This review is of the edited TV-14 version of the film. All thoughts below should be addressed as such as a review of the unedited version would likely be far more negative.
It’s time for a retro train heist film. It’s definitely not a plot that you see every day, that’s for sure. Taking over a train seems futile and pointless but I suppose it’s good if your overall goal is just to cause mayhem and destruction. In this film, the villains have a plan on how they can actually pull off a heist and get away with it though. Time to see if their plan was entertaining.
The film starts off with a conductor learning how to be a conductor. He gets the hang of it pretty quick so his boss leaves. Unfortunately, that is when a group of robbers walk in and take the train at gun point. Their demands are simple. They want 1 Million U.S. dollars and a free ticket out of the tunnels. The transit police will have to think carefully about how they proceed. There are 17 hostages at play here which is the main problem. If the cops keep obeying the demands, then the crooks will get away and the hostages may be shot anyway. If they don’t obey, the hostages will be shot right away. Time to make some tough calls.
I’ll end the suspense right now, this was a great movie! There is no shortage of good characters to be found here. The writing is excellent and the pacing is sound. As with many thriller films like this, I did prefer the first half to the second. It’s just always hard for the payoff to actually beat the setup. Still, it gives it a good effort all the way through and the ending is still solid. At times this film feels like a parody, but you could also just make the case that it accurately depicts how tough New Yorkers are. They are certainly the last people to get intimidated by a guy with a gun. This bravado doesn’t always work in their favor though as one guy runs into his death as he tries to insult the gunman.
Garber is the main character here and he takes the situation in stride. Like the other New Yorkers, he basically just laughs at the villains for a while. He doesn’t take them too seriously but eventually he is forced to re-evaluate this position. He never loses his nerve throughout the film though and you can see why he is the captain here. The rest of his men don’t take the threat all that seriously either, but don’t really know when to get serious so it’s probably good that they stayed in the background. If you want a character who was really tough, look no further than the Deputy Mayor. The scenes with him and the actual mayor are certainly the best ones in the entire film.
The mayor only cares about his voters and living life to the max. He would rather keep his money than save everyone, but the deputy pressures him into making the right calls. Even then the mayor is able to stall for time by calling in various heads for different departments. While this is hopefully not too realistic for New York if such a thing were to happen now, it’s easy to picture this happening. There’s always a bunch of red tape everywhere after all. The mayor never really steps up and that’s part of what makes the plot fun. The deputy certainly has a lot of work on his hands if this scene is any indication.
To an extent this film can feel like a parody at times. It certainly has quite a lot of comedy moments throughout but they aren’t exaggerated or obnoxious. It’s the sort of outlandish humor that works because nobody reacts to it. All of the characters appear to be acting sensibly in the eyes of the others. Whether it be asking the gunmen questions with obvious answers or asking what’s going on when the scene is taking place in front of you. The characters say their lines with a straight face and really test the villains’ patience.
That’s why the second half can’t really hope to win against the first. The second half is actually played a little more seriously as the villains make their big move. We get some gun fights and the undercover cop finally gets to do something. The film hypes him up for a very long time so it was nice to finally see him do something more than just hiding. He does all right for himself and I guess there wasn’t much he could have done earlier, but honestly you could cut him out of the film and not much would change. Likewise with the villain that the others didn’t trust. They’re not bad plots though so I’ll take it.
There aren’t really any negatives to speak of with this film. It certainly doesn’t drag on as the pacing is good and the writing is solid as well. The writing isn’t amazing as the TV version did have to edit the dialogue quite a bit, but it worked well enough. It could have easily tried to make all of the characters edgy in a bad way instead of everyone just being arrogant and rebellious here. There are two remakes of this film and I doubt either one of them will be able to come close to this one. It’s a very delicate balance when you’re trying to make a comedy thriller since one element can usually overwhelm the other. I think this movie did a really fine job with it.
As for the tough question of listening to the terrorists’ demands, it’s definitely a tough call. After all, as shown in this film there is really no end. They can just keep making more and more demands until they get away since it’s not like the hostages are going well. Even after they bump off a few people nobody can do anything because of them. Of course they will eventually run out of room to make demands since they still need an escape route, but the cops really have a tough job in these films. The officers do a good job of delivering the package to the villains since they had to come in unarmed and even give their back to the villains. One cop did choke though so hopefully he resigned after the situation ended.
