PS4 Trophies 11/24
Potion Bag Level Max
Brave Potion Level 1
PS4 Trophies 11/24
Potion Bag Level Max
Brave Potion Level 1
This has definitely been a movie that’s been on the backburner for quite a while. Strong World is known as one of the better One Piece films or at least when it came out it was known as such. After that we got some heavy hitters like Z and Gold which have also forged a name for themselves. Strong World is definitely a fun film but definitely a step under Gold and I get the feeling that Z will win. It’s a good all around adventure, but does have some issues.
The film starts off with the Strawhats scattered once again amidst a bunch of flying islands. We then see that Nami has been captured by the pirate known as Shiki, the strongest man in the world. Luffy and friends will have to hurry if they want to save her and after this we also learn how she was captured in the first place. Shiki has amassed a large pirate army and many other crews have also gathered to help him wipe out the East Blue. The stakes are high and continue to escalate as the terror approaches the home of the Strawhats.
Shiki is definitely established as a powerful villain here since he is untouchable for most of the heroes and even Luffy has to play defense for most of their encounters. The film makes it very clear that Shiki is stronger than Luffy. In a straight fight the hero just has no shot to win here. While not unheard of, it is still rare to see Luffy losing like this. He takes quite a lot of hits throughout the film. Shiki’s ability is to manipulate gravity and that helps him enhance his speed and power as well. Shiki is definitely a powerful enemy, but I can’t say that I cared for him.
He’s super quirky to the point where it is hard to keep thinking of him as a threat. He panics with his subordinates quite a bit after all and has a very short memory span. Nami manages to escape from him several times as well so you do have to doubt his security measures. Being good in a fight is not enough to make you a great enemy. His two lieutenants also aren’t all that good. One is basically King Kong and the other one is decent with a sword, but too busy trying to keep up charades to actually remain as a threat.
As expected the animation is quite good. Surprisingly the film doesn’t lead off with the big high budget scene. Typically the films love to show the environment and the animation in the first shots like in all of the Pokemon films. For the One Piece film it starts off with a Shiki scene first and then cuts away to Luffy which is where the animation goes way up. The visuals for the jungles are definitely quite solid and the whole thing is very smooth. This is one area where it can definitely hold its own against the newer titles.
I also really liked the soundtrack. The tunes are a lot more fun than what is in the actual show. It’s going for a very “nature-esque” array of themes which makes sense since Luffy is in the jungle the whole time. It’s all very fast paced and high energy. The film definitely went all in on a technical level.
So where does the film falter? Well, it does have a fanservice issue. To an extent we can always expect that with One Piece with Nami around, but Gold for example did a good job of restraining itself. Maybe a tiny moment here and there, but Strong World just keeps it coming for quite a bit. It’s enough where it is noticeable. As mentioned, the villains are also a little on the weak side. The ones in Gold had a lot more character. Brook also still exists and so naturally most of his dialogue is terrible.
It is also a bit iffy to see Luffy and the others get wrecked so badly, but that I can roll with since you can’t ask for the strongest villain to fight and then be upset when he clobbers the heroes. At least Luffy and the others put up a fight although Luffy should have gone into Gear 2 as soon as Shiki went after Nami. There’s no real reason to hold back when lives are at stake right? Zoro and Sanji are definitely shown to be out of their league this time, but they do get to contribute a little at least. The scene of the whole team trying to fight Shiki was cool because they almost never get to fight an enemy like that. The only time I can think of off the top of my head is when they all fought Aokji. I love group fights like that and for One Piece I feel like that may never happen again, but the series has a ways to go so hopefully they do get to do that. In the meanwhile the movies help with this since it’s a lot easier to have the whole group assemble here.
A standout character was actually a thunder bird named Billy. At first you expect he’ll just be a fun animal mascot to aid Nami, but the guy can fight. He takes out a ton of giant monsters and without him Luffy wouldn’t have stood a chance against Shiki. Billy’s the kind of movie character you want to have. He doesn’t steal moments from the main cast, but does assist a lot so he doesn’t feel like a filler character either. The guy just wants to help his friends out and you can’t go wrong there.
One key part that the film does right is keeping the adventure very fast paced like all good fantasy films should. There’s rarely a time where the film really slows down so there is a lot of replay value. I may not call this film great, but I did have a fun time and there’s a lot to like here. It’s just a good popcorn fun adventure where you get to see all of the characters unleash their signature abilities and take down some villains. It’s a little contrived that both Sanji and Zoro’s opponents escaped only to have to fight them again though. I’m thinking they wanted to include their second intros, but you do have to wonder how the villains would have escaped in the first place.
Overall, Strong World is definitely a fun film that I’d recommend. Whether you’re a fan of the series or not you’ll definitely enjoy it. There are enough recap nods and such to ensure that even people unfamiliar with the series can get into it. I thought the opening showing off all the members of the crew was handled really well. They all get the name bumpers and a quick scene so you can see what they can do. Nami is the last to be shown, but I think you’ll still be able to tell that Luffy is the main character since his segment is the longest and he just feels like your classic Shonen lead. I’ve always loved character intros like this so One Piece really nailed it here. I look forward to seeing what the next film is like.
It’s time to take a look at the remake that came out recently. The original film was one of the weaker Disney classics for me so I was ready to see if the remake could fix that. Fortunately it was up for the challenge. I’d actually put Aladdin as one of the best remakes and holds its own/even beats other heavyweights like the recent Maleficent film which I was impressed with. Aladdin’s a very high energy film and it paid off.
