It’s time to look at an old animated film that you may or may not know. It’s certainly not quite as popular as the average Disney film, but at the same time it has certainly earned a reasonable legacy over the years. It’s a decently good film, but one that doesn’t really stand out. It’s sort of going through the motions and is about as standard as you can get. So I enjoyed it, but I admit that it doesn’t really have any replay value.
The film follows a family of mice who have decided to escape from Russia. The country has become too dangerous with the cats running around at every corner. They figure that America will be a lot safer since supposedly there are no cats there. Unfortunately, Fievel manages to get lost from the group and makes it to America via bottle. He must now find his family and endure a lot of hardships along the way. Maybe America isn’t quite as safe as they had all assumed.
It’s a classic adventure movie in that regard as Fievel meets up with a few allies on his way to his family. Two of these allies are Tony and Bridget. Tony is one of those guys with a lot of street smarts and so he is able to help Fievel find his family. He’s definitely super useful and if anything it’s surprising that Fievel didn’t seem to care much. When they are first kidnapped (This is before FIevel actually knew Tony) Fievel quickly busts out and then runs off without checking to see if anyone was following him. Tony has to track Fievel down on his own. While surprising, I was actually impressed with Fievel’s initiative here. He wasn’t wasting any time in finding his folks. While he does get a little down towards the end, he stays pretty strong for most of the film.
Bridget is a mouse who is asking the others to fight with her against the Cats. She believes that they outnumber their oppressors and as such they should join the good fight to rid the world of the felines. The problem is that the other mice don’t have such confidence so her words fall on deaf ears. She ends up traveling with Fievel and Tony which will aid her goals. There’s also a bird named Henri who is a solid ally. He doesn’t travel with the others since he is busy constructing his statue of liberty but he does help by giving Fievel a lot of moral support at the beginning. Without him FIevel wouldn’t have had the will to search for his folks in the first place.
The animation is pretty smooth here. It will definitely remind you of classic Disney in that sense. The character designs are always on point and the action scenes are solid too. The water is drawn really well and the scene of Fievel getting swept off the ship was definitely intense. It’s totally his fault in every way, but still an intense scene. There’s not really much of a soundtrack though and the songs do pale in comparison to the average animated film. There is one pretty good montage song though. While I wasn’t a big fan of the song itself it was fun to see mice from various countries talk about their own difficult experiences with the cats. They kept trying to top each other with their various origin stories and they were all different. None of them were copy and paste ideas and the writers did a good job of making them all pretty serious with fun references to the local cultures.
While Fievel and his supporting cast were good, the family was pretty annoying the whole time. The sister believed that he was still alive at least and kept telling the others that they should look for him, but meanwhile the parents lose hope almost immediately. I guess the idea of a mouse surviving amidst a huge storm in the middle of the ocean is farfetched, but at least to appease the sister I’d like to see them make an attempt early on.
Meanwhile the only weak part of the film was probably the romance between Tony and Bridget. It doesn’t really make any sense with how rushed it is. They fall for each other almost instantly and considering their hard boiled characters it should take a little more time to thaw out and go for romance. It’s not played up too much I suppose, but it’s enough of a distraction where the film could have used that for more chase scenes or plot developments. Beyond that I’d say the writing is good. It can be a bit annoying to see the characters so close to each other the whole time, but constantly not seeing each other, but I can see that happening in a big city. Fievel should have listened to Tony more though, I think that would have sped up his journey.
Overall, An American Tail is a film that plays it by the books. There aren’t any real wrinkles to this story but nothing bad either. It’s just a classic adventure where you get to see the world from a mouse’s point of view. It doesn’t have the personality of something like Stuart Little but it’s still a film with quality confirmed. If you haven’t checked this movie out yet and want a fun film to check out this one’s a good pick. It’s short and to the point. If you’re wondering whether or not it beat the Little Mermaid though, I gotta say that Mermaid easily defeats this film.
Overall 7/10
It’s time to look at an old film with a pretty intriguing title. It’s a title that refers to a rather cringy joke in the film and that really sets the tone for what you’re about to experience. This film’s definitely got an interesting premise that could work out in some scenarios, but it takes itself too seriously to work. For this kind of plot the movie has really got to be a comedy of some sort. Making it into a drama takes away its potential entirely and the film ends up getting dragged out.