A nice touch for the villains is that they didn’t cram in some random sob story or anything like that. They just wanted to get rich and decided that holding up a train would be better than taking out a bank. They’re not ex soldiers trying to make a point, leaders of charities who are being robbed, or concerned citizens trying to stop a corrupt government. They’re just ordinary crooks with a big dream. Once they’re caught, they’re taken to jail. It feels like a while since the villains didn’t have any extra baggage and sometimes it works better that way. Not every villain needs to be three dimensional or super sympathetic. The final villain just jumping into his money is the perfect embodiment of what these villains were after. At the end of the day, they just wanted to be rich.
Overall, This train heist film was quite solid. It’s a pretty cool backdrop for a film and since it takes place in NYC that made the whole thing even cooler. The characters are solid and the comedy is on point. I’d definitely recommend checking it out ASAP. Whenever the mayor appears, prepare yourself for hype. I do wish he had gotten to appear one last time, but I suppose the film didn’t want to risk overdoing it with his plot and that makes sense. This film’s ending is also quite satisfying. The main characters gets to put on his detective hat and one of the little running gags from earlier led to a payoff. It’s not quite Airplane, but I would consider this to be one of the better comedies.
Overall 8/10
Before I Wake is a horror film where the title just makes sense. If you just hear the title you can probably guess the general synopsis of the film. The quick response you will always think of though is just “Wake the Kid up” Well, one character tries at any rate. Probably should have tried harder though. It’s a decent film if we go by horror film standards, but it still couldn’t cut the mustard overall. It just mainly lacks a good ending but more on that later.
The film starts off with an edgy opening as a Dad tries to murder his son but isn’t able to do it and the cops arrest him. It turns out that this kid’s dreams become reality as long as he is asleep. When he wakes they all vanish. Unfortunately, the more Cody uses this ability, the more the monster that is inside of him shows up. His monster has already destroyed the last few families he was with so now we are introduced to the latest foster parents, Mark and Jessie. Unfortunately they may not be ready for this kid as they are dealing with their own issues. Can they defeat the monster?
I admit that if I had Cody’s powers I would barely even notice. I rarely dream which is kind of unfortunate but it’s because I found the trick to it. If you start thinking about 2 stocking people and winning Super Smash tournaments, you eventually black out and then it’s the next day. I can’t tell you how many times I’ve won EVO. All right, back on topic. I have to say that the kid dreams extremely fast since the visions seem to occur the moment his head hits the pillow. The dreams are awful convenient but as the kid is fairly young I Guess it makes sense that he would dream about his latest thoughts. The kid isn’t a bad character. Cody is pretty cryptic but at least he has good reason to be since people try to destroy him and even monsters are on the hunt. He does have his iffy moments though as he will intentionally ask the parents personal questions about how their son died in order to take attention away from him. It does show that he’s not a very nice kid at times and is mainly looking out for himself.
Mark is definitely a solid character. He does his best to get along with the kid and gives him a lot of fun days. It’s not enough to totally get rid of the sleeping problem but the Dad does his best. He also charges at the monster which is more than I can say for 90% of horror protagonists. He got a decent grab in but since the monster assimilates anyone it touches, this didn’t work out too well.
Jessie was not a good character though and realllly takes a long time to get over her past. The film does give a nice misdirect here we initially you may think the Dad is the one who isn’t coping well. He stopped coming to the grief club to wallow in sorrow and Jessie claims that he has been distant. The film quickly shows us that it is the opposite way around. She just can’t get over her last kid, Sean, and as soon as she learns that this one can make dreams real she exploits the ability to make Cody dream of her son. Even though the son is fake it’s good enough for her but of course this means she is neglecting her current son. She even goes as far as to drug Cody to keep him asleep. While she sees the light by the end, it certainly took a while and I can’t say that I’m a fan of hers.
The ending also isn’t great. Basically, they can’t bring any of the victims back since they were completely eaten but the heroes take solace in the fact that they can all be together in the afterlife or whenever the kid dreams about them. That’s a small consolation at best and it probably would have been better if at least the Dad had survived. The people from child support lived, but I guess it’s because they were assimilated into walls instead of the monster. Also, the film quickly teased a fight between the monster and the mother as they ran towards each other but it ended up being a hug instead. I was really hoping for the fight as she would try to avenge her husband.
The tragic backstory for the main characters was also needlessly tragic. Instead of having their kid drowned and then they couldn’t have more kids, the film could have skipped the former and started with the latter. Maybe even just have the kid get sick or something. Drowning is a bit much for a child. I also have to then question the handle bars that the family added for when they have more kids. They looked to be a little too high up if the kid was the same height so what was the point again? I think the bars would have to be lowered a little more to serve their intended purpose.