The film starts with a guy telling his kids a story about the olden days. We cut to what is a normal day for Aladdin as he slips through the streets grabbing whatever he can. He’s a thief who needs such things to scare by as his country isn’t exactly one of the more luxurious ones. One day he notices a lady having some trouble so he helps her get out of the jam. Unfortunately due to a misunderstanding with his monkey stealing her pendent she dashes off. Aladdin tried to repair the damage but he is soon captured by the Jafar and forced to enter a dangerous cave. He secures the lamp and will now get 3 wishes, of course Jafar won’t forget about his wishes for power anytime soon. Can Aladdin impress Jasmine and stop the kingdom from being plunged into chaos?
Right away the film got off to a really strong start here. The chase scenes with Aladdin right from the beginning are great. The scenes have a lot of energy and with the song it all flows together nicely. It’s always risky to have the best scene show up this early on in the film, but I think it’s good because first impressions are important. It’s just nice how casually Aladdin is basically taking on a full platoon of troops and singing about it. He also does a good job of directing Jasmine as well and showing how well he has mastered the city and all its alleyways. He’s basically a genius.
Aladdin definitely makes for a really solid lead even if he does weaken a bit towards the end of the film. He gets corrupted awfully quick when he becomes a prince and I feel like there were a lot of ways he could have gotten himself out of the situation earlier. If he was going to lie anyway, why not just admit that he was pretending to be a prince to impress Jasmine later on? I think she probably would have been impressed as to how he could pull that off since he had such a large troop of fighters behind him. I’d also argue that Jafar even deciding to mess with Aladdin is super risky because if those troops were real than Agrabah would have been doomed from the start.
Jasmine’s a fun heroine and definitely a character who has also been very improved from the original. She’s very determined to become the next sultan and also stands up to Jafar and the others. Jasmine gets a fun song towards the end about how she won’t be quiet anymore and gets to quickly exhibit her time stop powers until the song ends and you realize it never really happened. The thought is what counts though. She may not have grown up in the streets like Aladdin, but she’s definitely got that toughness about her.
Then you have Genie who steals the show as expected. It was a tall order to try and top Robin Williams from the original so I think adding in Will Smith was the perfect option. His style of humor is very different, but ultimately very charismatic and fast which works really well. His powers are still impressive although the way that his powers work is still awfully loose. At the end of the day he can still do whatever he wants and is just pretending to have to work on the rules. It seems to me like he just can’t go against his owner, but otherwise he can do what he wants. If I were Aladdin I’d be tempted to ask for a wish back, but at the same time he is still alive so being grateful is more important in this scenario. Genie is definitely here to look out for Aladdin and does a great job of looking after him. Without Genie Aladdin would have been doomed.
The film does a good job of mixing in a lot of good humor to supplement the action and adventure. The jokes land and the film is just written really well. They certainly didn’t phone it in here which is key. It would have been easy for the movie to just try and borrow all the original jokes and such but coming up with a completely new script is always good. The film’s still a direct remake and all, but it brings its own unique flavor to the mix.
Then you’ve got Jafar who is a much better villain than he was in the original. In that film he felt more focused on the marriage to Jasmine than his actual aspirations. Here it is flipped and he really just wants power to capture everyone else. He’s the kind of villain who while not relateable is just very interesting. It makes sense why he would have a bit of a power complex here since he started at the bottom of the social totem pole and now wants to go to the very top. I also thought his character had more layers here since he actually kept his thief skills and is a legitimate threat to the other characters. The scene of him pick pocketing Aladdin was handled very well.
There’s the Sultan but there’s not much to say about him. He gets mind controlled the whole time as expected. Abu doesn’t get to do a whole lot and mainly just gets Aladdin into trouble. He does save the lad from making a critical mistake in the cave of wonders though so I’ll give him some props, but he basically nullifies this after that by actually falling for the trap.
Iago doesn’t get the witty dialogue that you’ll remember from the original which is unfortunate. I think the film could have gone all the way with him if it really wanted to. At least he did get the super form though so that was neat. Then you’ve got the character made for the film called Dalia. She’s basically Jasmine’s best friend and just like how Genie supports Aladdin she helps Jasmine in this journey. I’m not sure about the random plot with her and Genie though. That romance was a bit weak, but for the character Dalia was definitely a standout. She’s definitely the kind of character that you want to have by your side. Dalia is very loyal and supportive.
Then you’ve got Hakim who also gets a bit of a big role here. He is quick to change sides though and while the characters gets his redemption arc it doesn’t work all that well. It just seems a little too late in the game for him by this point. He’s not really my kind of character but I’ll still give him some credit for making the right call even if it was late.
The first half of the film is definitely more dynamic than the second half, but I wouldn’t say there is any part of the film where it totally loses steam or anything like that. The dance scene with Aladdin being manipulated was also pretty fun. I don’t think that the back flip was overdoing it to be honest, but he definitely did show everyone up. All of the songs are also a blast. It seems like the film is using some kind of auto tune or audio adjustment to give everyone a certain kind of voice though so I wonder if the characters actually sound like that. It’s a sound that works well though so no complaints here.