The film starts off with George and Martha finishing up a party they were at. They make it home and start bickering as usual. At this point their marriage has completely spoiled over, but neither one of them want to end things. This all escalates when Martha lets George know that another couple is coming over to hang out for a while. Their names are Nick and Honey. The two come over but with the older people being tired they decide to escalate their usual name calling. George and Martha begin to openly fight with each other while dragging in the incredibly gullible younger couple. Can these two allow their extremely fragile bond to be broken by complete strangers they’ve only known for a few minutes?
This plot only works if the characters have absolutely no intelligence left within them. Just think of how ludicrous this whole thing is. Why is Nick telling George super private info about his wife when they don’t even know each other? Worse, George is a co-worker so that’ll quickly become gossip. The whole plot is just so forced and contrived that you’ll need a second to catch your breath. Likewise Martha and Honey gossip a bunch. Breaking their bonds was so incredibly easy that it must have not been much of a bond at all.
Naturally all of the characters get pretty drunk as well. Too bad none of them learned how to drink responsibly right? That would have solved most of their issues in an instant. Then the two couples start trying to get each other jealous and it works surprisingly quick. Again, the young couple must not have had any confidence to be manipulated so easily. I thought they were better than that but I guess not.
There are no good characters here though. George is your classic timid guy who gets stepped on by Martha the whole time until he snaps at the end. Then naturally he has the upper hand while Martha suddenly loses all of her fire and gets stepped on the whole time. Each half of the film might as well be a different film with how different the characters act. I wouldn’t call it good writing either as it’s just trying too hard to be somber and dramatic. There’s no reason to like George because he’s just a bully by the end and by the same token there is no reason to like Martha since she is a bully at the beginning.
Then you’ve got Nick who’s pretty mean and standoffish at the beginning, but has absolutely no nerve. Every time George makes some kind of crack about his wife Nick doesn’t do anything except try to protest about it. He should have walked out with Honey early on. He just seems scared of George the whole time and that’s definitely no good. Meanwhile Honey is portrayed as being extremely limited in intelligence and really just gets in the way the whole time. Like I said, there are no good characters here.
The characters are all written to be super annoying as well. They all get drunk and so a lot of their dialogue doesn’t even make sense. They tend to talk in circles and because of that all of the conversations are a whole lot longer than they should be. This contributes to how long and drawn out the film is. Most of the situations should have ended far sooner than they did and the film just becomes annoying after a while. There doesn’t seem to be much of a point to the movie and the plot simply wasn’t large enough to last for such a long period of time.
You have to suspend all disbelief for this film. Why on earth are the younger couple so desperate to talk to someone that they’d stay here? Who thinks it’s a good idea to hang out with this older couple at about 2-3AM? Maybe that was a red flag that these guys were also pretty sketchy. I guess we can also reasonably assume that Nick just wanted to come over to get on Martha’s good graces. He certainly does since by the end it’s heavily implied that he even cheated with her on George. The film really went off the rails. The whole imaginary character didn’t help either. It’s a twist that I figured out early on, but partially because I already had certain expectations of the film. Once it fell apart after the first 5 minutes I would quickly just guess what the worst possible outcome would be for each scene and that’s a pretty accurate way to guess for this kind of film.
Overall, Who’s Afraid of Virginia Woolf is a very mean spirited film that runs out of logic early on. There’s not a whole lot connecting this story together and as a result it can only try to survive on dialogue. Since the dialogue isn’t particularly strong, actually it’s super weak especially considering how old this film is. Usually dialogue was pretty good in this era so that was disappointing. There’s not much going for the film and it certainly has 0 replay value. The insults get old after the first few minutes and partially because of how half hearted all of the characters are. None of them are really passionate and seem to be going through the motions. Both George and Martha can dish it out, but they can’t take it. They both appear to actually be really sensitive which will make you roll your eyes. I’d definitely recommend sticking away from this film.
Overall 2/10
This review is of the edited TV-14 version of the film. All thoughts below should be addressed as such as a review of the unedited version would be far more negative.
It’s time to look at the next installment in the Alien franchise. I must admit that I’ve never been a big fan of the series. While it did spawn a lot of super memorable alien designs like the Xenomorph, it just can’t hold up under pressure. This film didn’t do any better I’m afraid since right away a dog appears. That’s the ultimate red flag for any film, especially one with aliens/monsters. The films just can’t seem to resist and neither could this one. The film was dead before it ever began and that doesn’t change as the film goes on.