I’ll give the main characters some props for figuring out how the kids powers worked very quickly. Usually most of the film is spent just trying to get the supporting characters to re learn what common sense is. Here that wasn’t really a problem. Finally, I should also talk about the monster’s design. It’s pretty good and sort of looks like Slenderman. The monster has a few nifty abilities like assimilation and super strength. He isn’t very fast, but doesn’t trip so he will eventually catch you. Assuming that this monster will help the heroes in a sequel, we’re going to need a new monster.
Overall, Before I Wake definitely has an interesting premise. It also is classier than most horror films but still gets needlessly grim at times. The beginning and ending are weak. While the middle is decent, the repetition of the drowning scene doesn’t help it either. I don’t expect many horror fans will find this all that scary so you’ll have to enjoy it for the plot. I’d sooner recommend a film like Poltergeist 3. That one had everything you could ask for from a horror film.
Overall 4/10
It’s time to look at another animal based horror film. Fortunately it’s not about birds or dogs as that would give off even more warning bells right out of the gate. As it stands, the film actually manages to avoid any real violence against the ants which is pretty cool. Of course, we do get a montage which doesn’t help the film’s case but one thing at a time.
The film starts off with a wealthy member of corporate heading over to a family hotel to buy it out. The current owner doesn’t like this idea but she is getting very old and won’t be able to stand up to the power for very long. It doesn’t help that her daughter will not continue the legacy either. As the old lady gets ready to relent, the hotel gets overrun by bugs. Ants to be precise! They are biting everyone and plan to eventually take over the building. It is only a matter of time before they finally claim victory. How long can Mike The Construction Worker protect the hotel crew?
One thing you’ll notice right away is that the film relies an incredible amount on your suspense for disbelief. The Ants aren’t exactly subtle as they swarm everyplace they can find, but nobody ever notices them. Clearly they all need glasses as you can usually tell if around 6-10 Ants are cluttered, much less hundreds. Whether it be the kid in the dumpster or the cook in the kitchen, you can’t possibly expect us to believe that they didn’t notice hundreds of ants. That’s just not possible and the film probably knows it. It’s just that there is not really any other way to get the ants into place except by having them walk there. The film should have had them crawl in at night or something like that since the darkness would give a better reason as to why they couldn’t be spotted.
We also can’t forget the plot convenience of the ants deciding not to attack the guy who was trying to shut the place down. They mentioned that the ants won’t hurt you if you don’t move but this guy was lightly aggravating then by moving his hand around and yet they didn’t bite. I suppose they were just smart enough to realize that attacking someone like this just wasn’t worth it? I dunno, it’s a bit of a stretch but if you see this as a very sentient takeover by the Ants, then I guess it helps a bit.
As mentioned earlier, there is a montage where the ants destroy a bunch of other animals which definitely wasn’t a good idea. I don’t want to see them challenging a bunch of innocent animals. Keep their victims human, but don’t throw in the animals. It’s just not right, not right at all. I suppose it’s a good time to talk about the characters. Certainly an intriguing cast, but not a good one I’m afraid.
First off we have one of the supporting construction guys. He was tending to the front yard when a girl shows up and basically asks if he’s free. You can take that two different ways, if he’s not busy right now or if he’ll fool around with anyone. He basically says yes to both and their terrible/out of nowhere romance begins. Not only do these characters not add anything to the film but they aren’t even fun. I don’t see the point of including them here and that was probably a mistake on the film’s part. Another pair of big characters were the corporate takeover guy and the girl he was with. They certainly don’t get along very well as the guy constantly insults her intelligence. She always gets him to half apologize but this happens at least 3 times so talk about de ja vu. His corporate side was fun as he always seemed to have the edge when it came time for the talks. He was good at lying to a person’s face with no remorse. You can certainly tell that corporate taught him well. You know how his character arc is going to end right from the start but at least it’s a fun ride. He’ll stand up to anybody!
The old lady who wanted to keep the house was decent. At least she knew that if she sold the house it would probably be the end of the building. Still, it’s not like you can keep it forever anyway, eventually she would be forced to let it go. While she may have made the climax a little more difficult for the heroes, it wasn’t exactly her fault so she can’t be blamed for that. Her daughter is the main person running the show while the lady rests and she’s not a bad character. Her romance with Mike is pretty bad though. The trope of someone winning an argument by pulling the romance card just isn’t good. Mike had a good reason for barging into the hotel and should have just explained it better. Mike has a big role in the film and could probably be called the lead. He does figure out the true culprit of the attacks before anyone else so I’ll give him some kudos there. Beyond that, he doesn’t really have much character and I can’t say that I liked him. He does ultimately back off from the environmental protection guys and Mike could have handled the situation better.