Aladdin doesn’t hold back on the special effects either. I think part of what makes the film work so well is that it just looks great. The musical numbers feel grand as a result and especially the “You’ve never had a friend like me” song is awesome as a result. The special effects are really akin to that of a big blockbuster movie (Which this film basically is) and I dare say that this may be the best musical out there. I don’t really know how you would go about topping this one.
Overall, Aladdin was definitely a success. It’s a very fun film that has a lot of replay value. I think a good bit of credit here goes to the great script/writing. There are a lot of clever moments and even some callbacks to the songs. One good scene is when Genie points out that Aladdin’s never had a friend like him as opposed to vice versa. The only annoying part here is really how quick Aladdin was to betray Genie. It’s definitely something that will be annoying on a re-watch and all since Genie was so helpful the whole time. Still, if you’re looking for a great film to watch then this is the one to check out.
It’s time for the latest look at the MLP series. This special throws in the movie type animation which is a nice twist. It’s a good way to keep the fans satisfied as we await the rest of the final season. It’s a pretty fun special that gives each of the main characters a nice role while reminding us that there is always time for friendship. I would have liked a good fight scene though.
The special starts with the Mane 6 getting ready to leave Ponyville as they have been invited to a Rainbow event and Dash will be the guest of honor. However, when the heroes arrive at this town everything appears to be off. None of the events are as advertised and nobody wants to talk to them. The town has had its color drained away and have lost their happiness. Twilight and the others decide to introduce friendship to this town as they get this festival going. Can they really bring the color back!?
The special is definitely pretty solid so I’ll address the only weak point right off the bat. From the premise you are initially expecting some kind of villain here. After all, it’s not like the color left on its own right? Unfortunately the special does not take that route. There are no action scenes in this special nor is there a real villain. Sure, this series isn’t really about that but throwing in a villain would have been great even if she would have been doomed to turn good by the end. In a lot of ways this special feels like a redo of the Starlight Glimmer episode only without a lot of the best parts. Of course this doesn’t really hurt the score since it’s more of a “what if” than anything else, but it would have been pretty cool to have gotten a little more intensity in here.
All of the Mane 6 look pretty good. I’d say that Applejack and Rainbow Dash were the most dependable members of the crew though. Applejack really got the townsfolk to believe in themselves while Rainbow Dash inspired confidence in her fan club. They actively helped bring the color back into the town which was important. They also took the situation in stride pretty well. Twilight Sparkle tried using her science to secure a win here, but at the end of the day this task proved a little too difficult for her on her own. Together with the others she was ultimately able to succeed though.
Pinkie Pie probably looks the worst from the main characters though. She was almost mean with how she was knocking the old couple’s apricot pies. She has to realize that part of the problem here is that without being able to see color the apricots are all going to look the same. Then you’ve also got the issue with the neighbor being the only one with the good fruits. The resolution here is definitely a little on the cheesy side. It’s a decent subplot, but one where Pinkie Pie didn’t help quite as much as she could have.
Rainbow’s subplot is pretty good. The kids definitely mean well and did a good job of making the unofficial fanclub. It’s really one of the only parts of the town that was actually real even if they were short on members. The main plot involves one of the ponies blaming himself for what happened. I can see why though since he really did mess up here. There is a twist about this though so it’s not 100% his fault. He really just needed more confidence in general.
As I mentioned the animation is definitely pretty good here. The character models are on point and in general this style just makes every pony feel a lot more authentic. This style just fills out the characters a lot better than the old flash style could. Meanwhile we do get a big song at the end which is good. I wouldn’t say that it’s one of the strongest songs in MLP or anything like that but it’s always good to have a song regardless.
There isn’t much to say about the special in general because the whole thing is pretty straight forward, but it’s good at what it does. The writing is on point so even if the whole situation seems rather mild it makes for a pretty interesting special. You’ll definitely be on board right away and there’s no part of the special that drags on which is always important. It’s just a fun experience even if it may not leave much of an impression after you’ve finished it.
Overall, Rainbow Roadtrip is definitely a special that I would recommend to all big MLP fans. It definitely feels like one of the old episodes where you didn’t have to worry about supporting characters so the original 6 get all of the screen time. As good as the supporting characters are, it’s always good to be able to focus on the originals once in a while. There’s nothing to really dislike about the special and I hope to see more like this one in the future.
Pokemon’s definitely been through a lot over the years. It first had to deal with the pressure of being the greatest video game series of all time and then it started one of the longest running anime of all time. What other challenges could await it from there? Well, there’s the manga industry but Pokemon Adventures pretty much has that covered. As a result the movie based manga usually don’t really try to do anything super special except to keep on with business as usual. I didn’t care much for the movie this manga is based on which limits its potential, but ultimately I guess I would say it’s a little better. It’s pretty much a straight adaption though.
The manga starts with Ash getting ready to start his Pokemon journey. Unfortunately, he overslept and all 3 of the starters have already been taken. He’s forced to start off with good ole Pikachu. The two don’t get along at first, but gradually they become pals. Ash then runs into Verity and Sorrel along the way as they all wanted to catch Entei. It doesn’t go well and the 3 of them are forced to bond over cave stories as they wait for the rain to stop. The adventure will test their bonds and Ash will have to find out if he really has what it takes to be a Pokemon Master.