The film starts off with everyone from the second film dying since one of the Xenomorphs managed to make it aboard the ship. Fortunately, Ripley survived as she is the main character. The ship crashed in a giant space planet, which is used as a place for convicted criminals who would get the death penalty otherwise. I admit that for a while I forgot that this was on another planet because it may as well be Earth to be honest. It’s not like it really makes much of a difference. Now Ripley needs to just wait until a ship arrives that will take her back to Earth, but the problem is that the Xenomorph is somewhere on the planet. She wants to destroy it before leaving or it’ll keep on spreading. Meanwhile the rest of the prisoners want to murder her because they’re still evil. Can she unite the team in time to stop the alien or are they all doomed?
It really doesn’t help that this film has terrible supporting characters. From the start we’re introduced to the fact that a lot of the prisoners are still evil and certainly aren’t ashamed of the fact. They’re just here to mess up the heroes and cause trouble. They even attack Ripley at one point until another guy comes in to corral them. When there aren’t any characters to like then that’s a problem. There are only two of these prisoners who are given any real development.
First off is Jonathan. He isn’t violent like the others, but he was drunk while operating a while back and caused a lot of people to die. As a result he was charged with being the doctor in this place. While he is more perceptive than most of the other characters I definitely wouldn’t call him a good one either. One big problem here is the fact that he was told not to get too close to Ripley and immediately goes past the friend zone. This is a good chance to point out that the romance definitely wasn’t particularly good here. It’s extremely rushed and doesn’t actually serve any kind of purpose in the story. It’s just here for shock value to be honest and if you take it away then everything would still play out the same. Jonathan ultimately doesn’t add much either as Ripley never gives him the courtesy of knowing how he’s gonna die.
Since there is a hostile alien on board that’s going to murder everyone shouldn’t Ripley have just told him to watch out? At least maybe he would have lived that way. By the end it seemed reasonable that she should have told him. The other main character is Leonard. He may be a big prisoner but he has bought into the religion preached there and is trying to turn over a new leaf. That being said, he’s still okay with murdering people. He definitely has a pretty grisly end, but at least he was helpful I suppose. The actual leader of the crew was certainly not interested in making this easy on the characters.
As expected the actual script is pretty terrible as well. There’s a lot of language throughout and the sad part is that it’s pretty much expected at this point. It goes back to the unlikable cast part. Then the film’s also super violent as expected. Everyone goes down as violently as possible and they’re all picked off one by one. None of them have any chance against the aliens. If that wasn’t bad enough, then you’ve got the animal violence as the dog goes down. The film was already pretty hard to get through and when you add all of these elements up you’ve got a stinker on your side.
Meanwhile you’d expect Ripley to at least be decent right? Unfortunately she certainly isn’t. Again, I think letting Jonathan know would have been fair since she forced him to spill the rest of the details. Then she also goes outside by herself in a hostile environment when everyone warned her that the prisoners would try attacking her. She just doesn’t actually listen to anyone and keeps getting herself in trouble.
It goes without saying that this is the weakest Alien film I’ve seen. Hopefully the next ones are stronger, but I can’t say that I have particularly high hopes of that. The series died a long time ago and you could argue that Aliens was its last chance to really make a difference. How do you top the “This time it’s War!” tagline for future titles? As it is we’re basically just retreading old ground at this point. There’s not much point to the films and without a new dynamic it’ll be stuck in place. If the films want to be good they need to at least cut out the animals, give us a better locale, and absolutely the film needs to have better writing. That’ll at least give the film a fighting chance even if I still don’t like its odds.
Overall, This is a pretty dreary film and there’s nothing around to spice things up. The actual locale isn’t as interesting as the first two films. There’s also a lot less alien action for the most part. Aliens had a bunch of them running around at least which was fun. I also prefer the dynamic of soldiers fighting off aliens as opposed to people just trying to run away from them. The former leads to good action scenes while the latter is just needlessly dark. I feel the same way for all genres. There’s no enjoyment to be had in a fierce villain murdering a bunch of non combatants. I want to at least pit him against people who can try to fight back even if they have no chance.
Overall 1/10
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