The climax is another part of the film where you will have to shake your head. Ants have begun to surround the house so the main characters are trapped inside. It’s unfortunate for them, but they knew the risks. The problem is that they should be able to just run out of the house. The only decent case you can make here is that it would be tough for the old lady, but Mike could have carried her. The Ants are numerous but as long as you’re careful you should be okay. One character does run out of the house, but he puts his hand on the rail which is a big no no and then trips. Since the other characters know to respect the Ants, they’d run down the stairs without grabbing anything. It’s not like the Anta can fly and while they could jump off the walls, they didn’t do that in any of the other scenes so why start now? Don’t even get me started on how slowly they were getting into the helicopter. It’s a matter of life and death, you’d think that they would show more initiative. Then sitting still and hoping the Ants wouldn’t bite ends up being the right answer.
These Ants are mad because of the environment so I figure they would throw in some bites anyway. They don’t care about how normal Ants would act, these are Eco-Warriors and they will die fighting. The whole climax revolves around you believing that these are just normal ants again. It’s also a big gamble that the ants don’t bite when they are blasted by the sleeping gas. I certainly wouldn’t have gone along with the plan and I can safely say that I prefer not to have Ants crawling all over me.
Overall, Ants isn’t a very good film. In fact, it’s a bad one. It’s filled with so many leaps in logic that you will be wondering why the film made the decisions it did. If it really wanted to trap he heroes in the house, it should have had more Ants on the ground to show that with every step they would get bitten. Maybe the budget had something to say about it as well though. Seeing Ants crawling around on everyone definitely isn’t all that enjoyable and I think a film about any kind of insect like this would be rather difficult to get behind. Better luck next time I suppose. You’re better off watching THEM.
Overall 3/10
It’s time to take a look at the end of the trilogy. Cars had a good run as there aren’t too many Pixar films that have gotten two sequels. That being said, while the final installment is pretty solid, I’d still say that the original Cars is the best one. This film just had one thing that went against it, but it was a fairly big thing, the ending.
The film starts off with Lightning McQueen in a big race. He is at the head of the pack as per usual but then he is passed by Storm, a new kid on the block. The kid claims that he used to look up to Lightning, but that the main character is just too old to compete nowadays. He throws a lot of age related burns Lightning’s way and the lead pushes himself too hard as he tries to catch up and ends up getting into an accident. This leads him to stay out of the races for a few months, but nothing can keep Lightning down for very long. He decides to get back into the races and to do that he will have to use the latest training tech. His sponsors were bought out by a millionaire who loves the high tech stuff, but he may not be quite as nice as the older guys. At the end of the day, Lightning is going to have to prove that he has what it takes to get back on the track and claim victory.
The theme of the main character getting old and being surpassed by new talent is certainly a tried and true one. Rocky is certainly well known for doing it. We even get a lot of training for Lightning as he tries to get better although the film fumbles this part a little. Lightning’s personal trainer, Cruz decides to follow him and she doesn’t believe that he has what it takes to go all the way. As such, Lightning spends most of his time helping her out instead of actually training. He doesn’t get much faster than he was so in a way old and actually ended up winning this time. Lightning looks good during the final race but he doesn’t end up winning so that’s too bad. It’s not like he got a clean win in the first film either but at least it was obvious he was going to win and the crowd reinforced this. In this film Lightning was only projected to make it to the top 10 before he tagged in Cruz. To be clear, the point of this part of the film is that Lightning couldn’t train as much as he wanted too so that was the film’s intention. I just say they fumbled the ball because the plot took a different turn than I had been hoping for. I wanted the hype comeback story where Lightning wins and then I’d be fine with him retiring. Having him put it all on the line one last time would have been exciting. Maybe Lightning would have been able to take 1st or maybe not. We’ll just never know. As the ending played I thought that Lightning and the trainer would both be competing but under different teams. That would have been neat.
The animation is as solid as ever. The film’s definitely does a great job with all of the car designs and I still crack up at their facial expressions. Throw in the grins and you are constantly entertained. The racing scenes look really nice and the music is also pretty good. The film has an actual soundtrack which is nice. Cars 3 definitely did a good job on all the technical levels. Even the way everyone says “Lightning McQueen” is a lot of fun. I don’t know why but they always seem to taking a jab at him with the way they stretch out his name but maybe I am overthinking it.