Right away you will have to remind yourself that this is a pretty inexperienced Ash. It’ll make the adventure less painful as he takes a lot of Ls left and right. Part of why reboots like this are tough is that you don’t really want Ash to be a beginner yet again. The wounds are still fresh from when he lost every other league. For the most part Ash is still solid here though. I definitely didn’t care for the scene where he loses to Cross though. Ash was probably going in a little too hard during the fight, but how do you really know when to stop? Typically in a Pokemon battle you go on until one of them is knocked out but I guess if they look weakened enough then you should pull them out first? That part always seemed a little inconsistent to me, but I guess we’ll roll with that.
Ash was being manipulated by Marshadow later on, but it was still a bit iffy how quickly he was ready to ditch his Pokemon. He’s just not nearly as tough or confident as his TV show persona and I think that does play into why this movie/manga was just not quite as solid. Meanwhile his two partners also aren’t all that great. Sorrel doesn’t really want to be a Pokemon fighter, he just wants to research and meet all of the legendaries. He gets an origin story that is pretty dark. It ends pretty quickly in the manga, but it’s still something that you really don’t need in a Pokemon manga. The Pokemon should lose fights now and then of course, but dying for no reason is definitely iffy. Pokemon are very strong so to just lose to natural causes is a bit iffy.
Meanwhile you have Verity who is sort of like a nicer rival to Ash although they don’t get to fight much. She’s a pretty fun character, but ultimately she doesn’t get a whole lot to do. I’d have liked her to have gotten some more of the focus and maybe an extra fight or two. I don’t think she would have been able to defeat Cross, but if she had that would have been pretty neat as well. As for Cross, there’s definitely no way I was going to like him. He’s like Paul in that he doesn’t care about Pokemon and is willing to hurt the ones that he has. A good rival still has respect for his Pokemon like Gary. Gary may not have been the most pleasant person to be around, but he always treated Pokemon with respect. Cross has a character arc by the end, but it’s so sudden and a complete 360 that you can’t take him seriously.
As for Marshadow, I always liked the design of this Pokemon. He’s not the most interesting villain though even if he basically did wreck Ho-Oh. I feel like Ho-Oh is probably the strongest Pokemon who has yet to look good in one of these things. The legendary birds in general seem to take a lot of Ls when they appear. At least we got some decent fights though. None of the fights are all that long here (The longest felt like it was Cross vs Ash round 1) but the art is excellent so the battles that we do get look pretty good. Art plays a big part in a manga of course and there was clearly a good amount of effort put in here.
I think one of the problems with the story is that it’s going through all of the motions, but there isn’t anything particularly memorable about this adventure. There’s no hook nor is there any reason to re-read this. It feels like an average episode with Ash and since it’s not even the version of Ash that we’re used to there isn’t much to it. Still, it almost sounds like it would get a negative review from what I’ve written so far so let me just point out that it is still a good manga. Just because it can’t match up to the other titles doesn’t mean that it is downright bad. At the end of the day it still has good action scenes and a reasonable cast. The artwork is solid and that’s really all you need. It’s not great or even very good, but it gets the job done.
Overall, This is definitely not my favorite Pokemon adventure and it’s a relatively weak one as far as the movie tie-ins go. Still, it’s not a bad one and I do feel like it’s a little better than the movie version. Maybe that’s because when reading through it the iffy scenes don’t last as long as in the movie. Maybe there were subtle differences here that made the whole thing feel more intense. Whatever the case may be, I’d recommend experiencing this story in manga format instead of going for the movie version. Still, I look forward to the day when the movies are with Ash and friends in the present again instead of these alternate universe titles. It was a cool concept, but the execution just hasn’t been there thus far. We’re in the age of nostalgia right now so give us a big movie with the return of Gary. Maybe hype it up as the big tournament where Ash finally wins. There’s a lot of ways you can make a satisfying Pokemon movie after all, the company just needs to go for it.
It’s time to look at another film with an annoying main character. This one’s not the worst lead or anything, but she does seem to be incredibly naive and not one of the smartest leads out there. Still, when it was crunch time Julie did her best to stand up to the danger. This is a pretty good thriller that builds up to a nice climax. You will need to suspend a lot of disbelief of course, but that’s to be expected.
The film starts with Julie running to her car after her husband Lyle had another public episode of getting upset over her. He gets violently dangerous whenever a guy even talks to Julie. She gets in the car and warns Lyle that maybe they can’t be together anymore. He responds by forcing her to drive the car at max speed for a while and they nearly fall off a cliff. He then warns her that it was an accident and he’s sorry about it. Another way to think of it is that these accidents will occur more and more unless she stops talking to other men. Julie is surprisingly fine with this so then her friend Cliff shows up and reminds Julie that Lyle is a dangerous murderer. Lyle murdered her first husband and will stop at nothing to claim her. Julie must now escape from Lyle and try to establish a new identity, but Lyle seems to be around every corner. Can she possibly shake such a skilled stalker or is this the end for her?
A situation like this is always pretty tough to escape from and Julie’s first actions don’t help matters. See, you’ve usually got just one shot to get out because after that the guy will suspect something. So Julie tries to leave first thing in the morning, but Lyle is already up so she has to make a ton of excuses to leave. He doesn’t buy any of them but decides to pretend to leave to see what she’ll do. Here’s where Lyle slipped up since he damages her car but goes so far away that she is able to run to town. (Thanks in part to hitch hiking) From there the film is mainly about Julie running from place to place and trying to stay ahead of him.
