we’ve come with the technology. A good plane nowadays is certainly a lot better than the ones they used to make back in the day.

The film starts off with a pilot dying due to his overconfidence as he wanted to treat a new tourist, Bonnie, to a dinner. The other characters have a party about this, which upsets the heroines. They explain that to cope with loss they treat it as a celebration instead of mourning. It’s a very..intriguing approach. One that is used quite a lot in real life, but not to that extent. It’s a little overdone if you ask me and it made the main romance here very hard to buy. After all, with the other guy out of the way, Geoff decides to make his move. Meanwhile, a new pilot has arrived to replace him. Bat has a bad reputation though as he bailed out on another pilot back in the day and that pilot was related to Kid, one of the pilots on the current team. As a result, everyone shuns him and he is left with all of the dangerous tasks. His wife, who is an old “friend” of Geoff is upset by this. Will this team ever come together?

Geoff’s not a bad lead, but his romance is a little tricky considering the circumstances. Plus, he has a policy of never asking anyone to do anything. This means that his pride won’t allow him to ask Bonnie to stay so she has to do that on her own. I’m glad that he doesn’t let go of it since pride is important in a character, but it’s also why he should have lost out and had a tragic ending here. He is a good pilot and opts to do the dangerous job himself at the end. He lives up to his words and while Geoff has his flaws, he ultimately works well as the lead.

Bat’s a likable guy and probably the best character in the film. He made a mistake a while back, but does everything that he can to fix things. When a tough situation arises once again, he makes sure to stay in the saddle and doesn’t abandon anyone this time. He also took on all of the extremely difficult jobs so he definitely deserved everyone’s respect by the end. Bat did well considering that nobody liked him and it was a very good ending for him. It would have been sad if he had just died heroically and then everyone appreciated him. That just wouldn’t have been the same. Of course, you can understand why Kid has a problem with him. It’s not hard to let a past mistake go especially if it’s fatal. He does overreact a little with the anger misdirection though. His problem is with Bat so he should really keep it between them unless he’s seriously provoked, but that never really happens.

Bonnie’s the main heroine and she’s not bad. Playing along with the two annoying flirts may have been a bit much and she took the death of a guy that she knew for about an hour a little too hard at first. She got over it though, but got way too interested in romance from the get go. She really lost sight of why she was here in the first place. Also, shooting someone to stop them was incredibly drastic and her plan would never have worked. Holding someone at gunpoint isn’t how you start a proper relationship. So, she was a little extreme for me and Bonnie wasn’t quite as likable as she could have been. She’s mostly reasonable, but the gunshot at the end was….pretty dicey.

The film doesn’t drag on either and goes by quickly. If there’s anything holding it back from a higher score, it’s probably that the film didn’t have enough plane scenes. The dialogue between characters is good, but at the same time we don’t have the witty banter needed to grant it an extra star. The opening scene with the pilot dying may have also been a little long as he keeps talking on the radio with a really dead voice. It was likely not intentional and just a sign of age, but his voice when talking through the speaker was rather odd. It’s like the speaker just added some kind of photoshop effect to it.

I wouldn’t have minded seeing more of the cafe during the daytime though. The steak looked really good and seeing the gang enjoy some party games wouldn’t have been bad. Of course, the gang could get a little rowdy. Kid beating up two of the crew members and even breaking someone’s arm was definitely not good for the team’s morale. It did help set Bat up for his big moment though. The rest of the team will probably have to watch their back when around Kid, but that shouldn’t be too much of a problem in the long run.

Overall, Only Angels Have Wings is a good film. It’s nice to see a retro film live up to its potential after so long. The cast is relatively small and we only have a few backgrounds so the film did a lot with what feels like a small budget. Films can always surpass the limitations of a budget so long as the writing is good and the characters are engaging. For the most part, that’s the case here and it’s enjoyable. Not a whole lot happens at times and the film can feel its age during other moments, but it’s a worthwhile movie that I recommend. If you want something a little more exciting, then watch Bleach Movie 4: Hell Verse. That one doesn’t have any planes though so it may not be worth it if that’s what you’re looking forward too.

Overall 6/10

In a Lonely Place Review

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It’s time for another sad “classic” that doesn’t end up aging well at all. The film definitely leaves you in a lonely place and you have to wonder if the film’s solid reputation is only fleeting at best. The characters once again aren’t all that likable and the film ends up dragging on for quite a while. Well, I suppose that the title is fitting, but that’s the only compliment that I can ultimately give the film. It fails at everything else.