As expected the writing is also really good and is a considerable upgrade from the last film. It is just really great to have Lightning back as the lead. He does a great job of looking like the seasoned veteran you would expect him to be at this point. The mind games don’t really work on him at this point and he doesn’t take his training for granted. Even his depression phase was quite small and he snapped out of it very quickly. I do think it makes the initial teaser very misleading as the crash wasn’t nearly as bad as it implied, but it was a good misdirect. After all, the crash still did happen so it certainly wasn’t false advertising. It’s probably safe to say at this point that Lightning is one of Pixar’s best leads.
The supporting cast is solid as well. They brought back Lightning’s rival from the first film and he definitely does not like Lightning any more than he used to. In fact I’d say his aggression has only increased with age and he takes numerous shots at McQueen whenever he is on the air. His segments are definitely a lot of fun and certainly is a highlight of the film. What you have to respect the most about this guy is that he isn’t trying to put on some kind of act. He is straight forward about how he doesn’t like Lightning and I dare say that he is the most enjoyable character in the film. It just doesn’t get better than this guy.
The new villain is also pretty solid. Storm thinks that the younger cars are the ones who should be on top of the circuit and is always throwing insults at Lightning based on his age. He has a great design and his speed is certainly the real deal. The scene where he is training and passes a hologram of Lightning is a lot of fun as well. Jackson is arrogant and extremely confident. Those are definitely qualities that you always want in a villain and he pulls them off very well. We have yet to have a bad enemy racer for Lightning which is pretty impressive. All 3 opponents were fun villains. At least this one doesn’t play dirty til the end so he did win all of his races with skill.
Finally we have Cruz. I’m afraid that her character was a bit of a miss since the movie tries to portray her as a prodigy with the oblivious nature of Mater. This isn’t a good combo for many reasons, one of which is that these character traits really clash. You can’t be someone who really knows what to do on the track and also not have any real common sense for new roads. When she heads to the beach for the first time she has absolutely no idea how to drive. Cruz can’t turn and falls in every puddle. She is exaggeratedly bad at being a racer despite earlier scenes making a point of showing that she was great at the simulator. Then she is supposed to be a great trainer who is great at helping any car get to the next level. She individualized the training for each car based on which obstacles they had which prevented them from getting to the next level. Yet, she could not do the same for Lightning and instead seems to be trying to sabotage his chances of being ready for the race. Perhaps the angle that the film was going for was that she was such a big fan of Lightning that she really did think he was too old and didn’t want him to tarnish his legacy. That theory is a bit of a stretch though and either way it doesn’t really help her case. The part of her character that had the most potential was her dream of driving but even that is a little murky.
When this plot was first introduced I figured that they were going to say that Sue wasn’t able to be a racer because girls weren’t allowed at the time or in her district. It would have been very disappointing for her and would have been a legitimate reason for her to have hung up the tires in place of being a coach. Instead, she was simply intimidated by the cars and quickly gave up. It’s hard to be sympathetic to her plight because it sounds like she never even gave it a second go. She couldn’t have been all that excited to be a racer if she gave up on her goal so quickly. At least for me, this twist weakened her story.
I should wrap up this section or it’ll start to be as long as the rest of the review! This is just my explanation for why her character was ruined out of the gate. Her personality and what we knew of the character completely clash with each other. She appears to be smart and competent in some scenes and not so much in others. You’d think that the film switched writers midway or at least made some big changes to he character. As for the other supporting characters, they were okay. We got a group of older cars who help Lightning get ready for the race with some motivation and a track for him to ride on. They don’t appear too much of get much of a role, but they seemed like solid characters. The other cars back home got their cameos in as well.
The only relatively weak part of the film is when the gang heads over to the underground racing arena where they fight a Magic School Bus homage. It’s not so much that this is a bad scene but it basically feels like filler and I didn’t care for any of the characters there. This was also during the phase where Cruz was pretty annoying. I suppose it was a good way of showing that Lightning is proficient in all kinds of races, but that probably could have been handled better.
Overall, Cars 3 is a good way to end the trilogy. If the story does end here, it’s not such a bad way to end off. Lightning still should have won the race and that would have solidified this as a great film and the best in the trilogy, but I suppose you can’t win them all. If you’re looking for a fun racing film with a good lead then you have come to the right place. What really makes Cars 3 so solid is the fact that the writing is certainly on point. It’s an enjoyable film even when not much is happening because the dialogue is good. That being said, the pacing is pretty quick for the most part. I would definitely recommend this film. It’s an all around solid movie.