This is where it’s a little hard to buy that Lyle is following her everywhere. He finds out what state she is in, which hotel, etc. The film does try to give reasons for how he finds these things out like by asking operators for her place or just deducing which state she would likely flee to. At the same time, you still can’t help but feel a little skeptical at times. Julie used a pseudonym for these journeys and there are still a lot of hotels in each state. Just knowing what state Julie is in wouldn’t be enough for Lyle to find her so easily. The whole time I figured that Cliff was a traitor leaking info to Lyle or just a villain who wanted Julie for himself. It’s good that Julie did actually have an ally, but at the same time it did mean that it was harder to buy into the Lyle scenes.
Meanwhile, while Julie may not have been the best character, you could still root for her. As far as villains go Lyle definitely wasn’t anything special. He’s one of those petty villains who just wants Julie at any cost. You really can’t even like him as a villain because his motivations aren’t solid and there’s nothing interesting about him. Also, since Julie was 100% fooled if he had just played the part of the nice guy they could have actually been together. When the villain creates his own problems then that just makes him even worse.
As for Cliff, he is a good guy. His arc really didn’t go as I expected it to, but at the end of the day I can’t hold that against him. He probably could have handled some of the early situations a little better though. He was being pretty obvious with Julie in front of Lyle, but at the same time it was imperative that he convince her of the truth right away so in that sense his plan worked. He also did at least try to escape when he was held hostage although I dare say that going for the gun is always the best move in that situation. I dare say that it’s best to make a final lunge and attack the guy with the gun rather than getting in the car. Once you’re in the car your chances of survival are close to 0 unless you’re in an action film. So, even if you might die during the charge your odds are better. Trust me, getting in the car is never the right move.
Unfortunately the film does end on a bit of a whimper. It probably has one of the worst climaxes that I’ve seen in a very long time. Nothing happens for a long period of time and what should have been a very thrilling plane sequence ends up feeling rather dull. You’re just sort of waiting for the film to get on with it. Whatever the idea was for the ending it simply should have gone with a different option. I did like the tension on the plane before this, but it all doesn’t play out as you’d hope. I also felt bad for the pilot who was doing a good job the whole time, but faltered at the very end.
Overall, the script is pretty solid and the film will definitely keep you engaged all the way through. It’s a pretty classic thriller and definitely one that holds up. It actually grabs a lot of the beats that you might see in a modern film even if the effects don’t allow for it to go all the way with big car chases or anything like that. Of course, how much you enjoy the film will probably depend on how the first half affects you. Julie is just a very tough lead since she isn’t very sharp which can make it a whole lot harder to root for her. Still, I think you’ll be fine and while it’s not a great thriller, it’s a solid one nonetheless.
It’s time to look at the new Detective Pikachu film. It is still an odd decision not to have gone with a traditional Pokemon film, but just having them on the big screen in some form is really cool either way. It’s a pretty solid film all around. I do think some scenes drag on a bit and the human characters are definitely on the weak side, but the movie has a good premise and the action scenes that we do get are definitely solid.
The film starts off by establishing how Tim isn’t a Pokemon trainer. He wants nothing to do with them and that’s because his Dad chose his job and Pokemon over Tim a while back. Well, Tim gets a call one day that his father has been murdered so Tim heads over to get some closure. What he doesn’t expect is that this will lead him to Pikachu and the ultimate mystery. He has to find out who axed his father and finish what the detective started. It won’t be easy, but he’s got this.
They say a film is only as good as its cast and that’s why it’s good that we’ve got Pikachu on board. He’s definitely the highlight here and his quick wit is definitely entertaining. It is a bit annoying that he doesn’t do any real fighting for the most part since he has amnesia as well, but I know the film was trying to avoid being an action title so to that end it makes sense to get Pikachu out of the equation. After all, he could easily wreck most of the cast if he was at full power. Pikachu also shows that he doesn’t need to be able to fight in order to be a quality character. I like his bravado even when outmatched.
Unfortunately, I can’t really say the same for Tim. He’s not my kind of character by a longshot. He spends most of the first half complaining and it’s hard to be all that sympathetic after a while. He doesn’t even have any interest in finding his father or solving the mystery for a while because he’s still sore about the past. Considering that the father isn’t evil or anything, I think he should be able to put that aside to save him at least temporarily. He also saw the poison gas so it’s not like he has no clue that this is going to be pretty serious. If you ask me he should have gotten with the program a lot sooner.
Also, his romance subplot definitely isn’t all that great. It’s pretty much shoehorned into the film for no real reason and naturally he fumbles this quite a bit as well. Lucy’s a good heroine though and she’s definitely a lot more proactive than Tim. Staking out the father’s place was a longshot at best and she must have been waiting up on the stairs for a very long time. That’s the kind of dedication you need if you want to be an expert reporter so she did a really good job. It’d be handy if she had a more powerful Pokemon than Psyduck though but he came in handy when it counted.
I don’t have much to say about the villain. I think it’s pretty obvious who the evil one is from the start just because it would have been too straightforward otherwise. He’s pretty generic and there’s not much to him though. He serves his purpose well enough, but I think Charizard made for the more imposing villain. It was definitely nice to see him get some action even if the battle was definitely very one sided.