Dixon is a guy who has a very bad reputation of losing his temper and starting trouble. His movie scripts have also not done very well in a while since he tends to have writer’s block and refuses to make any more remakes. One day, a girl he invited home to read a manuscript is murdered on the way home. He is placed under suspicion due to how uncaring he is and the suspicious circumstances surrounding her murder. Meanwhile, Dixon’s neighbor, Laurel is brought in and the two very suddenly get attracted to each other. Unfortunately, Laurel may have picked the wrong man as Dixon seems to get further and further gone with each passing day.

Let’s start off with the fact that none of the characters here are likable. Dixon is obsessed with murder to the point where he doesn’t mind cracking a few jokes upon learning that the girl was murdered. He doesn’t really care even though it’s indirectly his fault for inviting her to his home. I say indirectly because you can’t totally blame him there and she seemed to be in a relationship with a pretty crooked fellow. This result may have happened either way. You’re supposed to sympathize with Dixon, but he’s too far gone. He makes no real attempt to control his anger and nearly murders a guy for simply shooting off an insult. The fact is, he would have murdered the guy had Laurel not stopped him. He injures his manager as well and then tries to strangle Laurel until the phone stops him. That’s two murders that he would have committed had he not been stopped.

As I said, Dixon is way too far gone to be even remotely likable. There’s no way a positive relationship could have ever occurred if he doesn’t respect Laurel enough not to force her into things. Even the marriage proposal is only accepted because of the very implied threat had Laurel not accepted. Laurel isn’t great either. Refusing in the beginning would have been the safest choice, but why did she get involved in the first place? She went from being a rather cold individual who claimed not to rush into things only to get serious about the relationship the very next day. It was a very fast turnaround and the romance really made no sense from the get go.

Now, we’ve also got the cop who seems to be a friend of Dixon’s although just barely. He invites Dixon over for the guy to help explain the murder. Dixon is fascinated with murders and writes about them a lot so he’s sure to be an expert. Sure enough, Dixon figures it out and has the cop use the murder method on his wife as part of a demonstration. All right, there’s nothing bad about that as it’s all pretend right? Wrong, the cop gets so much into it that he starts to seriously squeeze until his wife lets him know that it’s hurting. Even then it takes the cop a few moments to notice before he stopped. Once again, we’ve entered crazy town. You’re not seriously tell me to consider the fact that the murder is so interesting that you would start to seriously use the method on your wife for even an instance right? I mean, the wall between fake and real is quite large and anyone with a speck of common sense would not apply the squeeze at all past safety limits. The cop was doomed from there.

Dixon’s manager wasn’t bad even if he probably shouldn’t have put up with this abuse for so long. He’s just being a good friend so I don’t hold that against him. He’s probably the best character by default although he really shouldn’t encourage Laurel so much since it’s all right to put yourself in a dangerous position, but never anyone else. That’s where you’ve got to draw the line.

As a result, the film is just not enjoyable in the slightest. That’s what happens when a film has a bad plot or commits any of the big 3 errors. (excessive violence, fanservice, animal violence) There are two kinds of bad films by the way. Ones that are simply hard to watch like this one and those that you can enjoy watching in the moment while recognizing their flaws and placing it as a bad movie. I’ll give you all an example of this.

Pixels also got a 1 like this movie. The big difference is that the film was still a lot of fun. I had to stifle a laugh many times, there were great action scenes, and the characters could be likable. Why was it terrible? Well, there were a lot of inappropriate jokes and terrible writing. That may not sound like enough to give the film a 1, but trust me…it was. When the writing is overloaded with those kind of jokes you can bet that I’ll give the film a terrible review. It’s a shame because the film could have been good with so many solid moments, but that’s how it goes. Regardless, I’ll take that kind of film any day over one like this. Pitch Perfect, Bring It On, Tower Heist (to a lesser extent), etc are examples of films like this. I don’t like them and I certainly don’t plan on watching them again, but if I had to choose between them or films like this one, (Sucker Punch, In A Lonely Place, Haunting in Connecticut, Amityville Horror, etc) I would definitely go with the former.

That’s because films are made for you to have fun. I still say that is the purpose of all forms of media. If you’re not even having any fun in the movie and it’s just dragging on and on with content that is not enjoyable, then it has failed. For films that are not enjoyable intentionally, then it is a failed film right from the start. Criterion seems to like approving films like this, which is definitely regrettable. They’ve had some good films in the past, but it seems to be rare.

Overall, I definitely do not recommend In A Lonely Place. It’s not a fun film and it’s probably the first Bogart title that I really did not like. It’s a shame since he typically plays likable characters. This may have come out before Godzilla, but the writing is surprisingly not engaging mainly due to the plot. Instead of checking this film out, look up some classic Hitchcock titles that will engross you in their plots or look for Superman and the Mole Men. A true classic that can appeal to all film fans with its good humor and solid climax.

Overall 1/10