Overall 7/10
I haven’t seen many Westerns over the years. In fact, this is likely the second true Western that I’ve seen when you don’t count titles that aren’t primarily in the genre. It’s definitely an interesting genre but one that is immensely difficult to succeed in due to the nature of the era. It was a lawless time with a lot of violence and bandits running around. The times were also primitive which runs the risk of animal violence and people messing around with one night stands. This film does get tripped up in those details but at least it’s a fairly fun adventure. I won’t call it a good movie, but it could have been a whole lot worse.
It doesn’t waste any time in setting up the plot as it starts with the Jed getting attacked by a group of guys on horseback who decide to hang him. They do think that he murdered someone and he doesn’t make a great case against it, but naturally taking the law into your hands isn’t the answer. Especially in this case as they decide to beat him before the hanging. Jed is rescued by someone who takes him to get publicly hanged, but then the sheriff clears up the misunderstanding and finds out that the main character was actually a cop. It was a rather painful misunderstanding but I imagine it may have been common back in the day. Jet is given an opportunity to be a marshal so he can legally get revenge on his attackers. The only clause in the contract is that he has to bring them in alive and naturally he has to deal with other crimes as well. Jed agrees to the terms but may have bitten off more than he can chew with this assignment.
While the opening scene gave me some hope as the main character saved a baby cow, the film later went back on this as we see a few dead animals. A dog also meets a similar fate. These scenes contributed nothing to the plot by the way. It was added simply to be there and that’s the problem. Many scenes like this are added with no real purpose or point to add to the story and it’s because the film makers don’t see anything wrong with it. It has cost many films a good score and doesn’t help this one’s case.
The plot of the film is simple enough. Jed has to take down 9 attempted murderers who are on the run. The problem is that the film then realized that it needed to stretch this adventure out to around 2 hours so they added a bunch of filler plots that take away from the mission. The film should have just stayed on task even if it meant being a little shorter. The padding only weakens the film even if the concept isn’t half bad. Becoming a marshal just to get revenge is something I can certainly imagine happening.
Jed is a solid lead who gets the job done. He may have lost the opening fight but he was badly outnumbered and wasn’t even expecting to be attacked since he thought they were fellow fighters on the side of justice. That being said, you shouldn’t really trust anyone in the Wild West. Once he is given the badge Jed has the edge on all of his attackers. He isn’t afraid to be alone with the prisoners as he transports them back to camp and isn’t intimidated by anyone either. He’ll speak his mind in any situation and is also a quick shot.
While the main character was solid for the most part, he does randomly have a scene where he becomes a typical lead who loses sight of his goal and gives in to a one night stand instead of getting back to the mission. Jed has to lose some points for that moment and it’s little scenes like this where the film loses its credibility. I’d say that I enjoyed the main character overall but take away that scene and he would have basically been perfect.
The film is fairly violent so keep that in mind while watching it. The opening scene should tip you off to that as they hang Jed in a rather detailed fashion. Fortunately the wound does eventually dry out. Surprisingly the shooting scenes were typically less violent. It’s a violent film, but not really a dark one. For the most part the film does keep a rather upbeat tone. The writing is also pretty solid as the characters make their cases. We even got a court room scene but of course the whole thing was rather rigged so Jed couldn’t do much to stop it the judge from executing the kids. The kids were crooks, but it was a rather minor offense though they did become accessories. It was another tough part of the wild west since it was tough to afford a space in a jail for someone to be kept for life. Every era has its share of mishaps, but this one definitely had a bunch of them. So at the very least this film isn’t hard to watch. It’s reasonably entertaining and certainly ends up being a film that you would expect of Clint Eastwood. It just brings in the bad with the good.
Overall, This film was fairly decent but just lost sight of its overall plot by the end and should have focused more on catching the 9 offenders. The film even ran out of time by the end with how they quickly rushed the last group of guys together. Throw away some of the subplots and cut down on the time other scenes took and then it would have been better focused. Still, if you like the Wild West genre a lot then this should be a good film for you. It has a tough lead, gunfights, and overall feels like a true western. If the gene isn’t enough to get you excited, then you’re probably better off with a more loose take on the Wild West like Trigun. That film keeps the backdrop while throwing in some Sci-Fi.
Overall 3/10
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