As for the effects, they’re definitely quite good. Whether you like the realistic style or not, the Pokemon definitely all look like their game counterparts mostly. I thought Machamp and Mewtwo in particular came out really good. I think the only one I was skeptical of was Tauros since he looked more like a normal bison than the iconic Pokemon, but on the whole the film did a great job of giving them all live action designs. I think it would make for pretty excellent fight scenes and we got a tease of what that could be like early on. If we do get a spinoff or a sequel I definitely want to see some trainers get involved.
The soundtrack is pretty decent. You’ll notice some homages but for the most part the film is going for original tunes. There is a singalong with one of the best songs in the franchise though so that was pretty neat. I would have liked for the trailer theme to show up during the climax though. “I need a Hero” would have been really epic to hear in the theater.
Now if you were hoping that the cops would look good here, then I’m afraid you’re out of luck. Maybe there’s more to this that the games would have explained, but it seems to be like they did a really halfhearted job of looking into this mystery. Lets say Tim and Pikachu never got involved. The cops would have been absolutely doomed since they didn’t even suspect a thing. None of them thought to slow down the footage or investigate where the detective had been driving from. As the film goes on we learn that the villains don’t even bother to cover their tracks so the cops must have done absolutely no legwork. I was thinking maybe the main chief was in on it or just evil as well. Maybe he is……or maybe he’s just really bad at his job.
A big part of the film involves some smoke and while I won’t elaborate, at first I thought I was going to have to stretch some disbelief on why Pikachu was unaffected. By the end of the film I’d say it clears this up in a way that makes sense though so no issues there. On the whole the logic in the film was pretty sound. Sure, if you think about some things for too long then they start to break down (Like kids trying to catch Pokemon that can lethally injure them. That Cubone came really close with his retaliation explosion) but the film did good with the power scaling and with making the city make sense. Since there are no trainers here and the Pokemon are inherently good it makes sense how they could co-exist.
I think the main parts that can drag at times are when the film is throwing us exposition (like showing Mewtwo’s origin a bunch of times from different angles) and the heroes running across the mountain. It’s technically more of an action scene as the giant pokemon wake up, but it wasn’t all that exciting. There are bits and pieces like that around, but on the whole the film isn’t all that long so these moments aren’t that frequent.
Overall, Detective Pikachu is definitely a solid film that I would recommend. It’s far from perfect, but it does a good job of showing the Pokemon world and giving us some nice action scenes. The actual story is also good even if it’s held back a little by Tim. Even by the end I wasn’t sold on his character. It’ll be interesting to see where the films go from here assuming that it makes back enough money for them to roll the dice on another installment. If they do I’ll certainly be there.
It’s time to look at an old film with a pretty misleading title. The beginning had a good premise but once the time travel occurred it quickly fell out the window. Now, I do like time travel but I prefer to go forward in time rather than backwards. If you ask me it’s just a lot more fun that way. There’s not much in the past that interests me, at least not when you get into the caveman era.
The film starts with two guys about to have a duel to the death. Apparently, they seem to like the same maiden and naturally one of them has to die for this. They ready their guns and move a few paces to take their shot but that’s when an earthquake occurs and scatters them to the winds. When they get back up they appear to be on a new planet. They’ve done their first dimension jump and are in the distant past where “dragons” currently roam. Now, you can make the case that it’s past Earth or another planet but it doesn’t really matter. There’s a scene where they notice that the stars don’t match so it’s probably a new world. They each end up going to different cave factions that have been warring with each other for eons. Can they help the two teams make peace or will they all die against the monsters?
As far as the dragons are concerned you shouldn’t get your hopes too high. Their appearances are few and far between. If we’re being honest the big one doesn’t appear til the end. Most of the little creatures running around are the kimono dragons which are basically just lizards. They aren’t exactly all that scary. The big one is fun enough but definitely pretty mindless and lets the heroes attack him over and over again until they eventually take him down. If he had done just about anything else then he could have won. The monster still did rack up a decent body count I suppose.
One weakness with the film is definitely the whole caveman element. I’ve never cared much for the trope of having the main guy try to teach English to these guys. For one thing, Hector isn’t all that understanding and gets frustrated pretty quick. Does he really expect them to learn English overnight? His voice can also be a bit annoying but that part’s not bad as it fits the character. He’s supposed to be annoying.
The other guy (Michael) is a lot more patient with the cave people and becomes the leader real quick. I suppose I would probably say that he is the better character of the two as he had more personality. He also became a leader real quick and did most of the hard work in the climax. I wouldn’t say either character was all that great, but he got the job done.
The writing was reasonably solid I suppose. The scenes with the ancient people weren’t that good but the banter with the two leads was pretty decent. It’s always god to have a dynamic where the two characters initially want to destroy each other but are then forced to work together. It is a bit clichéd I’ll admit but as this was back in the 60s it pulls this off unironically.
Then it almost goes without saying that the romance element is very weak here. The cave women basically throw themselves at the main two guys since they dominate the pack so easily but it’s all so fast and doesn’t feel real. We even get jealousy plots and also see why the two factions are warring from the start. Without the main two guys keeping them in line it is pretty clear that the two factions can’t control themselves and would be picking fights constantly. Having one “strong but not smart” character is enough for most films, make that the majority of the cast and then the movie has really got a big problem to deal with.
I can’t really say that the pacing was all that good either. While it almost goes without saying that a boring plot will drag on, this one really goes as slowly as possible. One scene in particular that really takes forever is when the heroes are trying to stab the giant monster. It’s the same action over and over again for at least 10-20 minutes with no variation. After a point it just comes across as having no real meaning and the scenes are complete filler. The action isn’t filler, but redoing it over and over certainly is. You could tell that the writers had run out of material by the end.
Overall, Valley of the Dragons is a film that was pretty decent for the most part but the actual plot holds it back quite a bit. It should have been a film about the leads getting trapped in some kind of vicious world for sure, but not one this far back in the past. If it was more modern we could have gotten around all of the scenes of them trying to teach the people everything and more banter instead. Of course by this point I am describing an entirely different film, but you get the gist of what I’m saying. If you don’t mind the past element then I think you’ll reasonably like this movie since it’s the main thing holding it back. Just don’t go in expecting a lot of actual dragons.
It’s time to look at an old romance comedy that I hadn’t heard of, but is apparently a pretty big deal. It’s definitely a fun film so it is a title where the reputation is certainly deserved. I’ve always said that the best romance films are the ones that are part comedy and this seems to reinforce that. The romance does still get a little dicey, but on the whole this is definitely a movie that I can recommend.
The film starts with Ellen having another argument with her father. He does not approve of the man that Ellen has chosen to marry. It’s hard to blame him as it sounds like she barely even knew the guy before they married. To clarify, they are already married although the father does not accept this. He has decided to take steps to annul the marriage and so Ellen decides to rebel by jumping off the ship. She is now determined to make it to New York where she can be safely united with her husband. Unfortunately this will be difficult since her father is so powerful that he controls the whole media as well as the police and a private task force. The only way she will be able to make it to New York in one piece is to team up with Peter.
Meanwhile, Peter is a reporter who hasn’t had a great string of lucky breaks lately. In fact, his luck has run out and he is fired. The guy gets drunk and decides to hop on a bus to put some distance between him and the old place. It just so happens that Ellen is on that bus. They bicker a bit, but before long he figures out her secret identity. Peter decides to help her get to New York in exchange for an exclusive story on her experience. Their personalities completely clash, but Peter is determined to make it all the way. Unfortunately, this sparks a forbidden romance between both characters and Peter must continuously remind himself that she is already married. No matter how their feelings may be, to do anything would be wrong so he must stay strong. Hopefully the film writers can control themselves here.
That does get to the heart of the issue here. No matter how much you may enjoy the romance here, Ellen is already married. That’s game set and match right there. It’s not like the Hallmark movies where it’s just a fiance. I mean, that’s still pretty dicey, but it hasn’t been set in stone yet. Here, she already made her choice so what if this is a “The grass is always greener” moment and she’s just running on instinct? How does Peter know this won’t happen again? Part of this goes back to the fact that she seemingly ran into King (the guy Ellen married) in a car and just decided to marry right away. This was partially to contest her father and so maybe her feelings for him were never all that deep. Throughout the movie Peter asks her several times why she likes King and Ellen evades the question every single time.
To their credit though, they don’t make a move until after the marriage has been annulled. At least that’s good so the cheating didn’t actually happen, but since it was premeditated that’s almost as bad. So I can’t get behind the romance. Honestly the film would have been amazing if they had stuck to being friends instead. It’s often been a debate on if two grown ups can manage to stay friends without wanting something more. If you listen to films then that’s basically impossible. It almost always leads to romance. Honestly, the only exception I can think of off the top of my head is Black Widow and Hawkeye who have a great bond but as allies and nothing more. Hawkeye went on to marry someone else and Widow is married to her job. Even that is different though as the films are usually ensemble casts. I’m talking about a 1 on 1 film like this one where the ending doesn’t suddenly lead into a romance. The romance here could have been worse, but I think this was a missed opportunity.
Ah well, both of them are solid leads. Ellen is definitely used to living the rich life so she needs some time to adapt, but she does manage to adapt right away. I was surprised at her eagerness to persevere and she didn’t really do any complaining. From the first scene you get the impression that she would be very spoiled, but I didn’t get that vibe during the actual adventure even if Peter says otherwise. After the initial good night’s sleep Ellen is almost like a completely different character as well. She’s super chipper and helpful throughout. I think she was just trying to make the best of it and if so that’s another credit to her character. There are some misunderstandings by the end of the film which lead to extra drama, but I’d actually place the blame on that with Peter and not Ellen.
As for Peter, he’s pretty solid but not as good as Ellen. For the positives, he’s always ready with the banter and has a lot of confidence. His first scene may even be his best one. His remarks are always pretty humorous and while he tries to keep up a tough act he is always looking out for Ellen. It’s not as if he likes her from the start either so at first he’s just being a nice guy in general. Where he weakens is once he actually starts to like her. He has some sudden outbursts, one of which was particularly out of line where he threatened her life. Even if he never actually meant it, it’s not something you can take back so easily. He’s a bit too controlling at times and so Peter definitely has a lot more weaknesses than Ellen does.
We’re also never given any reason to root against King so for all we know he might be the better character. The film hints that he isn’t super attracted to Ellen but it’s said by her father who has a grudge against the guy. There are no impartial accounts for him so it’s hardly a level playing field. Peter is also 100% responsible for the last misunderstanding they have as a simple note or something would have solved the whole issue. Honestly, he probably should have taken her along for where he was going or told her the plan up front. He was just being overconfident at that point as she hadn’t even said “Yes” yet as he hadn’t asked a question at that point.
The writing is solid as expected here. I’ve said it many times and I’ll probably say it many more times in the future, but I really like how the characters used to talk back in these olden days. Everyone is so professional and formal in their day to day language. It makes the whole experience more sophisticated. Aside from the main two I also liked the supporting characters. You’ve got the fast talking blackmail guy, the train officer who always likes talking back to the others, you’ve got Peter’s boss, and more. Even the cab driver who turned out to be a bit shady was fun. It’s just a colorful cast of characters.
Now, the film is quite long so there are a few pacing issues here that you might not see in the average film from back in the day. In particular the second half starts to drag on a bit. I much prefer the opening half before the characters have really bonded as it leads to a lot of the film’s main humor. Once they are getting along then we head into more drama territory with the misunderstandings and such. I think the last one could have been avoided as it’ll just make you feel bad for King if anything. The way in which things end for him is definitely last second. You know how the film is going to end as soon as it begins so nothing is particularly surprising, but I think speeding things along a little more probably would have been a good idea.
Overall, It Happened One Night is a pretty solid film. I do think it stretches on a little too long with some scenes being longer than necessary, but at its core it’s a movie with a solid premise and execution. The characters are written well and it won’t fail to keep your attention as it goes on. The romance holds it back to a degree, but it’s definitely handled a lot better than I imagine it would be in a more modern title. If you like rom-com films then this is a pretty good one to check out. There really aren’t any big negatives here so you’re in for a fun time.
It’s time to look at an old animated film that you may or may not know. It’s certainly not quite as popular as the average Disney film, but at the same time it has certainly earned a reasonable legacy over the years. It’s a decently good film, but one that doesn’t really stand out. It’s sort of going through the motions and is about as standard as you can get. So I enjoyed it, but I admit that it doesn’t really have any replay value.
The film follows a family of mice who have decided to escape from Russia. The country has become too dangerous with the cats running around at every corner. They figure that America will be a lot safer since supposedly there are no cats there. Unfortunately, Fievel manages to get lost from the group and makes it to America via bottle. He must now find his family and endure a lot of hardships along the way. Maybe America isn’t quite as safe as they had all assumed.
It’s a classic adventure movie in that regard as Fievel meets up with a few allies on his way to his family. Two of these allies are Tony and Bridget. Tony is one of those guys with a lot of street smarts and so he is able to help Fievel find his family. He’s definitely super useful and if anything it’s surprising that Fievel didn’t seem to care much. When they are first kidnapped (This is before FIevel actually knew Tony) Fievel quickly busts out and then runs off without checking to see if anyone was following him. Tony has to track Fievel down on his own. While surprising, I was actually impressed with Fievel’s initiative here. He wasn’t wasting any time in finding his folks. While he does get a little down towards the end, he stays pretty strong for most of the film.
Bridget is a mouse who is asking the others to fight with her against the Cats. She believes that they outnumber their oppressors and as such they should join the good fight to rid the world of the felines. The problem is that the other mice don’t have such confidence so her words fall on deaf ears. She ends up traveling with Fievel and Tony which will aid her goals. There’s also a bird named Henri who is a solid ally. He doesn’t travel with the others since he is busy constructing his statue of liberty but he does help by giving Fievel a lot of moral support at the beginning. Without him FIevel wouldn’t have had the will to search for his folks in the first place.
The animation is pretty smooth here. It will definitely remind you of classic Disney in that sense. The character designs are always on point and the action scenes are solid too. The water is drawn really well and the scene of Fievel getting swept off the ship was definitely intense. It’s totally his fault in every way, but still an intense scene. There’s not really much of a soundtrack though and the songs do pale in comparison to the average animated film. There is one pretty good montage song though. While I wasn’t a big fan of the song itself it was fun to see mice from various countries talk about their own difficult experiences with the cats. They kept trying to top each other with their various origin stories and they were all different. None of them were copy and paste ideas and the writers did a good job of making them all pretty serious with fun references to the local cultures.
While Fievel and his supporting cast were good, the family was pretty annoying the whole time. The sister believed that he was still alive at least and kept telling the others that they should look for him, but meanwhile the parents lose hope almost immediately. I guess the idea of a mouse surviving amidst a huge storm in the middle of the ocean is farfetched, but at least to appease the sister I’d like to see them make an attempt early on.
Meanwhile the only weak part of the film was probably the romance between Tony and Bridget. It doesn’t really make any sense with how rushed it is. They fall for each other almost instantly and considering their hard boiled characters it should take a little more time to thaw out and go for romance. It’s not played up too much I suppose, but it’s enough of a distraction where the film could have used that for more chase scenes or plot developments. Beyond that I’d say the writing is good. It can be a bit annoying to see the characters so close to each other the whole time, but constantly not seeing each other, but I can see that happening in a big city. Fievel should have listened to Tony more though, I think that would have sped up his journey.
Overall, An American Tail is a film that plays it by the books. There aren’t any real wrinkles to this story but nothing bad either. It’s just a classic adventure where you get to see the world from a mouse’s point of view. It doesn’t have the personality of something like Stuart Little but it’s still a film with quality confirmed. If you haven’t checked this movie out yet and want a fun film to check out this one’s a good pick. It’s short and to the point. If you’re wondering whether or not it beat the Little Mermaid though, I gotta say that Mermaid easily defeats this film.